10 Best June Concerts

Presenting the 10 best concerts happening in Houston this month

May showers give way to hot summer concerts.

Houston’s rainy season almost always leads to issues with the live music schedule, especially for outdoor shows, and each year there seems to be a few gigs that either get cancelled or rescheduled due to a strong Mother Nature flex. However, this year, the city’s concert venues came out of the deluge relatively unscathed, only to set up the next big challenge for the ticket buying masses – the heat.

It takes a hearty sort to be a Bayou City music fan. The June concert slate includes numerous big shows set at open-air lawns and amphitheaters. That means knowing to apply copious amounts of sunscreen, dressing appropriately, and hydrating enough to make Aquaman nod in approval.

But for those who can hack the aggressive temperatures and insane humidity, plenty of shows ahead will make the effort worth it. Here are 10 shows for the month of June that offer ample rewards for live music lovers.

The Kid Laroi, June 4, 713 Music Hall
Following the career path of none other than Canadian pop sensation, Justin Beiber, the young Australian rapper The Kid Laroi found a receptive American audience with his No. 1 hit collaboration, “Stay.” His 2020 mix-tape, F*ck Love, also hit the top of the charts, and he found himself firmly in the center of the cultural zeitgeist last summer when his track, “Forever & Again” made it’s way onto the soundtrack for the biggest movie of the year, Barbie. Glaive and Chase Shakur take on the early slots.

Vampire Weekend, June 6, 713 Music Hall
The debate as to whether wearing shorts on stage is cool or not cool rages on when the New York City indie darlings Vampire Weekend return to Houston. They are back after an extended hiatus with the critically acclaimed Only God Was Above Us, years after they became Pitchfork heroes with their 2008 self-titled debut and 2010’s Contra. They’ll be headlining festivals for the near future, so seeing them at 713 Music Hall will be as intimate as it gets for their legion of fans. La Lom opens.

Saint Arnold Brewing Company 30th Anniversary, June 8, Saint Arnold Brewery
The granddaddy of independently-owned, Texas craft breweries, Saint Arnold is celebrating its 30th Anniversary in style with a blow out party at its downtown campus, featuring a who’s-who of Houston musical talent. Aside from rivers of tasty beer, what makes the party a must-attend is the lineup, including The Suffers lead singer Kam Franklin, rapper Devin the Dude, singer-songwriter Robert Ellis, hip-hop artist Fat Tony, and Splice Records’ R&B house band Bayou City Funk, who will all come together to perform, superjam-style, as The Houston Super Group. DJ Shante and the Blue Heron Yacht Club are also on tap.

Silversun Pickups, June 11, House of Blues
One of the better live acts in the alternative rock world over the last 15 years, the Los Angeles-based Siliversun Pickups got there with a healthy dose of peak-era Smashing Pumpkins hooks and a bit of shoegaze – see “Lazy Eye” and “Panic Switch” for proof. They’re back with their new album, Physical Thrills, produced by peak-era Pumpkins producer, Butch Vig. Coincidence? We think not. Hello Mary opens.

Megan Thee Stallion, June 14 & 15, Toyota Center
She left the Bayou City, conquered the world, and now she’s back to celebrate with some of her biggest headline gigs yet. The Texas Southern grad, massive hip-hop star, Megan Thee Stallion, blew up in 2018 with the then-inescapable smash singles “Hot Girl Summer” and “Cash Sh*t,” later winning Grammys in a guest-starring role on Cardi B’s raunchy send up, “WAP.” Since then, she’s won countless more awards, released chart-topping singles and albums, and now she’s playing two nights at one of the biggest venues in town. GloRilla opens.

Alanis Morissette, June 16, Cynthia Woods Mitchell Pavilion
One of Canada’s most important and successful musical exports, Alanis Morrisette’s cultural caché recently received a much-deserved boost from the new wave of ‘90s-influenced female pop stars, including Olivia Rodrigo, that cite her as a major influence on their confessional, angst-driven hits. While her commercial peak is long past the days when Jagged Little Pill produced a number of radio smashes (“You Oughta Know,” “Ironic,” “Hand in My Pocket”) en route to selling 33 million copies, Morissette transcends the nostalgia circuit due to the massive cultural impact left in her wake. The immortal rock legends Joan Jett & The Blackhearts open along with Morgan Wade.

DIIV, June 19, White Oak Music Hall
Recently handpicked to open a portion of Depeche Mode’s recent North American leg of their Momento Mori tour, Brooklyn post-punk band DIIV is now playing the headliner, a gift to anyone that saw them crush it at Toyota Center last October. They're on the road supporting their new album, the dark and moody Frog In Boiling Water, which continues a string of fantastic records dating back to the excellent 2012 offering, Oshin. They Are Gutting a Body of Water and untitled (halo) open.

