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    best november concerts

    Jelly Roll and Usher headline Houston's 10 best November concerts

    Johnston Farrow
    Nov 4, 2024 | 10:04 am

    In stressful times, one reliable way to blow off steam is live concerts. These settings might be some of the last bastions for melting away all our differences to experience artists performing their distinct brand of melodies, hooks, and beats. Music rarely, if ever, lets us down.

    So in a particularly tense cultural climate, restore your faith in humanity by attending any of the 10 biggest concerts happening in Houston this month.

    Old 97’s with Fastball, November 10, The Heights Theater
    Two of the more underrated Texas acts that found initial success in the ‘90s will visit the intimate confines of the Heights Theater this November. Led by the handsome Rhett Miller, the Dallas-formed Old 97’s carved out a respectable and prolific career on the foundation of hook-filled alt-rock-meets-Americana, their latest being this year’s critically acclaimed American Primitive. Meanwhile, the Austin-formed Fastball garnered attention for the still-great rock radio hit, “The Way,” with their latest album being Sonic Ranch.

    Can’t Miss Songs: “Question," "The Way."

    Cyndi Lauper, November 16, Toyota Center
    The neon-bright feminist icon Cyndi Lauper is doing one last dance, embarking on her Girls Just Wanna Have Fun Farewell tour to celebrate 40 years as one of the most successful pop stars of all time. The Grammy, Emmy, and Tony Award-winning songwriter ruled the charts in the ‘80s, and her outspoken voice on women’s issues has endured over the years alongside her hits. The Lauper-influenced pop duo AJ & Aly will open.

    Can’t Miss Songs: “Girls Just Wanna Have Fun,” “Time After Time,” “True Colors,” and “She Bop.”

    Jelly Roll, November 17, Toyota Center
    The first of several former RodeoHouston headliners to perform in Houston this month, Nashville’s Jelly Roll is, well, on a roll these days, taking over the country charts in true crossover fashion that’s become a popular strategy for hip-hop artists. His No. 1-hit “Save Me” has been inescapable since it was released in 2020, and he has parlayed that into a stratospheric rise to mainstream popularity after starting his career as an indie rapper. His new album, Beautifully Broken, scored him his first Billboard #1 pop and country album.

    Can’t Miss Songs: “Save Me,” “Need a Favor”

    GWAR, November 17, Warehouse Live Midtown
    Not for the faint of heart, heavy metal legends GWAR are on a mission to melt your face off with their hyper-sexual, mythological and frankly, uncouth, guitar assault. Best known for their exuberantly over-the-top and grotesque costumes and interactive performances that involve actual audience members being consumed by onstage props or being sprayed by fake bodily fluids, GWAR have no time for pearl clutching. In other words, are you not entertained?

    Can’t Miss Songs: “Immortal Corruptor,” “Lust in Space”

    Mariah Carey, November 19, Toyota Center
    The Queen of Christmas is coming. We’re not just talking about Mariah Carey’s biggest holiday hit song of all time, “All I Want For Christmas,” which should start blasting from speakers any day now. For those who haven’t heard enough of that tune, the superstar will also be taking the show on the road with a setlist full of festive favorites alongside non-Yuletide-themed hits.

    Can’t Miss Songs: “All I Want For Christmas,” “Hero”

    Manchester Orchestra, November 20, Bayou Music Center
    A festival favorite, Manchester Orchestra, has steadily been building a solid fanbase in the Bayou City, seemingly playing city stages every year, even when there’s no new music to tout. Thanks to the genius of singer/guitarist Andy Hull, the Atlanta band’s sprawling, multi-genre sound is the catharsis many crave. Their last original album may have been released in 2021, but their strong live presence forged on large stages means that they’ll continue to draw a crowd.

    Can’t Miss Songs: “The Gold,” “The Alien”

    Kacey Musgraves, November 21, Toyota Center
    The Texas-raised, seven-time Grammy winner Kacey Musgraves is one of the brightest lights in the new country scene. After winning multiple awards for 2018’s groundbreaking full-length, Golden Hour, Musgraves achieved her first No. 1 pop chart hit with Zach Bryan, “I Remember Everything,” and she appeared on Saturday Night Live following the release of her new album, Deeper Well. The strength of her live performance has only grown since she opened RodeoHouston in 2019, and Lord Huron and Nickel Creek round out a solid line-up at this Toyota Center headlining gig.

    Can’t Miss Songs: “Follow Your Arrow,” “Butterflies”

    Better Than Ezra, November 22, House of Blues
    Three bands that had their own 15 minutes of fame on ‘90s alt-rock radio are playing within days of each other on different Houston stages. Denton’s Deep Blue Something (“Breakfast at Tiffany’s”) perform on November 22 at the Last Concert Café and SoCal rockers Everclear (“Santa Monica”) are at Sawyer Park Icehouse on Nov. 24. Of the three, our pick is Better Than Ezra at House of Blues, a trio that released a series of good-to-great albums featuring the power-pop gems, “Good,” “King of New Orleans,” and “Desperately Wanting” that found alt-rock radio success.

