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    Big art footprints to fill

    LA hotshot returns to Houston as new Fresh Arts director

    Nancy Wozny
    Dec 26, 2010 | 8:34 am

    There's a fresh face at the helm of Fresh Arts, Houston's beloved coalition for small to mid-sized arts organizations. Ian Garrett has been selected to replaced the departing Mandy Graessle as the new executive director. Garrett is a nationally known arts administrator and co-founder of The Center for Sustainable Practice in the Arts in Los Angeles.

    Fresh Arts Coalition, founded by Marita Fairbanks in 2002, is a collaboration of original and thought-provoking arts groups that have joined together to raise awareness in Houston. Such arts organizations as Blaffer Gallery -- Art Museum of the University of Houston, Musiqa, Mercury Baroque, The Cynthia Woods Mitchell Center for the Arts and Dance Houston are members.

    Garrett, who will assume the new job on Feb. 1, brings a solid background in arts infrastructure, along with dual masters degrees in lighting design and producing from CalArts California Institute for the Arts. He is lighting curator for Scenofest at the Prague Quadrennial and is the resident designer for the Indy Convergence, an annual artistic event in Indianapolis. His design credits include Permanent Collection at the Kirk Douglas Theatre (2006 LA Weekly Theater Award for best lighting) and Song of Extinction with Moving Arts Theater (2008 LA Weekly Theater Award for Production of the Year).

    The move is something of a homecoming for Garrett. With stints at Stages Repertory Theatre, DiverseWorks, and a degree in architectural studies and art history from Rice University, his Bayou city roots run deep. He also produced Week 42 of Suzan-Lori Parks’ 365 Days / 365 Plays in Houston.

    "Houston's spirit is simultaneously entrepreneurial, down-home and jet-set. Those qualities, along with its support for innovation in the arts, make it an uniquely exhilarating city. As executive director of the Fresh Arts Coalition, I'm thrilled to have the opportunity to lead within this community," Garrett said in a statement.

    Replacing the dynamic Graessle was no easy task. Under her leadership, Fresh Arts gained significant visibility. Events such as Discovery Green’s inaugural Fresh Fridays series, the Fresh Fest free arts festival, and the recent ARTernative Fest in Sugar Land (in collaboration with Spacetaker) helped establish Fresh Arts as a force in the Houston arts scene.

    Graessle has taken a post at Lemonade Day as director of buzz, where she will be working to establish a social media presence for the entrepreneurial organization.

    “My greatest reward at Fresh Arts was working with our truly talented and humble arts administrators at these amazing organizations," Graessle said. "Their 'thank you’s' meant more than anything. I am truly in awe of this community."

    "Fresh Arts extends its gratitude to Mandy for her leadership, passion and dedication over the past three years," said Fresh Arts board president Karen Farber, "We wish her great success in her next adventure."

    Farber is pleased with the choice of Garrett to continue Fresh Arts' momentum.

    "We are thrilled to welcome Ian Garrett to Fresh Arts Coalition and back to Houston," she said. "Ian is a creative and innovative administrator who has a passion for Houston's arts organizations. He is the perfect person to lead Fresh Arts to its next level of excellence."

    unspecified
    news/entertainment

    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
    news/entertainment
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