If you’re not a big fan of the Christmas season or if December 25 is simply bearing down on you too fast, check out Bad Lieutenant: Port of Call — New Orleans, the new Werner Herzog film starring Nicholas Cage. The film’s bleached-out colors (it’s more “in gray” than “in color”), along with Cage’s damn-near demented performance as a variously addicted cop, contains not the least whiff of holiday cheer. The movie is funny—very funny—but in a way that will appeal more to your inner Beelzebub than to your Tiny Tim.
The new film is a sort of remake Abel Ferrara’s 1992 Bad Lieutenant. I say “sort of” because Herzog and screenwriter William Finkelstein took Ferrara’s title and his basic concept of the addicted cop, and jettisoned the rest. (Herzog has even claimed that he never saw the original.) When it comes to trans-Atlantic remakes, it’s usually the American filmmakers who dumb down a properly weighty European original. But Herzog has reversed the process. Except that he hasn’t so dumbed the original down as much as he’s lightened it up and set it free.
Ferrara’s (and Harvey Keitel’s) Bad Lieutenant was ultimately a lost soul who was trying to sin so hard that he would get God’s attention, and the film became an extremely Catholic tale of redemption. But Herzog has dropped the religious quest and simply set Nicholas Cage free, gloriously free, with the material.
Cage responds with the greatest cinematic high wire act since Phillip Petit walked that cable between the Twin Towers in Man on Wire. His character “develops” by becoming more outrageous in the ways he abuses drugs and also people—even nice old ladies—when he’s trying to get them to talk.
As the story plays out, you see that Cage’s lieutenant hasn’t really lost his moral bearings as completely as he seemed to. That’s well and good, but the film’s whiff of moral uplift isn’t what I took away. Instead I remember the iguanas that Cage’s character (but no one else) sees in his hallucinations. (They look very real, and when Cage slaps one you hear the thump.) And the shot of an apparently grieving alligator who seems to have just lost his or her mate when a car ran over it. Herzog actually gives us a shot from the alligator’s perspective and somehow renders the fearsome critter kinda human.
The pleasure, and perhaps even the greatness of the film lies in the freedom that both Herzog and Cage grant themselves. They both “go wild.” But both of them frame and master their daring: Herzog within the restraints of genre film, which he honors, and Cage within the discipline that he ultimately applies to his performance. He does all kinds of tricks out there on the high wire, but never falls off.
I loved Bad Lieutenant, but thinking about it is a little depressing as well. There is so little inspired movie making these days that this film feels like a revelation. When did it become so rare for the movies to show real daring and imagination?
Movie Review
Big stars struggle for laughs in wedding film You're Cordially Invited
There’s something about weddings that comedy filmmakers love. From Four Weddings and a Funeral to The Wedding Singer to Wedding Crashers to Bridesmaids and beyond, the act of two people getting married provides plenty of opportunities for conflict, mixups, and mayhem on which comedies often thrive.
So the premise of You’re Cordially Invited, in which two weddings at a small island venue are accidentally booked on the same weekend, would seem to be rife with funny situations. Jim (Will Ferrell) is the single dad of Jenni (Geraldine Viswanathan), while Margot (Reese Witherspoon) is the high-powered sister of Neve (Meredith Hagner). Both have a connection to the Palmetto Hotel, and both think they have secured the first Saturday in June for the wedding of their family members.
The confusion over finding out the venue has been double-booked is initially met with reason and compromise. But as the two wedding parties butt heads jockeying for position among the island’s limited resources, tempers start to flare, and both Jim and Margot start to lean toward sabotage. What’s supposed to be the happiest day of their lives for the brides turns into a nightmare for both as their loved ones try to find ways to get back at one another.
Written and directed by Nicholas Stoller (Neighbors, Bros), the film is heavily dependent on the talents of its two stars. The scenes in which Ferrell and Witherspoon face off are the most enjoyable, as each uses skills they’ve learned over their long careers to elevate the film. Unfortunately, Stoller seemed to put most of his effort into their scenes, as anything involving their characters’ friends and families falls flat.
Stoller actually sets up the various quirks and tensions between the two groups well, but it's the execution of the subsequent scenes that is lacking. Whether it’s the fault of the editing team or Stoller himself, the pacing of the film is way off. Some scenes are cut short before they reach a good resolution, and others are extended well past the point of being funny.
The film mostly suffers from giving too much in certain situations and not enough in others. Jenni has a mostly anonymous group of female friends, portrayed by actors who all seem to have been given instructions to act over the top at all times, a trait that is more annoying than amusing. On the other hand, the craziness that the film seems to promise with its central premise never materializes. The acts of sabotage by Jim and Margot are so tame that they can’t even be called entertaining, much less hilarious.
The performances in the film face diminishing returns the further you go down the cast list. Both Ferrell and Witherspoon are talented enough to get by on charm alone, and even if these are far from their best roles, it’s still fun to see them. Viswanathan and Hagner are both fine, but the rest of the cast is uniformly uninteresting and occasionally off-putting.
You’re Cordially Invited is a great example of past results not equaling future success. Given the good films that Ferrell, Witherspoon, and Stoller have made in the past, it should have been relatively easy for them to make a pleasant if forgettable wedding movie. Instead, it’s a mostly unfunny affair with only a few moments that rise to their talents.
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You're Cordially Invited is now streaming on Prime Video.