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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 3, 2019 | 9:15 am

    Christmas came early for urban cowboys in Houston.

    The one-time most famous country bar in the world and line dancing haven is making a comeback. Gilley's, first opened nearly 50 years ago in Pasadena. The nightspot and its owner, country singer Mickey Gilley, would catapult into the national consciousness with the hit John Travolta film, Urban Cowboy, released in 1980.

    The venue will make a return for that movie's 40th anniversary in 2020 as a $130 million, 16-acre mixed-use development in fast-growing League City, that will include a hotel, amphitheater, and restaurants. It will be similar to another Gilley's entertainment complex in Dallas. And no Gilley's would be complete without a massive dance hall to partake in some boot-scootin' boogie.

    Be on the look out for scheduled concerts at the new hot spot in the column. Until then, here are this week's biggest, best, and most notable shows of the week.

    CultureMap show of the week: Megan Thee Stallion at White Oak Music Hall
    Who's had a bigger year in music? Billie Eilish? Okay. Lizzo? Probably. But Houston's own Megan Thee Stallion is certainly up there as an artist that completely blew up in 2019. The "Hot Girl Summer" star and Texas Southern student blew up the charts and onto the national scene faster than James Harden puts up 60 points, earning widespread acclaim.

    Yes, "Hot Girl Summer" might have been the catalyst with her 2019 album Fever the big payoff, but the woman born Megan Pete earned her stripes on the Houston freestyle scene, learning from all the "chopped and screwed" H-town artists that came before her. This one is sold out and no doubt is one one of the hottest tickets of the year.

    Megan Thee Stallion play White Oak Music Hall, located at 2915 N. Main St., on Tuesday, December 3. Tickets are sold out. Doors open at 6:30 pm.

    CultureMap recommends: Old 97's at Warehouse Live
    One of the more popular regional acts makes another appearance in Houston this year and those who like lead singer Rhett Miller are in for a double dose. The band will perform a yuletide set, most likely drawing songs from its 2018 album, Love the Holidays.

    The night will also feature a solo set from Miller and magician Casey Magic, which sounds more than interesting and bit bizarre. But we'll give the hardworking and hard touring Texas band the benefit of the doubt.

    Old 97's perform at Warehouse Live, located at 813 Saint Emanuel St., on Wednesday, December 4. Rhett Miller plays a special acoustic set and Casey Magic opens. Tickets start at $25 plus fees. Doors open at 7 pm.

    Yacht at White Oak Music Hall
    Los Angeles by way of Portland act electro-pop Yacht was on a roll creatively and commercially, gaining critical notices for 2015 album I Thought the Future Would Be Cooler when the usually smart group made a really dumb decision to promote a new song via a fake sex tape that blew up in their faces. While they always explored the interaction of music via our reliance on the digital sphere, the stunt came across as extremely insensitive and set the band's career trajectory back years.

    After a few years off to regroup, the Yacht is back with Chain Tripping, a colder, less-fun album than their previous work, returning to LCD Soundsystem head honcho James Murphy's label, DFA Records. The fact that they are playing upstairs at White Oak when a few years ago would have easily played the larger downstairs space just shows how much of a hill they have to climb before winning back their fanbase. Whether they can forgive or forget remains to be seen, but surely this band has a lot of musical talent to make up the gap.

    Yacht performs at White Oak Music Hall, located at 2915 N. Main St., on Thursday, December 5. Jennifer Vanilla opens. Tickets start at $13 plus fees. Doors open at 8 pm.

    A$AP Ferg at House of Blues
    A member of the similarly money-signed A$AP Mob, which included A$AP Rocky, the New York City-based A$AP Ferg has found success as his own voice outside of his original group. Moving past the Mob, Ferg released a series of tight and aggressive mix tapes, collaborating with a who's-who of hip-hop artists, including Snopp Dogg, Busta Rhymes, and Rick Ross.

    His 2017 full-length, Still Striving, hit the Top 20 of the Billboard charts making him an equal with his former bandmate. After a series of guest appearances on other artists' tracks, his latest is this year's Floor Seats.

    A$AP Ferg is at House of Blues, located at 1204 Caroline St., on Friday, December 6. Murda Beatz, Made in TYO open. Tickets start at $32.50 plus fees. Doors open at 7 pm.

    Kansas at Smart Financial Centre
    The holidays are a good bet that classic rock acts will roll through the city and that job this year falls on the shoulders of Kansas (The Guess Who are also playing in The Woodlands Saturday night). The group rose to fame when too many bands named themselves after geographic locations (re: Chicago, Alabama, etc.).