Styx & Foreigner, June 22, Cynthia Woods Mitchell Pavilion
Don’t worry, dads, there’s plenty of shows for you to enjoy during Father’s Day month, as the nostalgia circuit revs up with classic rockers Styx and Foreigner. Styx, led by guitarist Tommy Shaw, found fame in the ‘70s, racking up 20 million album sales and eight top ten singles, including “Come Sail Away,” “Renegade,” and “Blue Collar Man.” Foreigner is one of the best selling bands of all time with over 80 million albums sold (“I Want to Know What Love Is,” “Cold As Ice”), receiving a nod to the 2024 class of the Rock and Roll Hall of Fame. John Waite opens.

Mother Mother, June 25, 713 Music Hall
Like many acts today, the Vancouver-based Mother Mother grew their audience via social media, long-dormant songs finding new life during the pandemic on TikTok. Once a modest band only known to Canadian audiences, their song “Hayloft” blew up in excess of hundreds of million streams and they found themselves playing 12,500-capacity venues in music capitals such as London. The tour will be co-headlined by Cavetown; Meet Me @ the Altar starts the night.

Doobie Brothers, June 30, Cynthia Woods Mitchell Pavilion
A powerhouse of the '70s, the Doobie Brothers brings decades of hits and millions of albums sold, following a successful 50th anniversary tour. That jaunt saw famed member Michael McDonald (the source of an excellent gag in The 40-Year-Old Virgin) come back to the fold after a 25-year break, his buttery vocals a much-welcomed return to the band that saw success with radio-friendly singles such as “What a Fool Believes” and “Long Train Runnin.’” Grammy Award-winning jazz-blue-rock act The Robert Cray Band opens.

Photo courtesy of Megan Thee Stallion

Hot Girl Summer begins with Megan Thee Stallion's two homecoming shows at Toyota Center on June 14 and 15.

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Movie Review

Supergirl fails to take flight in a movie weighed down by grief

Photo courtesy of DC Studios and Warner Bros. Pictures

Milly Alcock in Supergirl.

Last year's Superman reboot brought a renewed sense of optimism for, if not the concept of the comic book movie, then at least the DC Comics universe. After more than a decade of DC films that felt mostly creatively bankrupt, the leadership of James Gunn gave the story a sense of fun. That included the brief introduction of Kara Zor-El, aka Supergirl, who’s now getting her own showcase in, naturally, Supergirl.

When we first met her in Superman, Supergirl was in rough shape, arriving at the Fortress of Solitude visibly inebriated. Nothing has changed at the beginning of this film, save for her aimlessly traveling around the universe with her rambunctious dog, Krypto. One of her random stops puts her in the same bar as Ruthye (Eve Ridley), who is looking for help tracking down Krem (Matthias Schoenaerts) and a group known as the Brigands after they brutally murdered her family.

Kara is initially loath to offer aid, but when Krem shoots a poison dart into Krypto while escaping, her motivation goes way up, especially since Krem holds the antidote. Kara, with Ruthye doggedly following her, uses every means available to her to find Krem, a journey that is hampered by galaxies having different colored suns than the one that gives her powers, the yellow sun.

Directed by Craig Gillespie and written by Ana Nogueira, the film is a big step back in the fun category, not least because Supergirl is deep in her feelings for much of the film. Her personal trauma, which is detailed in occasional flashbacks, gives a reason for her depression, but fails to land fully. The story seems to want everyone to be sad, as it includes a child trafficking ring and multiple instances of families being murdered.

Milly Alcock and Krypto in Supergirl.Photo courtesy of Warner Bros. Pictures

To try to counteract that downer material, the filmmakers give Supergirl many opportunities to show off her fighting skills. While still CGI-heavy, the action scenes contain enough of a semblance of reality that they feel exciting. Unfortunately, this is undercut by the inclusion of several slow-motion sequences, giving the impression that the filmmakers didn’t trust the actors to deliver the goods on a consistent basis.

Superman (David Corenswet) makes a handful of appearances in the film, and while his presence is welcome given how well the character came across in the previous movie, it also doesn’t allow Supergirl to become her own person. Almost everything she does is colored by either her cousin or her parents, and since her powers are identical to those of Superman, there is very little that makes her story unique aside from how she’s dealing with the fallout.

Alcock (House of the Dragon, Sirens) gives an appealing performance despite her character being drunk and/or moody most of the time. She definitely sells what Supergirl is going through, so if given a better story in a future film, she’s proven her capability. Schoenaerts makes for a pretty good villain, although he’s aided by a look that includes a face full of studs. Jason Momoa has a memorable supporting role as the bounty hunter Lobo, even if his character doesn’t add much to the story.

While not a full-on disaster, Supergirl does not continue the momentum that Superman started. With a story that’s more concerned with showing audiences death scenes than a hero saving people, the film doesn’t seem to understand the appeal of a character like Supergirl or how to make her someone audiences will return to over and over again.

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Supergirl is now playing in theaters.

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