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    Maid Marian's Memoirs

    John Ritter's widow gives UTHealth and her buxom boobs both their book due

    Caroline Gallay
    Dec 15, 2010 | 12:48 am
    • Amy Yasbeck

    Amy Yasbeck’s new memoir, With Love and Laughter, John Ritter is not all tears and tribute.

    Although it deals with her recovery following the sudden death of her husband, actor John Ritter, of an aortic dissection in 2003 on the fifth birthday of the couple’s daughter, Yasbeck’s humor — which is as fiery as her hair — abounds.

    I met with Yasbeck on her short stop in Houston to promote her book at Brazos Bookstore, and chatted at the Texas Medical Center about her writing process, her health advocacy and getting in with Mel Brooks.

    Of her audition for Brook's Robin Hood: Men in Tights, the actress recalls that the casting call demanded a twentysomething blonde, buxom, virginal actress with a British accent.

    "Let's just say I was 30 and none of the above," Yasbeck says. Ritter went over every line with her, morphing into Maid Marian as they reviewed.

    "He was flitting around the house pretending to have a bird on his finger," Yasbeck says, and she used the three or so things she could make believable and took them into the audition. As we all know, she got the part.

    As for the "buxom" mandate, Yasbeck admits that she "stuffed everything in my shirt that came in pairs," and remembers the incredulous look she got from a lingerie saleswoman when she purchased a 38DD bra for the role.

    Yasbeck surmises that the other infamous piece of her iconic Maid Marian costume — the hulking chastity belt — is being used as a planter somewhere. We joke that it was the original Spanx.

    But Houston readers of Yasbeck's tome will find more than insight into her acting career and relationship with Ritter. The book delves deep into Yasbeck and the Ritter family's work with UTHealth to raise awareness of aortic disease, with a chapter late in the book devoted to Dr. Dianna Milewicz's work in genetics.

    Yasbeck first reached out to Milewicz in 2005 after reading a series on aortic aneurysms in the Wall Street Journal that featured her work — a series that ultimately won the Pulitzer Prize.

    She brought Ritter’s brother Tommy to Houston along with Ritter’s children to be screened for genes that Milewicz had linked to aortic aneurysm — a potentially fatal bulge that results from a weakened wall in the aorta. Tommy ultimately also suffered an aortic aneurysm and had surgery to have his aortic arch replaced. Milewicz, who has since formed a close bond with Yasbeck and the Ritter family, says he likely would have died without screening.

    “What we're learning is that the same things that cause aortic problems cause problems in the whole vascular system. The Ritter’s father, Tex Ritter, also died suddenly of what now appears to be aortic disease, and it appears there is something familial,” Milewicz says.

    With Love and Laughter was years in the making. Yasbeck says she rejected the notion of using a ghostwriter, instead hunting for a talented editor to move around and repackage her seemingly endless material.

    "For years, since John died, I had been writing notes on napkins," Yasbeck says. "I would tell people to remember something like 'fish and chips' until I had pages of these couple-of-word expressions, and each one was a story I could tell you that turned into a paragraph, that turned into a chapter."

    Yasbeck says that though the book is something of a tribute to her late husband, her publisher, Simon & Schuster, encouraged her to explore herself and who she was before coming into the relationship.

    As a result, bookstores have a hard time deciding where to file it. "Some have it in grief and bereavement, some have it with the celebrity memoirs and some have it in the health section," Yasbeck says.

    Six hundred families are now enrolled in the John Ritter research program at UTHealth, including Ritter's four children. Five genes have been connected to the congenital heart defect that killed him, and the study is ongoing.

    Yasbeck's passion is persuasive. It's impossible to speak with her (she sounds as informed as any doctor) and not come away with a sense of the imperative. It's imperative that people stop being misdiagnosed and that their conditions stop being miscategorized as "cardiac events."

    Equally imperative as personal screenings is the knowledge base of first-responders. If a person suffering from an aortic dissection is treated for a heart attack with blood thinners, for example, it poses problems for surgery. The importance of correct first response is especially dear to Yasbeck — Ritter was being treated for a heart attack when he died.

    "The medical community has embraced the genetic risk of breast cancer," Yasbeck says. "This is just as important, and as much, if not more, of a genetic disposition."

    Although clearly impassioned, Yasbeck says it was difficult at times allowing Ritter's name and her face become the champions of awareness.

