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    Concert News

    Sound & Color band Alabama Shakes brings reunion tour to Houston

    Alex Bentley
    Feb 10, 2025 | 5:00 am
    Alabama Shakes

    Alabama Shakes will play at Austin's Moody Center on September 25.

    Photo courtesy of Alabama Shakes

    Rock band Alabama Shakes will return to the road after an eight-year absence on a 2025 tour, including a stop at Houston's 713 Music Hall on Friday, September 26.

    The 30-city reunion tour will start in Chicago on July 16, taking place over 2-1/2 months through the end of September.

    There are two other Texas stops: Austin on September 25 and Dallas on September 27.

    They'll be joined by opening act Greyhounds at all three Texas shows.

    Alabama Shakes gained much acclaim in the mid-2010s, releasing two albums — Boys & Girls in 2012 and Sound & Color in 2015 — and winning multiple Grammy Awards.

    Since last playing together in 2017, vocalist/guitarist Brittany Howard has released two solo records, including the Grammy-nominated What Now in 2024.

    “Last year, Heath (Fogg), Zac (Cockrell), and I started chatting about how much fun it would be to make music together and tour again as Alabama Shakes,” said Howard in a statement. "But, we didn’t want this to entirely be a look back. We wanted it to be as much about the future as the past. So we have a bunch of new music that will be released soon."

    Citi cardmembers will have access to presale tickets beginning on Monday, February 10 at 10 am through Thursday, February 13, at 10 pm through the Citi Entertainment program. The artist presale will begin on Tuesday, February 11, at 10 am at alabamashakes.com.

    The general on-sale will begin on Friday, February 14, at 10 am at alabamashakes.com.

    ALABAMA SHAKES – 2025 TOUR

    • July 16: Chicago, IL - The Salt Shed-Fairgrounds
    • July 18: Minneapolis, MN - Minnesota Yacht Club Festival
    • July 19: La Vista, NE - The Astro Amphitheater
    • July 20: Morrison, CO - Red Rocks Amphitheatre
    • July 22: Bentonville, AR - The Momentary
    • July 25: Nashville, TN - Ascend Amphitheater
    • July 26: Birmingham, AL - Coca-Cola Amphitheater
    • August 8: Albuquerque, NM - Isleta Amphitheater
    • August 9: Las Vegas NV - BleauLive Theater inside Fontainebleau Las Vegas
    • August 10: San Diego, CA - Cal Coast Credit Union Open Air Theatre
    • August 14: Berkeley, CA - Greek Theatre
    • August 16: Seattle, WA - Climate Pledge Arena
    • August 17: Bend, OR - Hayden Homes Amphitheater
    • August 20: Bonner, MT - KettleHouse Amphitheater
    • August 22: Salt Lake City, UT - Utah First Credit Union Amphitheatre
    • August 24: Kansas City, MO - Starlight Theatre
    • September 4: Milwaukee, WI - Miller High Life Theatre
    • September 5: Rochester Hills, MI - Meadow Brook Amphitheatre
    • September 6: Toronto, ON - Budweiser Stage
    • September 8: Cleveland, OH - Jacob’s Pavillion
    • September 9: Pittsburgh, PA - Stage AE (Outdoors)
    • September 11: Louisville, KY - Bourbon and Beyond Festival
    • September 14: Boston, MA - MGM Music Hall at Fenway
    • September 17: Forest Hills, NY - Forest Hills Stadium
    • September 18: Philadelphia, PA - TD Pavilion at The Mann
    • September 19: Washington, DC - The Anthem
    • September 23: New Orleans, LA - Saenger Theatre
    • September 25: Austin, TX - Moody Center
    • September 26: Houston, TX - 713 Music Hall
    • September 27: Irving, TX - The Pavilion at Toyota Music Factory
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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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