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    Texas on Netflix

    Last chance to see Whorehouse? Binge on these Texas movies before Netflix removes them

    Ryan Lakich
    Dec 31, 2013 | 10:46 am

    New Year’s Eve celebrations can be fun, but they can also be predictable. You go out with friends, have a nice dinner (within your budget), take a cab downtown to a bar or club where you have to pay a cover, make a toast with some cheap champagne at midnight, then stumble around in the freezing cold trying to catch a cab back home.

    Fortunately for all of the introverts out there, there’s an alternative. You’ve likely heard that on Jan. 1, a slew of titles on Netflix will expire from the video streaming service. Devoted fans of Netflix on Reddit have already compiled the list of films waiting to get the axe, and it includes plenty of must-see classics, such as Requiem for a Dream, Do the Right Thing and Troll II.

    But good luck trying to cram all of those into your tight schedule. Plenty of other publications are recommending their must-see movies, but we would like to recommend the titles with Lone Star ties. Keep supporting Texas cinema, y’all!

    The Faculty

    When Robert Rodriguez directed The Faculty in 1998, he was still somewhat in the transitional stage between an indie darling and a mainstream director. He had built up a following thanks to films such as El Mariachi, Desperado (also on the Netflix chopping block) and From Dusk Till Dawn, but he had yet to strike box office gold with Spy Kids.

    The Faculty would be the last film he made before his first blockbuster smash hit, and while it isn’t much more than a film cashing in on the ironic slasher flicks that followed Scream, it’s worth checking out for its deep Texas roots. Despite the fact that its story takes place in Ohio, the film was shot primarily in Austin at the Texas School for the Deaf. Neighboring Lockhart, Texas, the “Barbecue Capital of the World,” provided the perfect exterior shots for the film’s small town of Herrington.

    Or you can just forget all of that and simply watch The Faculty to see Jon Stewart play a character named Prof. Edward Furlong.

    Once Upon a Time in Mexico

    Robert Rodriguez has a sizeable portion of his filmography expiring from Netflix. As mentioned, Desperado will be leaving your queue soon, as will its follow-up, Once Upon a Time in Mexico.

    As the final installment of Rodriguez’s El Mariachi trilogy, Once Upon... suffers a bit from having the biggest budget of the bunch, with almost too many action scenes and Hollywood A-listers vying for your attention. However, it is also the most fun of the entire series, particularly a scene involving an epic gunfight filmed inside UT’s ornate — and appropriately named — Battle Hall (keep an eye out for its gorgeous staircase). It was only a matter of time before Rodriguez paid tribute to the campus where he learned his craft.

    Born on the Fourth of July

    Oliver Stone would garner an Academy Award for Best Director with this film starring Tom Cruise as a disabled veteran turned anti-war activist, and Dallas would be the backdrop to much of the story. SMU campus locations such as Dallas Hall set the scene for the film’s staged protests, and Milo Butterfingers, a stalwart sports bar near campus, joins other locales, including Margaret Henderson Elementary School.

    It goes without saying that Stone couldn’t get enough of DFW, returning shortly after to film several key scenes for his epic political thriller, JFK.

    Talk Radio

    Stone’s friendship with Dallas didn’t begin with Born on the Fourth of July, either. That honor goes to Talk Radio, another thriller centered around a caustic radio host who happens to push his listeners a little too much with his political viewpoints.

    Filming took place almost entirely in Dallas and Irving, with SMU once again acting as a background extra.

    The Best Little Whorehouse in Texas

    Sadly, this musical comedy will no longer be available for streaming pretty soon, and it’s a real shame. Based on a stage production about the real-life Chicken Ranch brothel in La Grange, Texas, The Best Little Whorehouse in Texas isn’t just an example of Lone Star State cinema; it depicts of our history, too.

    With locations in cities including Austin, Pflugerville, Hallettsville, and Kyle Field in College Station, viewers get a nice tour of Central Texas. Maybe if other famous events in Texas history were told via musical comedy and Dom DeLuise, we’d remember them better.

    The Best Little Whorehouse in Texas is a little piece of Texas cinema and history wrapped together.

    poster for Best Little Whorehouse in Texas
    Photo courtesy of Impawards.com
    The Best Little Whorehouse in Texas is a little piece of Texas cinema and history wrapped together.
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    Movie Review

    George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

    Alex Bentley
    Nov 21, 2025 | 3:00 pm
    George Clooney in Jay Kelly
    Photo by Peter Mountain/Netflix
    George Clooney in Jay Kelly.

    The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

    In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

    A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

    Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

    Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

    A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

    Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

    Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

    ---

    Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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