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    April's Best Concerts

    Rolling Stones and Bad Bunny headline Houston's 8 best concerts in April

    Johnston Farrow
    Apr 3, 2024 | 2:30 pm

    After a thrilling, record-setting RodeoHouston season, we get back to our regularly scheduled programming of top-tier shows as the 2024 concert year heats up with marquee names gracing Bayou City stages.

    National and international touring artists are back on the road with gusto, ticket prices showing no signs of abating from their post-pandemic inflation highs, forcing music fans to either take out another mortgage or get very selective as to how they spend their entertainment dollars. Whether its legacy acts squeezing out a few more tours before they call it a day or performers working at their peak with multiple headline shows in each city, it’s a multitude of riches for those who enjoy live music.

    The following are the biggest and best concerts taking place in Houston this April.

    The Black Crowes, April 5, 713 Music Hall
    The brothers Robinson, Craig and Rich, aka The Black Crowes are celebrating 40 years as a band when they bring their Happiness Bastards tour to town. The tour moniker may be a sly nod to the issues the siblings faced over the years, reuniting in 2019 following a long hiatus fueled by bad blood between the two. But there is no denying the power of their blues-fueled American rock that produced a number of hits and made them stars in the ‘90s, such as “Remedy,” “Jealous Again,” and “She Talks to Angels,” selling over 30 million albums in the process. Amplified Heat opens.

    Lauren Daigle, April 11, Toyota Center
    Simply put, Lauren Daigle is one of the biggest Christian artists in the game right now, as evidenced by a headlining RodeoHouston in 2023. She burst onto the scene in 2015 with the crossover smash album, How Can It Be, which achieved platinum status, followed by two more hit records, the two-time platinum, No. 3 charting Look Up Child, and last year’s self-titled album. Her high-energy shows and positive message have earned her a devout following across the U.S.

    Jade Bird, April 11, Heights Theater
    A supremely talented British singer-songwriter, Jade Bird recently moved to Austin to pursue her career further after garnering critical and commercial acclaim across the pond with her self-titled debut in 2019, released at the tender age of 21. Her follow-up, Different Kinds of Light, only strengthened her songwriting prowess, calling on alt-rock, Britpop, indie and folk sounds with a fierce, heartfelt vocal delivery. She’ll be celebrating her latest EP, Burn the Hard Drive, out on April 10.

    Adam Ant and The English Beat, April 20, Bayou Music Center
    U.K. New Wave legend Adam Ant and ska-influenced The English Beat recall a time of eye-catching outfits, art school cool, synth-heavy melodies and inescapable hooks that ruled MTV and pop radio. Adam Ant broke huge around the world with “Goody Two Shoes” and “Stand and Deliver.” The English Beat, while not as high-profile as Adam Ant, had their fair share of hits as a beloved cult act behind songs such as “Mirror in the Bathroom” and “Save it for Later,” garnering radio-friendly popularity in their ‘80s heyday.

    Social Distortion and Bad Religion, April 22, Bayou Music Center
    Two of the best bands of their genre, SoCal punks Social Distortion and Bad Religion are a big reason that punk crossed over to the mainstream in the ‘90s, paving the way for countless acts such as Green Day, Offspring, Rancid, and Blink-182. Social D’s early ‘90s output, their 1990 self-titled album and 1992’s Somewhere Between Heaven and Hell, next to Bad Religion’s No Control (1989) and Against the Grain (1990), are high-water marks, injecting socially progressive songwriting smarts on top of three-chord guitar assaults. It was only time before alt-rock radio came calling, transforming music forever.

    Kane Brown, April 27, Toyota Center
    A five-time American Music Award winner and rising country star, Tennessee-raised Kane Brown is riding a wave right now, with three Top 5 albums under his belt and number No. 1 country singles, including “What Ifs,” “Thank God,” “Heaven,” and “I Can Feel It.” The two-time RodeoHouston headliner is a steady presence on the country touring circuit whose spotlight and pop chart appeal seemingly grows with each successive year. Tyler Hubbard and Parmalee open.

    Rolling Stones, April 28, NRG Stadium
    Down to two original members following the sad passing of steady drummer Charlie Watts in 2021, The Rolling Stones – rock icons Mick Jagger, Keith Richards and gang – continue their seemingly non-stop touring to sold out stadiums worldwide, this time touring their pretty-good 31st studio album, Hackney Diamonds. While they have nothing left to prove, the now-octogenarians remain a huge draw because they have countless hit songs to pull from and they still bring the heat in a live setting, showing up bands 50 years their junior with insane energy and live visuals. Every time might be the last time we see them perform, so make plans accordingly.

    Bad Bunny, April 30 and May 1, Toyota Center
    After two sold-out shows at Minute Maid Park in late-2022, Latin superstar Bad Bunny will get comparably intimate with his rabid fanbase at two headline shows at Toyota Center for his Most Wanted tour. The prolific, Puerto Rican King of Trap is touring behind his 2023 album, Nadie Sabe Lo Que Va a Pasar Mañana, another offering of Latin soul, pop, R&B, trap, and reggaeton. It’s hard to state how much Bad Bunny has done for popularizing Latin music in the last decade, but it’s safe to say this is an opportunity to see a game-changing artist at his peak.

    Adam Ant
      
    Photo courtesy of Adam Ant

    Adam Ant brings his New Wave stylings to Bayou Music Center on April 20.

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    Movie Review

    28 Years Later revives zombie franchise for new generation

    Alex Bentley
    Jun 20, 2025 | 5:00 pm
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later
    Photo by Miya Mizuno
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

    The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

    The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

    Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

    While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

    What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

    Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

    The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

    It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

    ---

    28 Years Later is now playing in theaters.

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