Houston NY Eve

Insider's Guide to big New Year's Eve celebration in downtown Houston: Fireworks and free performances

After a two-year hiatus, a big New Year's Eve celebration, complete with a midnight fireworks display and lots of entertainment, is headed back to downtown Houston — in a new location, with the B-52s and Houston-based Tontons as featured attractions.

Other events — all free — will take place inside the Alley and Wortham Center theaters throughout the evening, beginning at 7 pm. They range from a production of SantaLand Diaries to a Broadway Sing-A-Long, and performances by magician Curt Miller, percussionist and bandleader Pedrito Martinez and smooth jazz Bobby Lyle Trio. (See full schedule below.)

Also on tap is an early New Year’s kid-friendly celebration in the Family Zone on Jones Plaza filled with dancing, games, activities and costumed characters.

Grown-ups can toast the end of the year in the Bubbly Garden with room for dancing and a lounge area. The B-52s, affectionately known as the "world's greatest party band" with such dance hits as "Love Shack" and "Deadbeat Club," perform at 10:35 pm on a special outdoor stage constructed on Smith and Capitol streets in the Theatre District, leading to the midnight fireworks celebration from atop Jones Hall. The Tontons will perform from 9:15-10:15 pm.

Food and beverage booths will sell traditional "good luck" food and hot cocoa, coffee and cider, as well as beer, wine and champagne. Parking is available in garages underneath the Theater District buildings.

New tradition

The event revives a burgeoning New Year's Eve tradition that developed when Gloworama was launched at Discovery Green to welcome in 2010 with neon-decorated art cars and a spectacular light show. The event morphed into an event called New Year's Eve Live and organizers hoped to make it an annual family-style blowout as the Bayou City version of New York's big annual celebration in Times Square.

But in late 2013, the annual event was canceled due to a lack of sponsors. Insiders say that Mayor Annise Parker lobbied for the return of the signature downtown happening as one of her last achievements before leaving office. (Mayor-elect Sylvester Turner will be inaugurated on January 4 in Jones Hall). Houston First stepped in to sponsor the celebration.

Other sponsors include the city of Houston, the Houston Downtown Management District, the Houston Theater District and the Houston Chronicle. The event is produced by the Mayor’s Office of Special Events.

“Houston has lots to celebrate and what an extraordinary way to begin a new chapter for this tradition," Parker said in a statement.

Online contest

In conjuction with the big event, sponsors are conducting an online contest, with a chance to win a Theater District experience, which includes overnight accommodations at The Lancaster Hotel, a $100 gift card to the Hard Rock Cafe and four tickets to the Theater Under The Stars production of Mary Poppins.

Entries, which can be made online at www.houstontxgov.nye/contest.html, must be received by Wednesday (December 30) at 5 pm. The drawing will be held on Thursday (December 31) after the 7:45 pm performance of the Curt Miller Magic Show at Wortham Center. The winner must be present at the drawing.

Live options

Because there is so much construction work around Discovery Green, with a giant new Marriott Marquis hotel aiming to open before the 2017 Super Bowl, as well as renovations to the George R. Brown Convention Center, organizers decided to move the celebration to the Theater District and take advantage of the facilities to present live performances in some of the buildings throughout the evening. They include:

7 - 7:45 pm
Cullen Theater, Wortham Center
Curt Miller Magic Show

7 – 9 pm
Hard Rock Café
Kristal Cherelle & Will Makar
Strolling Entertainment
New Orleans Hustlers Brass Band & Glow Go Dancers

7 - 9 pm
Kids Plaza, Jones Plaza
DJ Johnny J, Arcade, Face Painters, Fortune Teller, Red Door Productions Dancers, LunchBox Dance Crew, Balloon Artist
*Special Kids Countdown – 9 p.m.

7:30 - 8:30 pm
Alley, Neuhaus Theatre
SantaLand Diaries (Mature Audiences Only)

Brown Theater, Wortham Center
Broadway Sing-A-Long I

8 - 9:30 pm
Alley, Hubbard Theatre
Pedrito Martinez

9 – 10:15 pm
Cullen Theater, Wortham Center
Bobby Lyle Trio

9:15 - 10:15 pm
Main Stage, corner of Smith and Texas
The Tontons

9:30 – 10:30 p.m.
Brown Theater, Wortham Center
Broadway Sing-A-Long II

10:35 - 11:58 pm
Main Stage, corner of Smith and Texas
The B-52s

The B-52s will take to the stage at 10:30 on New Year's Eve.

Photo courtesy of Houston First

The B-52s will take to the stage at 10:30 on New Year's Eve.

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Movie Review

28 Years Later revives zombie franchise for new generation

Photo by Miya Mizuno

Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

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28 Years Later is now playing in theaters.

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