Media giants, The Discovery Channel, IMAX and Sony Entertainment, confirmed plans to create a 24-hour 3D television cable channel — but is it a waste of time?
The slow death of cable television and increasing popularity of online services like Netflix and Hulu are enough to raise questions about this plan.
The media heavyweights see a lucrative future in 3D technology though. Sony Corporation chairman Howard Stringer called it a “groundbreaking new venture” in a statement.
While 3D movies have dipped into an older audience in the past years (Avatar, Jackass and Beowulf) — in the past the format's largely focused on films for kids and young adults (The Harry Potter series, Alice In Wonderland, The Incredibles).
Peter Hine, a New York City resident, commented on a New York Timespiece with, "Great. My kids will NEVER leave the house." GameSpy reports Sony stirring up 50 new video games all formatted in 3D, but an optician told TechEYE.net he doesn't recommend putting 3D glasses on children, "as their muscles are still developing."
After the the high-definition television craze went full throttle, most people were thinking, "This is it, this is as good as it's going to get for the next couple of years," but after December — that'll be a distant thought, as Toshiba releases its first glasses-free 3D TV set in Japan.
What do you think? Should 3D be the wave of the future, or remain a nostalgic part of cinematic history?
Will Ferrell and Reese Witherspoon in You're Cordially Invited
There’s something about weddings that comedy filmmakers love. From Four Weddings and a Funeral to The Wedding Singer to Wedding Crashers to Bridesmaids and beyond, the act of two people getting married provides plenty of opportunities for conflict, mixups, and mayhem on which comedies often thrive.
So the premise of You’re Cordially Invited, in which two weddings at a small island venue are accidentally booked on the same weekend, would seem to be rife with funny situations. Jim (Will Ferrell) is the single dad of Jenni (Geraldine Viswanathan), while Margot (Reese Witherspoon) is the high-powered sister of Neve (Meredith Hagner). Both have a connection to the Palmetto Hotel, and both think they have secured the first Saturday in June for the wedding of their family members.
The confusion over finding out the venue has been double-booked is initially met with reason and compromise. But as the two wedding parties butt heads jockeying for position among the island’s limited resources, tempers start to flare, and both Jim and Margot start to lean toward sabotage. What’s supposed to be the happiest day of their lives for the brides turns into a nightmare for both as their loved ones try to find ways to get back at one another.
Written and directed by Nicholas Stoller (Neighbors, Bros), the film is heavily dependent on the talents of its two stars. The scenes in which Ferrell and Witherspoon face off are the most enjoyable, as each uses skills they’ve learned over their long careers to elevate the film. Unfortunately, Stoller seemed to put most of his effort into their scenes, as anything involving their characters’ friends and families falls flat.
Stoller actually sets up the various quirks and tensions between the two groups well, but it's the execution of the subsequent scenes that is lacking. Whether it’s the fault of the editing team or Stoller himself, the pacing of the film is way off. Some scenes are cut short before they reach a good resolution, and others are extended well past the point of being funny.
The film mostly suffers from giving too much in certain situations and not enough in others. Jenni has a mostly anonymous group of female friends, portrayed by actors who all seem to have been given instructions to act over the top at all times, a trait that is more annoying than amusing. On the other hand, the craziness that the film seems to promise with its central premise never materializes. The acts of sabotage by Jim and Margot are so tame that they can’t even be called entertaining, much less hilarious.
The performances in the film face diminishing returns the further you go down the cast list. Both Ferrell and Witherspoon are talented enough to get by on charm alone, and even if these are far from their best roles, it’s still fun to see them. Viswanathan and Hagner are both fine, but the rest of the cast is uniformly uninteresting and occasionally off-putting.
You’re Cordially Invited is a great example of past results not equaling future success. Given the good films that Ferrell, Witherspoon, and Stoller have made in the past, it should have been relatively easy for them to make a pleasant if forgettable wedding movie. Instead, it’s a mostly unfunny affair with only a few moments that rise to their talents.
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You're Cordially Invited is now streaming on Prime Video.
