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    best november concerts

    Jelly Roll and Usher headline Houston's 10 best November concerts

    Johnston Farrow
    Nov 4, 2024 | 10:04 am

    In stressful times, one reliable way to blow off steam is live concerts. These settings might be some of the last bastions for melting away all our differences to experience artists performing their distinct brand of melodies, hooks, and beats. Music rarely, if ever, lets us down.

    So in a particularly tense cultural climate, restore your faith in humanity by attending any of the 10 biggest concerts happening in Houston this month.

    Old 97’s with Fastball, November 10, The Heights Theater
    Two of the more underrated Texas acts that found initial success in the ‘90s will visit the intimate confines of the Heights Theater this November. Led by the handsome Rhett Miller, the Dallas-formed Old 97’s carved out a respectable and prolific career on the foundation of hook-filled alt-rock-meets-Americana, their latest being this year’s critically acclaimed American Primitive. Meanwhile, the Austin-formed Fastball garnered attention for the still-great rock radio hit, “The Way,” with their latest album being Sonic Ranch.

    Can’t Miss Songs: “Question," "The Way."

    Cyndi Lauper, November 16, Toyota Center
    The neon-bright feminist icon Cyndi Lauper is doing one last dance, embarking on her Girls Just Wanna Have Fun Farewell tour to celebrate 40 years as one of the most successful pop stars of all time. The Grammy, Emmy, and Tony Award-winning songwriter ruled the charts in the ‘80s, and her outspoken voice on women’s issues has endured over the years alongside her hits. The Lauper-influenced pop duo AJ & Aly will open.

    Can’t Miss Songs: “Girls Just Wanna Have Fun,” “Time After Time,” “True Colors,” and “She Bop.”

    Jelly Roll, November 17, Toyota Center
    The first of several former RodeoHouston headliners to perform in Houston this month, Nashville’s Jelly Roll is, well, on a roll these days, taking over the country charts in true crossover fashion that’s become a popular strategy for hip-hop artists. His No. 1-hit “Save Me” has been inescapable since it was released in 2020, and he has parlayed that into a stratospheric rise to mainstream popularity after starting his career as an indie rapper. His new album, Beautifully Broken, scored him his first Billboard #1 pop and country album.

    Can’t Miss Songs: “Save Me,” “Need a Favor”

    GWAR, November 17, Warehouse Live Midtown
    Not for the faint of heart, heavy metal legends GWAR are on a mission to melt your face off with their hyper-sexual, mythological and frankly, uncouth, guitar assault. Best known for their exuberantly over-the-top and grotesque costumes and interactive performances that involve actual audience members being consumed by onstage props or being sprayed by fake bodily fluids, GWAR have no time for pearl clutching. In other words, are you not entertained?

    Can’t Miss Songs: “Immortal Corruptor,” “Lust in Space”

    Mariah Carey, November 19, Toyota Center
    The Queen of Christmas is coming. We’re not just talking about Mariah Carey’s biggest holiday hit song of all time, “All I Want For Christmas,” which should start blasting from speakers any day now. For those who haven’t heard enough of that tune, the superstar will also be taking the show on the road with a setlist full of festive favorites alongside non-Yuletide-themed hits.

    Can’t Miss Songs: “All I Want For Christmas,” “Hero”

    Manchester Orchestra, November 20, Bayou Music Center
    A festival favorite, Manchester Orchestra, has steadily been building a solid fanbase in the Bayou City, seemingly playing city stages every year, even when there’s no new music to tout. Thanks to the genius of singer/guitarist Andy Hull, the Atlanta band’s sprawling, multi-genre sound is the catharsis many crave. Their last original album may have been released in 2021, but their strong live presence forged on large stages means that they’ll continue to draw a crowd.

    Can’t Miss Songs: “The Gold,” “The Alien”

    Kacey Musgraves, November 21, Toyota Center
    The Texas-raised, seven-time Grammy winner Kacey Musgraves is one of the brightest lights in the new country scene. After winning multiple awards for 2018’s groundbreaking full-length, Golden Hour, Musgraves achieved her first No. 1 pop chart hit with Zach Bryan, “I Remember Everything,” and she appeared on Saturday Night Live following the release of her new album, Deeper Well. The strength of her live performance has only grown since she opened RodeoHouston in 2019, and Lord Huron and Nickel Creek round out a solid line-up at this Toyota Center headlining gig.

    Can’t Miss Songs: “Follow Your Arrow,” “Butterflies”

    Better Than Ezra, November 22, House of Blues
    Three bands that had their own 15 minutes of fame on ‘90s alt-rock radio are playing within days of each other on different Houston stages. Denton’s Deep Blue Something (“Breakfast at Tiffany’s”) perform on November 22 at the Last Concert Café and SoCal rockers Everclear (“Santa Monica”) are at Sawyer Park Icehouse on Nov. 24. Of the three, our pick is Better Than Ezra at House of Blues, a trio that released a series of good-to-great albums featuring the power-pop gems, “Good,” “King of New Orleans,” and “Desperately Wanting” that found alt-rock radio success.

    Can’t Miss Songs: “Good,” “Desperately Wanting”

    Usher, November 27, 29 and 30, Toyota Center
    Is R&B heartthrob Usher the biggest artist in the world right now? A sell-out Las Vegas residency, a Super Bowl halftime performance, and three-night run at Toyota Center at the end of the month points to (cue Lil Jon voice) “Yeah!” The seemingly ageless performer who first broke out during the Total Request Live era will draw from a vast catalog of hits in what might be some of the biggest shows of the year in Houston.

    Can’t Miss Songs: “Burn,” “You Make Me Wanna,” “Yeah!”

    Midland, November 29, 713 Music Hall
    Country act Midland heads down the highway from their Central Texas home for a headlining gig at 713 Music Hall, their Eagles meets ‘80s country a perfect fit for their blue steel looks. A few years removed from their 2020 RodeoHouston opener, in many ways this trio pointed the way forward for country acts today, with outlaw attitudes up against catchy hooks as a recipe for success. They are back on the road with their new album, Barely Blue.

    Can’t Miss Songs: “Drinkin’ Problem,” “Mr. Lonely”

    Midland in concert

    Midland band
      
    Photo courtesy of Midland

    Midland is coming to 713 Music Hall on November 29.

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    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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