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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 24, 2019 | 12:01 pm

    Is the Leonard Cohen classic, "Hallelujah," a Christmas song?

    That's what the Arlington, Texas-based a cappella group Pentatonix would have you believe, seeing as their cover of the immortal tune is now creeping into Christmas music playlists. The five-piece that sells a boatload of holiday-themed music and that just performed a sold-out show at the Smart Financial Centre at Sugar Land has somehow blasphemed a song with heavenly themes.

    Yes, it's a song about religion. It's also a song about a devastating breakup. It is also a song about sex. The really passionate kind. Which really doesn't fit on a playlist of Christmas tunes.

    The sudden pervasiveness of the updated version has irked some music writers, including Sterogum's Chris DeVille, who states plainly why the world's most famous barbershop quintet went a bit too far. We'll leave you to read his piece and decide. Just remember — when you hear the Pentatonix holiday version, you're really listening to a song about knocking boots, and we're not talking the kind that Santa wears.

    Meanwhile, the last week of the year is a great time to see Texas acts in a live setting after your fill of food and family. CultureMap's shows of the week are as follows:

    Los Skarnales at White Oak
    Houston ska legends Los Skarnales have been a going concern for over 25 years. Started in 1994 during the peak of the genre's third wave, they've shared the stage with the biggest ska acts in the world all the while representing the diversity of the city over the course of their long and varied career, drawing from ska, punk, reggae, cumbia, and rockabilly.

    For two-tone fans that prefer to skank those Christmas calories away, this is the perfect setting to do so while holding one up for one of the best acts to grace local stages over the last quarter century. And for 15 bucks to see a handful of local acts, the value can't be beat.

    Los Skarnales play White Oak Music Hall, located at 2915 N. Main St., on Friday, December 27. Tickets are $15 plus fees. Piñata Protest, Debauche, DJ Big E, and DJ Tropicana Joe open. Doors open at 8 pm.

    Roger Creager at Goode Company Armadillo Palace
    For a man who didn't start performing in front of an audience until 26 years old, Roger Creager sure made up for lost time in his home state of Texas. One of the most popular country singer-songwriters in the Lone Star State, Creager sells out middle-sized venues with regular ease, evidenced by his three-night run this month at Tomball's Main Street Crossing earlier this month.

    Even though guitar is his main instrument these days, the troubadour will concentrate on his first learned instrument — the piano — when he plays the Goode Company Armadillo Palace in an intimate show this weekend. He may not have released an album since 2014's Roadshow, but with tried-and-true regional hits, "Turn It Up," "Rancho Grande," and "The Everclear Song," fans won't really mind.

    Roger Creager performs at Goode Company Armadillo Palace, located at 5015 Kirby Dr., on Saturday, December 28. Tickets start at $20 plus fees. Doors open at 8 pm.

    CultureMap show of the week: The Toadies at House of Blues
    "So help me Jesus" has a completely different connotation when Fort Worth alt-rock faves the Toadies come to town this holiday season. That would be a line from their biggest hit, "Possum Kingdom," a song about a North Texas killer that became an unlikely Top 40 hit and catapulted the album, Rubberneck, to platinum status.

    But a years-long label battle set the band back, momentum it would never recover. That said, the Toadies still rock hard, as anyone who saw them at the Love Street Music Fest earlier in 2019 can attest. This show is a must-catch for any '90s alt-rock fan.

    Toadies are at House of Blues, located at 1204 Caroline St., on Saturday, December 28. Vandoliers open. Tickets start at $27.50 plus fees. Doors open at 7 pm.

    Ghostland Observatory at White Oak Music Hall
    Austin's Ghostland Observatory reached epic heights following the release of their 2006 album, Paparazzi Lightning, receiving critical adulation and high billing at festivals for their Queen-meets-Daft Punk inspired sound. Unfortunately, they seemed to be a product of their time when indie rock and EDM beats sold like hotcakes. The band wouldn't reach those heights again.

    Even so, the duo of Aaron Behrens and Thomas Turner are still revered by fans for their epic live show that get hips shaking and fists pumping, still drawing crowds to Red Rocks in Colorado and Austin City Limits (the TV show, not the fest) years after they caught lightning in a bottle. Thankfully, after a long hiatus, the band released a new album in 2018, See You Later Stimulator. Their annual pilgrimage to H-town should be hot and sweaty.

    Ghostland Observatory headline White Oak Music Hall, located at 2915 N. Main St., on Saturday, December 28. Tickets are $35 plus fees. Doors open at 8 pm.

    CultureMap recommends: Charley Crockett at Heights Theater
    Talk about a Christmas miracle. This time last year, Charley Crockett prepared to go under the knife for open-heart surgery to repair a congenital heart defect. After months of recovery, the Americana, old-school country crooner released The Valley, one of his best albums that recalled a time when country performers not only could sing, they were unquestionably cool.

    Like the best artists, Crockett isn't pigeonholed by a sound, rather pulling various elements of blues, R&B, and jazz, alongside a gritty roots flourish. Simply put, there's no other artist doing what Crockett does so well in front of an audience.

    Charlie Crockett performs at Heights Theater, located at 339 W 19th St., on Sunday, December 29. Katie Vincent Neil Emerson opens. Tickets start at $22 plus fees. Doors open at 7 pm.

    CultureMap show of the week: Toadies play House of Blues on Saturday, December 28.

    The Toadies
    The Toadies/Facebook
    CultureMap show of the week: Toadies play House of Blues on Saturday, December 28.
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    Movie Review

    Margot Robbie ignites provocative new take on Wuthering Heights

    Alex Bentley
    Feb 12, 2026 | 3:31 pm
    Jacob Elordi and Margot Robbie in Wuthering Heights
    Photo courtesy of Warner Bros. Pictures
    Jacob Elordi and Margot Robbie in Wuthering Heights.

    Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years — each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

    Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

    Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

    Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

    Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

    What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

    Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

    This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

    ---

    Wuthering Heights opens in theaters on February 13.

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