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    Transformed Houston

    Art world is stunned at news of Museum of Fine Arts Director Peter Marzio'sdeath

    Clifford Pugh
    Steven Devadanam
    Dec 10, 2010 | 8:18 am
    • Peter Marzio, director of the Museum of Fine Arts, Houston
    • Just one highlight of his tenure, the donation of Rienzi in 1991
    • Alberto Giacometti's "Large Standing Womain I," 1960, stands before a granitetriangle, part of Isamu Noguchi's design for the Lillie and Hugh Roy CullenSculpture Garden, a 1986 accomplishment for Marzio.
    • Another Marzio contribution: the renovation of Bayou Bend in 1993
    • Peter Marzio, director of the Museum of Fine Arts, Houston
      Museum of Fine Arts, Houston
    • The Audrey Jones Beck Building opened to acclaim in March 2000.
    • Peter Marzio with Jeanie Kilroy, left, and Cornelia Long at the Septemberopening of the Lora Jean Kilroy Visitor and Education Center at Bayou Bend
      Photo by Gary Fountain
    • Lora Jean Kilroy Visitor and Education Center
      Photo by Robb Williamson
    • A new book detailing Houston's most prestigious collection of American art,"American Art and Philanthropy: Twenty Years of Collecting at the Museum of FineArts, Houston," arrived on bookshelves in October.
    • "Head with Crown", 14th-early 15th century, copper alloy, from "Dynasty andDivinity: Ife Art in Ancient Nigeria." The MFAH was proud to be the first U.S.venue for this touring exhibition.
      Photo by Karin L. Willis; © National Commission for Museums and Monuments,Nigeria. Photo courtesy Museum for African Art/Fundación Marcelino Botín
    • Just this fall, the MFAH invited artist Cai Guo-Qiang to create a gunpowderdrawing to cover the walls of the new Arts of China Gallery.
      Photo by I-Hua Lee/Courtesy Cai Studio
    • "Still Life with Apples and Peaches" by Paul Cézanne, part of the upcomingblockbuster exhibition, "Impressionist and Post-Impressionist Masterpieces fromthe National Gallery of Art." The MFAH is the first— and the only — venue forthe exhibition.

    Peter C. Marzio, who built the Museum of Fine Arts Houston into an art world juggernaut, passed away early Friday morning after a battle with cancer. He was 67.

    Many in Houston's art and business communities were stunned to hear of his death because he had kept his illness extremely private.

    During his 28-year tenure as director of Houston's largest museum, it rose from 30th to the sixth largest in the nation. Marzio doubled the museum in size with the Audrey Jones Beck building, which opened in 2000, increased the permanent collection from 13,000 objects to 62,000, and magnified the endowment by eighteenfold. He added full-time curators in Renaissance and Baroque Painting (1990); Prints and Drawings (1991); Textiles and Costume (1991); American Painting and Sculpture (1993); Film and Video (1996); Asian Art (2000), Latin American Art (2001) and Islamic Art (2008).

    Among the many other highlights of his tenure: the completion of the Lillie and Hugh Roy Cullen Sculpture Garden (1986); the donation of Rienzi (1991); the addition of an off-site facility (1991) that houses the Museum Archives and Department of Conservation, established in 1984 and 1996 respectively; the renovation of Bayou Bend (1993) and the opening of the Lora Jean Kilroy Visitor and Education Center (2010), and the construction of Central Administration and Glassell Junior School of Art Building (1994).

    Under his guidance, the MFAH has committed to spending at least $80 million over 10 years to Latin American programs, much of which will be devoted to exhibitions displayed in a new building that will place the Latin American art collection within the global context of modernism.

    He forged relationships with monied Houston art lovers. Caroline Wiess Law left the MFAH $400 million — one of the largest bequests ever to a museum — along with major artworks, Alfred Glassell Jr. donated his collection of African gold pieces; Beck left 47 Impressionist masterpieces and the museum maintains a permanent collection of Renaissance and Baroque art from the Sarah Campbell Blaffer Foundation.

    Marzio also believed strongly in a world view, supporting galleries and exhibits of art from Vietnam, Afghanistan, Korea, China, India, Japan and the Middle East.

    "He was a visionary in that way," said associate director of investment and finance Gwen Goffe, who was named acting director after Marzio's death. "He believed in the whole idea of using art to educate about different cultures."

    MFAH lifetime trustee Rich Kinder said that Marzio will be remembered as one of the finest museum directors of this generation.

    "His accomplishments at the museum were just extraordinary. He took a relatively small museum and built it into one of the best museums in America today in terms of collection and endowment," Kinder told CultureMap. "He was a rare combination of a very well educated and knowledgeable art aficionado with business sense. There are very few nonprofits in America who can balance a budget."

    Kinder also thought of Marzio as a great friend for more than 25 years. "We skiied, fished and collected art together," Kinder said. "He had a dry wit. He was just a wonderful person."

    MFAH trustee Frank Hevrdjes admired Marzio's ability to transform the museum from a good regional center to a world-class institution.

    "Peter's vision, knowledge, leadership and fiscal discipline were the envy not only of the museum world but of the entire business community," Hevrdjes said. "In addition to his large role in our community, Peter was a wonderful friend and a loving husband to his wife and best friend Frances. He was loved by all his employees and admired by the entire art world. We have lost an incredible man."

    Marzio's untimely death reverberated throughout Houston's arts community.

    "It's a huge loss," said Cecil C. Connor, Jr., longtime general manager of Houston Ballet." Peter was the leader not just of the museum but of the art world in Houston."

    On the national level, the American Association of Museums also mourned Marzio's death.

    “Peter was a leader in the museum field,” AAM President Ford W. Bell said in a statement. “His vision inspired legions of museum professionals. To say he will be sorely missed does not do honor to his influence and his character. His own life story was a case study on the power of art and museums, and their remarkable ability to lift spirits and enrich souls. Peter Marzio’s life did both, in ways that will keep him with us forever. ”

    Marzio was a driving force behind bringing the 2011 AAM Annual Meeting and MuseumExpo to Houston and had served as chair. The meeting, which will take place May 23–26, will be dedicated to his memory.

    Marzio was born on Governor’s Island, New York City. He went to Juniata College in Pennsylvania on a football scholarship, earning a bachelor of arts degree in 1965, and graduated from the University of Chicago with an master's of arts in 1966 and doctorate degree in 1969. He studied in Rome on a senior Fulbright research fellowship in 1973.

    Prior to coming to Houston in 1982, Marzio was director and CEO of the Corcoran Gallery of Art in Washington, D.C., and curator of Prints and chairman of the Department of Cultural History at the Smithsonian Institution.

    Well known in the national art world, Marzio was president of the Association of Art Museum Directors from 1988 to 1989. He also served as chairman of the Federal Council on the Arts and Humanities from 1997-2000.

    He is survived by his wife, Frances; his daughter, Sara Marzio Podsednik in Houston; his son, Steven Marzio and wife Randi in Alpharetta, Ga.; and five grandchildren.

    The museum is planning a memorial service after the first of the year to honor Marzio.

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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