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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 24, 2019 | 12:01 pm

    Is the Leonard Cohen classic, "Hallelujah," a Christmas song?

    That's what the Arlington, Texas-based a cappella group Pentatonix would have you believe, seeing as their cover of the immortal tune is now creeping into Christmas music playlists. The five-piece that sells a boatload of holiday-themed music and that just performed a sold-out show at the Smart Financial Centre at Sugar Land has somehow blasphemed a song with heavenly themes.

    Yes, it's a song about religion. It's also a song about a devastating breakup. It is also a song about sex. The really passionate kind. Which really doesn't fit on a playlist of Christmas tunes.

    The sudden pervasiveness of the updated version has irked some music writers, including Sterogum's Chris DeVille, who states plainly why the world's most famous barbershop quintet went a bit too far. We'll leave you to read his piece and decide. Just remember — when you hear the Pentatonix holiday version, you're really listening to a song about knocking boots, and we're not talking the kind that Santa wears.

    Meanwhile, the last week of the year is a great time to see Texas acts in a live setting after your fill of food and family. CultureMap's shows of the week are as follows:

    Los Skarnales at White Oak
    Houston ska legends Los Skarnales have been a going concern for over 25 years. Started in 1994 during the peak of the genre's third wave, they've shared the stage with the biggest ska acts in the world all the while representing the diversity of the city over the course of their long and varied career, drawing from ska, punk, reggae, cumbia, and rockabilly.

    For two-tone fans that prefer to skank those Christmas calories away, this is the perfect setting to do so while holding one up for one of the best acts to grace local stages over the last quarter century. And for 15 bucks to see a handful of local acts, the value can't be beat.

    Los Skarnales play White Oak Music Hall, located at 2915 N. Main St., on Friday, December 27. Tickets are $15 plus fees. Piñata Protest, Debauche, DJ Big E, and DJ Tropicana Joe open. Doors open at 8 pm.

    Roger Creager at Goode Company Armadillo Palace
    For a man who didn't start performing in front of an audience until 26 years old, Roger Creager sure made up for lost time in his home state of Texas. One of the most popular country singer-songwriters in the Lone Star State, Creager sells out middle-sized venues with regular ease, evidenced by his three-night run this month at Tomball's Main Street Crossing earlier this month.

    Even though guitar is his main instrument these days, the troubadour will concentrate on his first learned instrument — the piano — when he plays the Goode Company Armadillo Palace in an intimate show this weekend. He may not have released an album since 2014's Roadshow, but with tried-and-true regional hits, "Turn It Up," "Rancho Grande," and "The Everclear Song," fans won't really mind.

    Roger Creager performs at Goode Company Armadillo Palace, located at 5015 Kirby Dr., on Saturday, December 28. Tickets start at $20 plus fees. Doors open at 8 pm.

    CultureMap show of the week: The Toadies at House of Blues
    "So help me Jesus" has a completely different connotation when Fort Worth alt-rock faves the Toadies come to town this holiday season. That would be a line from their biggest hit, "Possum Kingdom," a song about a North Texas killer that became an unlikely Top 40 hit and catapulted the album, Rubberneck, to platinum status.

    But a years-long label battle set the band back, momentum it would never recover. That said, the Toadies still rock hard, as anyone who saw them at the Love Street Music Fest earlier in 2019 can attest. This show is a must-catch for any '90s alt-rock fan.

    Toadies are at House of Blues, located at 1204 Caroline St., on Saturday, December 28. Vandoliers open. Tickets start at $27.50 plus fees. Doors open at 7 pm.

    Ghostland Observatory at White Oak Music Hall
    Austin's Ghostland Observatory reached epic heights following the release of their 2006 album, Paparazzi Lightning, receiving critical adulation and high billing at festivals for their Queen-meets-Daft Punk inspired sound. Unfortunately, they seemed to be a product of their time when indie rock and EDM beats sold like hotcakes. The band wouldn't reach those heights again.

    Even so, the duo of Aaron Behrens and Thomas Turner are still revered by fans for their epic live show that get hips shaking and fists pumping, still drawing crowds to Red Rocks in Colorado and Austin City Limits (the TV show, not the fest) years after they caught lightning in a bottle. Thankfully, after a long hiatus, the band released a new album in 2018, See You Later Stimulator. Their annual pilgrimage to H-town should be hot and sweaty.

    Ghostland Observatory headline White Oak Music Hall, located at 2915 N. Main St., on Saturday, December 28. Tickets are $35 plus fees. Doors open at 8 pm.

    CultureMap recommends: Charley Crockett at Heights Theater
    Talk about a Christmas miracle. This time last year, Charley Crockett prepared to go under the knife for open-heart surgery to repair a congenital heart defect. After months of recovery, the Americana, old-school country crooner released The Valley, one of his best albums that recalled a time when country performers not only could sing, they were unquestionably cool.

    Like the best artists, Crockett isn't pigeonholed by a sound, rather pulling various elements of blues, R&B, and jazz, alongside a gritty roots flourish. Simply put, there's no other artist doing what Crockett does so well in front of an audience.

    Charlie Crockett performs at Heights Theater, located at 339 W 19th St., on Sunday, December 29. Katie Vincent Neil Emerson opens. Tickets start at $22 plus fees. Doors open at 7 pm.

    CultureMap show of the week: Toadies play House of Blues on Saturday, December 28.

    The Toadies
    The Toadies/Facebook
    CultureMap show of the week: Toadies play House of Blues on Saturday, December 28.
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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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