    Like bands of the time, they got big on a mix of hard rock and prog rock that fit with the psychedelic times, hitting their commercial peak with 1977s Point of Know Return, featuring single "Dust in the Wind." And again, like many classic rock acts of the time, they broke up and reformed and are now a staple on the nostalgia circuit but fans of the act will take pleasure in the fact the band will be playing their biggest album in fill on this tour.

    Kansas performs at Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land on Saturday, December 7. Tickets start at $44.50 plus fees. The show starts at 7:30 pm.

    The Grand Ol' Christmas Show at House of Blues
    Holiday shows are a dime a dozen each December, but here's one that actually does it for a good cause. The Grand Ol' Christmas Show is a concert-meets-variety show-meets play featuring some of the best talent in Texas, including locally raised Americana troubadour Robert Ellis and Blue Water Highway.

    Starting in 2003, the annual Texas touring performance has helped raise over $100,000 for various charitable organizations, including the Brazoria County Youth Home, Agape in Action, The Brazosport Center for the Arts and Sciences, and Military Moms and Wives of Brazoria County. Part of this year's proceeds goes towards Habitat for Humanity.

    The Grand Ol’ Christmas Show is at House of Blues, located at 1204 Caroline St., on Sunday, December 7. Murda Beatz, Made in TYO open. Tickets start at $32.50 plus fees. Doors open at 7 pm.

    CultureMap show of the week: Houston's Megan Thee Stallion performs a sold-out show at White Oak Music Hall on Tuesday, December 3.

    Megan Thee Stallion
    Photo courtesy of Red Bull
    CultureMap show of the week: Houston's Megan Thee Stallion performs a sold-out show at White Oak Music Hall on Tuesday, December 3.
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    Movie Review

    Glen Powell stumbles in remake of  sci-fi classic The Running Man

    Alex Bentley
    Nov 14, 2025 | 12:30 pm
    Glen Powell in The Running Man
    Photo courtesy of Paramount Pictures
    Glen Powell in The Running Man.

    For all its cheesy ‘80s greatness, the original version of The Running Man starring Arnold Schwarzenegger was a very loose adaptation of the novel by Stephen King. For the new remake, writer/director Edgar Wright has tried to hue much closer to the story laid out in the book, a decision that has both its positive and negative aspects.

    Glen Powell takes over for Schwarzenegger as Ben Richards, a family man/hothead who can’t seem to hold a job in the dystopian America in which he lives. Desperate to take care of his family, he applies to be on one of the many game shows fed to the masses that promise riches in exchange for humiliation or worse. Thanks to his temper, Ben is chosen for the most popular one of all, The Running Man, in which contestants must survive 30 days while hunters, as well as the general population, track them down.

    Given a 12-hour head start, Ben earns money for every day he survives, as well as every hunter he eliminates. Since he only has a relatively small amount of money to use as he pleases, Ben must rely on friendly citizens who are willing to put their own lives on the line to help him. That’s a task made even more difficult as the gamemakers, led by Dan Killian (Josh Brolin), use advanced AI to manipulate footage of Ben to make him seem like a guy for which no one should root.

    Co-written by Michael Bacall, the film is shockingly uninteresting, working neither as an exciting action film, a fun quippy comedy, or social commentary. The biggest problem is that Wright seems to have no interest in developing any of his characters, starting with Ben. Our introduction to the protagonist is him trying to get his job back, a situation for which there is little context even after we’re beaten over the head with exposition.

    The situation in which Ben finds himself should be easy to make sympathetic, but Wright and Bacall speed through scenes that might have emphasized that aspect in favor of ones that make the story less personal. The filmmakers really want to showcase the supposed antagonistic relationship between Ben and Dan (and the system which Dan represents), but all that effort results in little drama.

    Ben has a number of close calls, and while those scenes are full of action and violence, almost every one of them feels emotionally inert, as if there was nothing at stake. It doesn’t help that Wright doesn’t set the scene well, making it unclear how far Ben has traveled or who/what he’s up against. There are times when Ben feels surrounded and others when he can walk freely, weird for a society that’s supposed to be under almost complete surveillance.

    Powell has been touted as a movie star in the making for several years following his turn in Top Gun: Maverick, but he does little here to make that label stick. With no consistent co-star thanks to the structure of the story, he’s required to carry the film, and he just doesn’t have the juice that a true movie star is supposed to have. Nobody else is served well by the scattershot film, including normally reliable people like Brolin, Colman Domingo, Michael Cera, and Lee Pace.

    The Running Man is a big misfire by Wright and a blow to Powell’s star power. On the surface, it has all the hallmarks of an action thriller with a side of social commentary, but nothing it does or says lands in any meaningful way. Schwarzenegger’s one-liners in the original film may have been goofy and over-the-top, but at least they made the movie memorable, which is way more than can be said of the remake.

    ---

    The Running Man opens in theaters on November 14.

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