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    Reel awards

    Houston Film Critics Society shares the love, honoring The Descendants, TildaSwinton — and Joanne King Herring

    Joe Leydon
    Dec 14, 2011 | 11:35 am
    • Best Picture: The Descendants
    • Best Actor: Michael Fassbender, Shame
    • Best Actress: Tilda Swinton, We Need to Talk About Kevin
    • Best Supporting Actor: Albert Brooks, Drive
      Photo by Richard Foreman Jr.
    • Best Supporting Actress: Shailene Woodley, The Descendants

    Question: What do Tilda Swinton, Michael Fassbender, Jeff Bridges and Houston philanthropist Joanne King Herring have in common? Answer: Each of these luminaries was commended Tuesday evening as members of the Houston Film Critics Society announced winners of their 2011 awards for outstanding achievement.

    Swinton claimed the Best Actress prize for her harrowing performance as an anxious mother who suspects the very worst of her son in We Need to Talk About Kevin, while Fassbender took the Best Actor award for his fearless full-frontal portrayal of a sex addict in Shame. Bridges was voted a special Lifetime Achievement honor for a wide range of cinematic achievements stretching from The Last Picture Show (1971) to last year’s True Grit.

    And Joanne King Herring? Well, after her humanitarian efforts in Afghanistan were documented in Charlie Wilson’s War, it seemed altogether fitting to HFCS members that she should be honored as Humanitarian of the Year.

    The Descendants, Alexander Payne’s acclaimed and deeply affecting dramedy about a man struggling to reconnect with his daughters as their comatose mother nears death, claimed the lion’s share of 2011 HFCS Awards: Best Picture, Best Screenplay (co-written by director Payne, Nat Faxon and Jim Rash) and Best Supporting Actress (Shailene Woodley). But the sleek and sexy thriller Drive managed to double-dip with two other prizes: Best Director (Nicholas Winding Refn) and Supporting Actor (Albert Brooks).

    Other HFCS awards include:

    ANIMATED FILM: Gore Verbinski’s Rango

    DOCUMENTARY: James Marsh’s Project Nim

    FOREIGN FILM: Jee-Woon Kim’s I Saw the Devil

    CINEMATOGRAPHY: Emmanuel Lubezki for The Tree of Life

    MUSICAL SCORE: Ludovic Bource for The Artist

    SONG: Composer-lyricist Bret McKenzie for "Life's a Happy Song" from The Muppets

    TECHNICAL ACHIEVEMENT: Andy Serkis for "evocative motion capture performance" for Rise of the Planet of the Apes

    WORST FILM OF 2011: David Gordon Green's Your Highness

    HFCS also issued Special Achievement in Cinema awards to J. Hunter Todd, founder and president of WorldFest/Houston International Film Festival and Mary Lampe, founder and director of the Southwest Alternate Media Project (aka SWAMP).

    The fifth annual Houston Film Critics Society Awards will be presented in a Jan. 7 ceremony at the Museum of Fine Arts, Houston. At that event, HFCS members will announce the winner of the organization's inaugural Best Texas Independent Film award, given to a film primarily financed and filmed in Texas. Finalists in the category include DeadbeatTV Vol.2 (Invisible Studios), The Great American Moon Rock Caper (Flock of Film Productions), Jacob (Odyssee Pictures) Puncture (Millennium Entertainment) and Stick 'Em Up (Shoot Edit Sleep).

    But wait, there's more: According to HFCS members, the Top Ten Films of 2011, in descending order are The Descendants, The Artist, Drive, Midnight in Paris, The Tree of Life, Win Win, Take Shelter, The Help, Extremely Loud & Incredibly Close and War Horse.

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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