    Can’t Miss Songs: “Good,” “Desperately Wanting”

    Usher, November 27, 29 and 30, Toyota Center
    Is R&B heartthrob Usher the biggest artist in the world right now? A sell-out Las Vegas residency, a Super Bowl halftime performance, and three-night run at Toyota Center at the end of the month points to (cue Lil Jon voice) “Yeah!” The seemingly ageless performer who first broke out during the Total Request Live era will draw from a vast catalog of hits in what might be some of the biggest shows of the year in Houston.

    Can’t Miss Songs: “Burn,” “You Make Me Wanna,” “Yeah!”

    Midland, November 29, 713 Music Hall
    Country act Midland heads down the highway from their Central Texas home for a headlining gig at 713 Music Hall, their Eagles meets ‘80s country a perfect fit for their blue steel looks. A few years removed from their 2020 RodeoHouston opener, in many ways this trio pointed the way forward for country acts today, with outlaw attitudes up against catchy hooks as a recipe for success. They are back on the road with their new album, Barely Blue.

    Can’t Miss Songs: “Drinkin’ Problem,” “Mr. Lonely”

    Kacey Musgraves RodeoHouston 2019
      
    Photo courtesy of RodeoHouston

    Seven-time Grammy winner Kacey Musgraves performs at the Toyota Center on November 21.

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    Movie Review

    Houston native Wes Anderson shows off comedic side in The Phoenician Scheme

    Alex Bentley
    Jun 6, 2025 | 4:00 pm
    Benicio Del Toro, Mia Threapleton, and Michael Cera in The Phoenician Scheme
    Photo courtesy of TPS Productions/Focus Features
    Benicio Del Toro, Mia Threapleton, and Michael Cera in The Phoenician Scheme.

    If you were to do a poll of the best comedy filmmakers of the 21st century, writer/director Wes Anderson is not the obvious choice to come out on top, but there’s an argument to be made for him. His quirky style doesn’t yield the guffaws that more broad comedies do, but the absurd situations he creates in his films are often more consistently funny than anything else.

    Anderson’s inimitable approach is once again on full display in The Phoenician Scheme. At its center is Zsa-Zsa Gorda (Benicio Del Toro), a much-hated businessman who’s looking to complete a number of big projects in the fictional country of Phoenicia. As he seems to be the target of multiple assassination attempts, he appoints his daughter, Liesl (Mia Threapleton), as his heir to try to ensure his legacy.

    Both she and his new assistant, Bjorn (Michael Cera), accompany him around the country as he tries to enact a scheme to have others cover the bulk of the cost for the various projects. Those he attempts to convince include Phoenician Prince Farouk (Riz Ahmed), brothers Leland (Tom Hanks) and Reagan (Bryan Cranston), fellow businessman Marseille Bob (Mathieu Amalric), ship captain Marty (Jeffrey Wright), his Cousin Hilda (Scarlett Johansson), and Uncle Nubar (Benedict Cumberbatch).

    Put in Andersonian terms, the film is a mix between the madcap antics from The Grand Budapest Hotel and the impenetrable storytelling of Asteroid City. If you were to try to understand every detail of what’s going on in the story of The Phoenician Scheme, it might take three or more viewings to do so. But the film is still highly entertaining because Anderson fills its frames with his typical visual delights, great wordplay, and his particular version of slapstick.

    Much of the comedy of the film derives from Anderson inserting moments that initially come as a surprise and then utilizing them as running jokes. The film features more blood than usual for the filmmaker, but each time a character gets wounded (or worse), it gets funnier. The assassination attempts get broader as the film goes along, and the matter-of-fact way in which they’re treated by Gorda and others is also hilarious.

    Of course, Anderson is the cinephile’s comedy director, so the film is also full of high-brow things like allusions to paintings, tributes to other filmmakers, and classical music. Each time Gorda has an attempt on his life, he briefly finds himself in a version of limbo, depicted in black-and-white by Anderson. The cast of characters Gorda finds there - including Bill Murray as God - could come straight out of a 1950s Ingmar Bergman movie.

    Del Toro has delivered some great performances over the years, but this one is near the top for him. This is his second Anderson film (following The French Dispatch) and he nails the deadpan method. Also great is Cera, who uses a ridiculous accent to make a big impression. Threapleton, the daughter of Kate Winslet, makes the most of her first big film role. The list of supporting actors is too deep to properly laud everyone, but they all fit in seamlessly.

    Opinions will differ, but for this critic’s money, Anderson is at his best when he fully leans into the comedy of his films. He does just that in The Phoenician Scheme, to the point that it doesn’t matter that the story is overly complex. The combination of his eye for visual detail, a witty script, and committed performances make it a success.

    ---

    The Phoenician Scheme is now playing in theaters.

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