    "There was the pre-John Ritter awareness and the post-John Ritter awareness," Yasbeck says.

    She writes in her book about the scales of tragedy — how based on its pertinence to you, a devastating tsunami can seem distant and manageable while your own bathtub overflowing can seem like a personal tragedy.

    "With John, the scales of tragedy were blurred, because people felt like they knew him," Yasbeck says. "It's this kid you grew up with. And the public reaction was like, 'we can't let this happen to anyone else in our family.' "

    And with the continued work of UTHealth and Dr. Milewicz — who Yasbeck praises as an M.D. as well as a scientist, a person who sees both the person and the bigger picture — it won't.

    Editor's note: Don't miss Caroline Gallay's earlier story on Diana Milewicz's quest to fight sudden death and isolate the genes that killed John Ritter.

    unspecified
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    Concert News

    Buzzy R&B artist Khalid brings summer back to Houston on 2026 tour

    Brianna Caleri
    Dec 11, 2025 | 11:15 am
    Khalid
    Photo courtesy of Khalid
    Khalid is coming to Houston in June 2026.

    Texas R&B and pop artist Khalid is hitting the road for his 2026 It's Always Summer Somewhere Tour, including a stop at the 713 Music Hall in downtown Houston on June 18, 2026.

    The 25-date tour starts in Las Vegas, Nevada, in May and ends in Berkeley, California, in June. In addition to the Houston date, he'll stop in Irving on June 17 and Austin on June 19. He appears to be skipping his adopted hometown of El Paso, where his family moved when he was in high school and where he started his music career.

    The 27-year-old artist originally became known as a teenager on SoundCloud, resulting in several notable features and the critically acclaimed album American Teen. Since those days, he's had features on tracks by Marshmello, Billie Eilish, Halsey, and Normani, among others. He's released four albums in total, including 2025's After the Sun Goes Down.

    Khalid has been nominated to many notable awards and won at least 20, including five at the Billboard Music Awards in 2020 and Best New Artist at the 2017 MTV Video Music Awards. He's had six Grammy nominations so far.

    Pop singer Lauv, known for the breakout hit "I Like Me Better," will join Khalid for all stops on the tour.

    Tickets are available now in an artist pre-sale. The general on sale will start Friday, December 12, at 10 am via khalidofficial.com.

    It's Always Summer Somewhere Tour dates

    Sat May 16 – Las Vegas, NV – PH Live at Planet Hollywood Resort & Casino
    Mon May 18 – Morrison, CO – Red Rocks Amphitheatre
    Wed May 20 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
    Thu May 21 – Sterling Heights, MI – Michigan Lottery Amphitheatre
    Sat May 23 – Hershey, PA – GIANT Center
    Sun May 24 – Toronto, ON – RBC Amphitheatre
    Tue May 26 – Laval, QC – Place Bell
    Thu May 28 – Bridgeport, CT – Hartford HealthCare Amphitheater
    Fri May 29 – Boston, MA – MGM Music Hall at Fenway
    Sun May 31 – Washington, DC – The Anthem
    Wed Jun 03 – Nashville, TN – Nashville Municipal Auditorium
    Thu Jun 04 – Atlanta, GA – Synovus Bank Amphitheatre at Chastain Park
    Sat Jun 06 – Raleigh, NC – Red Hat Amphitheater
    Sun Jun 07 – Philadelphia, PA – Skyline Stage at Highmark Mann
    Tue Jun 09 – Portsmouth, VA – Portsmouth Pavilion
    Wed Jun 10 – Richmond, VA – Allianz Amphitheater at Riverfront
    Fri Jun 12 – New York, NY – Radio City Music Hall
    Mon Jun 15 – Charlotte, NC – Skyla Credit Union Amphitheatre
    Wed Jun 17 – Irving, TX – The Pavilion at Toyota Music Factory
    Thu Jun 18 – Houston, TX – 713 Music Hall
    Fri Jun 19 – Austin, TX – Moody Amphitheater at Waterloo Park
    Sun Jun 21 – Phoenix, AZ – Arizona Financial Theatre
    Mon Jun 22 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
    Wed Jun 24 – Los Angeles, CA – Greek Theatre
    Fri Jun 26 – Berkeley, CA – Greek Theatre*

    live musicconcerts
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