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    Movie Review

    Bombshell explodes thanks to story, makeup, and performances

    Alex Bentley
    Dec 19, 2019 | 3:36 pm
    Bombshell explodes thanks to story, makeup, and performances
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    Of all of the official #MeToo stories out there, it’s no surprise that the one emanating from Fox News was the first to be told on film. In addition to the salacious allegations against former chairman and CEO Roger Ailes from bold-faced accusers, the controversial position Fox News holds in the media and political landscape make it doubly interesting.

    Bombshell begins in 2015, when the race for the 2016 Republican nomination was just starting to heat up. Megyn Kelly (Charlize Theron) decides to challenge Donald Trump on his attitude toward women at a debate that she is co-hosting. The tepid support Kelly receives after Trump’s subsequent attacks on her underscore a pervasive attitude at Fox. Ailes (John Lithgow), in both implicit and explicit terms, objectifies Fox’s on-air female talent, including a decree that they must always wear skirts to show off their legs.

    Meanwhile, Gretchen Carlson (Nicole Kidman), who had been leading a quiet revolt on her program, is fired, leading her to sue Ailes for sexual harassment. Carlson’s accusations force many in the Fox newsroom to take stock of themselves, including Kelly and Kayla Pospisil (Margot Robbie). Kayla is a fictional character meant to represent the legion of similar women whom Ailes promised promotions in return for sexual favors.

    Directed by Jay Roach and written by Charles Randolph, the film explores many avenues, never settling on one specific point of view. That’s likely because the real-life narrative is extremely complicated, with conflicting feelings from all involved. Kelly and Carlson struggle with the bargain they have made, gaining high-profile anchor roles at the expense of allowing a man like Ailes to go mostly unchallenged.

    The character of Kayla is also a conduit for the filmmakers to take digs at Fox News’ less-than-consistent nature. She spells out a laughable interpretation of their “Fair and Balanced” slogan, with one side of their on-air talent labeled as “entertainers” instead of reporters. She also shares a friendship with Jess (Kate McKinnon), a Bill O’Reilly staffer who hides the fact that she’s a lesbian and a Democrat in order to keep her position in a tough market.

    Aside from that, though, Roach and Randolph mostly eschew politics in favor of keeping the story focused on the toxic sexual culture at Fox News. Multiple other Fox personalities make appearances, with most of them taking the side of Ailes until it becomes apparent that that position is untenable.

    When the first trailer for Bombshell was released, it was shocking how much Theron looked like Kelly. The filmmakers didn’t stop there, though, as it seems they spent a lot time making sure the makeup for certain other people was as accurate as possible. From Ailes to Bill O’Reilly to Jeanine Pirro to Greta Van Susteren, they put a lot of effort into re-creating the looks of everyone associated with Fox News.

    Theron, who also serves as producer, is the undisputed star of the movie. She doesn’t just look like Kelly, she also sounds like her, and the combination of makeup and acting skill is downright amazing. Kidman plays Carlson as somewhat of an enigma, and the role never pops as a result. Robbie has a magnetism that has served her well in almost everything she’s done, and she winds up being the emotional core of the film.

    The film is also downright lousy with well-known actors willing to pop up for glorified cameos. They include Allison Janney, Mark Duplass, Alice Eve, Richard Kind, Holland Taylor, Malcolm McDowell, and more. Finding out what famous person is playing what role is often a dose of levity in a film with such a serious subject.

    Now several years later and with multiple other high-profile #MeToo revelations having come out, the events at the center of Bombshell are no longer shocking. But that doesn’t make a recounting of them any less necessary, even with the setting of Fox News sure to muddy the waters for a certain segment of viewers.

    Charlize Theron and Liv Hewson in Bombshell.

    Charlize Theron and Liv Hewson in Bombshell
    Photo by Hilary Bronwyn Gayle SMPSP
    Charlize Theron and Liv Hewson in Bombshell.
    movies
    news/entertainment

    In the spotlight

    Houston reels in new rank among 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 27, 2026 | 4:00 pm
    Filmmaking, best cities for filmmakers
    Photo by Kyle Loftus on Unsplash
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    Houston has just snapped up new recognition as the No. 10 best place to live and work as a filmmaker in North America, according to MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The Bayou City has made improvements after ranking 12th in the magazine's 2025 list.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The spotlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    For up-and-coming filmmakers that want to live in Texas, MovieMaker says doing it in Houston is "more sustainable than ever" thanks to incentives like the Texas Moving Image Industry Incentive Program, which increased its production grant rebate from 22.5 percent to up to 31 percent for qualified in-state spending. The report also said Houston has an "arms-wide-open" approach for filmmakers.

    "As the biggest city in Texas, and fourth biggest city in America, Houston has nearly every type of location, from cityscapes to piney woods to rolling hills to nearby farmland," the report said. "It’s close to Galveston Island and the Gulf of Mexico, and car commercials love the absence of billboard advertising."

    MovieMaker also highlighted Houston's diversity, its low cost of living compared to the national average, and its local festivals like the Houston Cinema Arts Festival and Houston Latino Film Festival.

    "The city has enough film crew for two to three sizable features, and recent shoots have included the thrillers Eleven Days, with Taylor Kitsch, and A Love, from director Courtney Glaude, Tyler Perry Studios’ executive creator of Scripted and Unscripted," the report said. "Houston is also notable for a strong contingent of films with budgets under $1 million."

    Elsewhere in Texas, Austin ranked as the No. 5 best place to live and work as a filmmaker in North America. Dallas ranked seventh, while neighboring Fort Worth ranked 12th. San Antonio appeared as No. 14, and El Paso landed 25th on the list.

    filmmakingmoviemaker magazinerankingscity lifeentertainmenthouston
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