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10 Best June Concerts

Presenting the 10 best concerts happening in Houston this month

Johnston Farrow
Jun 3, 2024 | 11:00 am

May showers give way to hot summer concerts.

Houston’s rainy season almost always leads to issues with the live music schedule, especially for outdoor shows, and each year there seems to be a few gigs that either get cancelled or rescheduled due to a strong Mother Nature flex. However, this year, the city’s concert venues came out of the deluge relatively unscathed, only to set up the next big challenge for the ticket buying masses – the heat.

It takes a hearty sort to be a Bayou City music fan. The June concert slate includes numerous big shows set at open-air lawns and amphitheaters. That means knowing to apply copious amounts of sunscreen, dressing appropriately, and hydrating enough to make Aquaman nod in approval.

But for those who can hack the aggressive temperatures and insane humidity, plenty of shows ahead will make the effort worth it. Here are 10 shows for the month of June that offer ample rewards for live music lovers.

The Kid Laroi, June 4, 713 Music Hall
Following the career path of none other than Canadian pop sensation, Justin Beiber, the young Australian rapper The Kid Laroi found a receptive American audience with his No. 1 hit collaboration, “Stay.” His 2020 mix-tape, F*ck Love, also hit the top of the charts, and he found himself firmly in the center of the cultural zeitgeist last summer when his track, “Forever & Again” made it’s way onto the soundtrack for the biggest movie of the year, Barbie. Glaive and Chase Shakur take on the early slots.

Vampire Weekend, June 6, 713 Music Hall
The debate as to whether wearing shorts on stage is cool or not cool rages on when the New York City indie darlings Vampire Weekend return to Houston. They are back after an extended hiatus with the critically acclaimed Only God Was Above Us, years after they became Pitchfork heroes with their 2008 self-titled debut and 2010’s Contra. They’ll be headlining festivals for the near future, so seeing them at 713 Music Hall will be as intimate as it gets for their legion of fans. La Lom opens.

Saint Arnold Brewing Company 30th Anniversary, June 8, Saint Arnold Brewery
The granddaddy of independently-owned, Texas craft breweries, Saint Arnold is celebrating its 30th Anniversary in style with a blow out party at its downtown campus, featuring a who’s-who of Houston musical talent. Aside from rivers of tasty beer, what makes the party a must-attend is the lineup, including The Suffers lead singer Kam Franklin, rapper Devin the Dude, singer-songwriter Robert Ellis, hip-hop artist Fat Tony, and Splice Records’ R&B house band Bayou City Funk, who will all come together to perform, superjam-style, as The Houston Super Group. DJ Shante and the Blue Heron Yacht Club are also on tap.

Silversun Pickups, June 11, House of Blues
One of the better live acts in the alternative rock world over the last 15 years, the Los Angeles-based Siliversun Pickups got there with a healthy dose of peak-era Smashing Pumpkins hooks and a bit of shoegaze – see “Lazy Eye” and “Panic Switch” for proof. They’re back with their new album, Physical Thrills, produced by peak-era Pumpkins producer, Butch Vig. Coincidence? We think not. Hello Mary opens.

Megan Thee Stallion, June 14 & 15, Toyota Center
She left the Bayou City, conquered the world, and now she’s back to celebrate with some of her biggest headline gigs yet. The Texas Southern grad, massive hip-hop star, Megan Thee Stallion, blew up in 2018 with the then-inescapable smash singles “Hot Girl Summer” and “Cash Sh*t,” later winning Grammys in a guest-starring role on Cardi B’s raunchy send up, “WAP.” Since then, she’s won countless more awards, released chart-topping singles and albums, and now she’s playing two nights at one of the biggest venues in town. GloRilla opens.

Alanis Morissette, June 16, Cynthia Woods Mitchell Pavilion
One of Canada’s most important and successful musical exports, Alanis Morrisette’s cultural caché recently received a much-deserved boost from the new wave of ‘90s-influenced female pop stars, including Olivia Rodrigo, that cite her as a major influence on their confessional, angst-driven hits. While her commercial peak is long past the days when Jagged Little Pill produced a number of radio smashes (“You Oughta Know,” “Ironic,” “Hand in My Pocket”) en route to selling 33 million copies, Morissette transcends the nostalgia circuit due to the massive cultural impact left in her wake. The immortal rock legends Joan Jett & The Blackhearts open along with Morgan Wade.

DIIV, June 19, White Oak Music Hall
Recently handpicked to open a portion of Depeche Mode’s recent North American leg of their Momento Mori tour, Brooklyn post-punk band DIIV is now playing the headliner, a gift to anyone that saw them crush it at Toyota Center last October. They're on the road supporting their new album, the dark and moody Frog In Boiling Water, which continues a string of fantastic records dating back to the excellent 2012 offering, Oshin. They Are Gutting a Body of Water and untitled (halo) open.

Styx & Foreigner, June 22, Cynthia Woods Mitchell Pavilion
Don’t worry, dads, there’s plenty of shows for you to enjoy during Father’s Day month, as the nostalgia circuit revs up with classic rockers Styx and Foreigner. Styx, led by guitarist Tommy Shaw, found fame in the ‘70s, racking up 20 million album sales and eight top ten singles, including “Come Sail Away,” “Renegade,” and “Blue Collar Man.” Foreigner is one of the best selling bands of all time with over 80 million albums sold (“I Want to Know What Love Is,” “Cold As Ice”), receiving a nod to the 2024 class of the Rock and Roll Hall of Fame. John Waite opens.

Mother Mother, June 25, 713 Music Hall
Like many acts today, the Vancouver-based Mother Mother grew their audience via social media, long-dormant songs finding new life during the pandemic on TikTok. Once a modest band only known to Canadian audiences, their song “Hayloft” blew up in excess of hundreds of million streams and they found themselves playing 12,500-capacity venues in music capitals such as London. The tour will be co-headlined by Cavetown; Meet Me @ the Altar starts the night.

Doobie Brothers, June 30, Cynthia Woods Mitchell Pavilion
A powerhouse of the '70s, the Doobie Brothers brings decades of hits and millions of albums sold, following a successful 50th anniversary tour. That jaunt saw famed member Michael McDonald (the source of an excellent gag in The 40-Year-Old Virgin) come back to the fold after a 25-year break, his buttery vocals a much-welcomed return to the band that saw success with radio-friendly singles such as “What a Fool Believes” and “Long Train Runnin.’” Grammy Award-winning jazz-blue-rock act The Robert Cray Band opens.

Megan Thee Stallion
Photo courtesy of Megan Thee Stallion

Hot Girl Summer begins with Megan Thee Stallion's two homecoming shows at Toyota Center on June 14 and 15.

alanis morrissette concerts doobie brothers lists megan thee stallion silversun pickups summer concerts vampire weekend
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Movie Review

Avatar: Fire and Ash returns to Pandora with big action and bold visuals

Alex Bentley
Dec 18, 2025 | 5:00 pm
Oona Chaplin in Avatar: Fire and Ash
Photo courtesy of 20th Century Studios
Oona Chaplin in Avatar: Fire and Ash.

For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

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Avatar: Fire and Ash opens in theaters on December 19.

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