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    Movie Review

    Humor and spirit of Ferdinand make it well worth the 81-year wait

    Alex Bentley
    Dec 15, 2017 | 12:04 pm
    Humor and spirit of Ferdinand make it well worth the 81-year wait
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    After 81 years of sitting still in the pages of a classic children's book, everyone's favorite big, lovable bull is finally getting his chance to shine on the big screen. American author Munro Leaf wrote The Story of Ferdinand in 1936. It was adapted as a short film by Walt Disney in 1938, but it’s taken until 2017 for it to be made into a feature length film.

    In Blue Sky Studios/20th Century Fox's Ferdinand, wrestler-turned-actor John Cena voices Ferdinand, a bull who would rather sniff and look at flowers all day than do what he’s supposed to do, which is fight a matador. An unintended escape early in his life lands him with Nina (Lily Day) and her father, but his size means he can’t avoid his fate forever.

    This adaptation has added a host of supporting actors to flesh out the thin original story. They include three distinct trios: Fellow bulls Valiente (Bobby Cannavale), Guapo (Peyton Manning), and Bones (Anthony Anderson); hedgehogs Una (Gina Rodriguez), Dos (Daveed Diggs), and Cuatro (Gabriel Iglesias); and show horses Hans (Flula Borg), Greta (Sally Phillips), and Klaus (Boris Kodjoe). For good measure, there’s also a support goat named Lupe (Kate McKinnon) and Nina’s dog, Paco (Jerrod Carmichael).

    That’s a lot of characters to serve, but director Carlos Saldanha and his team keep things relatively focused on Ferdinand and Lupe, bringing in everybody else when necessary. The result is controlled chaos, with written and visual gags flying everywhere and set pieces designed for maximum humor. This is balanced out by more emotion than you might think, making the film about more than just being funny.

    Turns out that the people behind the Ice Age series knew exactly what to do with such a potentially tricky tale. The story refers to what ultimately happens to bulls whether they fight in the ring or not, but it does so in a light manner that won't traumatize kids. Anybody who’s read the book knows what Ferdinand does to combat his supposed role in the bullfighting world, but the way it’s handled in the film is surprisingly moving.

    I’m not usually a proponent of using big names as the voices of animated characters, but both Cena and McKinnon bring something extra special to their roles. Cena has a naturally big-hearted personality that, combined with a voice that befits his big size, complements Ferdinand’s persona to a tee. Any fan of Saturday Night Live knows McKinnon elevates virtually every part she plays, and she demonstrates that again as Lupe. Her vocal acrobatics are equal to the off-the-wall visuals, making it impossible to keep a straight face.

    With loads of laughs, a gentle spirit, and outsized performances, Ferdinand just might be the most enjoyable animated film of the year. That’s not a bad feat for a movie that was eight decades in the making.

    John Cena as Ferdinand and Lily Day as Nina in Ferdinand.

    John Cena and Lily Day in Ferdinand
    Photo courtesy of Twentieth Century Fox Film Corporation
    John Cena as Ferdinand and Lily Day as Nina in Ferdinand.
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    Movie Review

    The Super Mario Galaxy Movie serves fans with Easter Eggs galore

    Alex Bentley
    Apr 1, 2026 | 1:30 pm
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie
    Photo courtesy of Nintendo and Illumination
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie.

    When The Super Mario Bros. Movie came out in 2023, it had two big things going for it. Audiences had little experience with a fully-animated video game adaptation, and certainly not from a property as revered as Super Mario Bros. And coming from Illumination Entertainment and featuring an all-star cast, the massive budget for the film was on the screen, showing how much effort the filmmakers put into at least the visuals.

    Three years later comes the sequel, The Super Mario Galaxy Movie, passing over a massive number of Mario games to go straight to 2007’s Super Mario Galaxy, originally put out for Nintendo’s Wii system. This time, the returning Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Key), now joined by Yoshi (Donald Glover), are sent on a mission to save Princess Rosalina (Brie Larson) from the evil clutches of Bowser Jr. (Benny Safdie), who’s trying to prove his worth to his dad, Bowser (Jack Black).

    And that is about as much actual story there is to be found in a film that feels like a slog even at a brief 98 minutes. The filmmakers — directors Aaron Horvath and Michael Jelenic, co-directors Pierre Leduc and Fabien Polack, and writer Matthew Fogel — have lots of fun inserting references from a bunch of different Mario games, but they pay little attention to giving the characters anything to do that makes sense.

    Instead, small groups are shuttled around different points in the galaxy — sometimes using game mechanics, sometimes not — to accomplish minor goals that are forgotten almost as soon as they’re named. Nothing they do rises to the level of exciting or even interesting; everything is merely an excuse to showcase another part of Mario lore for the masses.

    It’s impossible to call the filmmaking lazy, as the visuals remain top notch and it’s clear the entire crew put a lot of effort into making every scene as appealing as possible. But the film is certainly cynical, throwing out empty treats like Fox McCloud (Glen Powell) or Bowser Jr.’s magic paintbrush to give Nintendo mega-fans a rush of serotonin without attaching those elements to anything substantial.

    This critic has long railed against using big-name actors in voiceover roles, arguing that few people know or care whose voice they’re hearing in animated films. Somehow, this film makes the idea worse, as the voices of people like Key, Glover, and Safdie are changed so that you would never know it’s them, something that’s especially strange for Glover since Yoshi only says one word — “Yoshi.”

    Even stranger is that, after making a joke in the first film about Mario not having an Italian accent, Pratt goes in and out of an accent in this film. At least he and Day feel like they’re having fun. Bowser is sidelined for a good amount of this film, giving Black not much to do overall. Taylor-Joy and Larson might as well be anonymous actors for all the impact they make on their roles.

    The Super Mario Galaxy Movie is the worst kind of fan service, delivering a shiny product that might make some people feel good in the moment, but something that is forgotten the second they step out of the theater. If Nintendo is to continue adapting their properties, they’d do well to give their fans a film they want to see more than once.

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    The Super Mario Galaxy Movie is now playing in theaters.

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