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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 3, 2019 | 9:15 am

    Christmas came early for urban cowboys in Houston.

    The one-time most famous country bar in the world and line dancing haven is making a comeback. Gilley's, first opened nearly 50 years ago in Pasadena. The nightspot and its owner, country singer Mickey Gilley, would catapult into the national consciousness with the hit John Travolta film, Urban Cowboy, released in 1980.

    The venue will make a return for that movie's 40th anniversary in 2020 as a $130 million, 16-acre mixed-use development in fast-growing League City, that will include a hotel, amphitheater, and restaurants. It will be similar to another Gilley's entertainment complex in Dallas. And no Gilley's would be complete without a massive dance hall to partake in some boot-scootin' boogie.

    Be on the look out for scheduled concerts at the new hot spot in the column. Until then, here are this week's biggest, best, and most notable shows of the week.

    CultureMap show of the week: Megan Thee Stallion at White Oak Music Hall
    Who's had a bigger year in music? Billie Eilish? Okay. Lizzo? Probably. But Houston's own Megan Thee Stallion is certainly up there as an artist that completely blew up in 2019. The "Hot Girl Summer" star and Texas Southern student blew up the charts and onto the national scene faster than James Harden puts up 60 points, earning widespread acclaim.

    Yes, "Hot Girl Summer" might have been the catalyst with her 2019 album Fever the big payoff, but the woman born Megan Pete earned her stripes on the Houston freestyle scene, learning from all the "chopped and screwed" H-town artists that came before her. This one is sold out and no doubt is one one of the hottest tickets of the year.

    Megan Thee Stallion play White Oak Music Hall, located at 2915 N. Main St., on Tuesday, December 3. Tickets are sold out. Doors open at 6:30 pm.

    CultureMap recommends: Old 97's at Warehouse Live
    One of the more popular regional acts makes another appearance in Houston this year and those who like lead singer Rhett Miller are in for a double dose. The band will perform a yuletide set, most likely drawing songs from its 2018 album, Love the Holidays.

    The night will also feature a solo set from Miller and magician Casey Magic, which sounds more than interesting and bit bizarre. But we'll give the hardworking and hard touring Texas band the benefit of the doubt.

    Old 97's perform at Warehouse Live, located at 813 Saint Emanuel St., on Wednesday, December 4. Rhett Miller plays a special acoustic set and Casey Magic opens. Tickets start at $25 plus fees. Doors open at 7 pm.

    Yacht at White Oak Music Hall
    Los Angeles by way of Portland act electro-pop Yacht was on a roll creatively and commercially, gaining critical notices for 2015 album I Thought the Future Would Be Cooler when the usually smart group made a really dumb decision to promote a new song via a fake sex tape that blew up in their faces. While they always explored the interaction of music via our reliance on the digital sphere, the stunt came across as extremely insensitive and set the band's career trajectory back years.

    After a few years off to regroup, the Yacht is back with Chain Tripping, a colder, less-fun album than their previous work, returning to LCD Soundsystem head honcho James Murphy's label, DFA Records. The fact that they are playing upstairs at White Oak when a few years ago would have easily played the larger downstairs space just shows how much of a hill they have to climb before winning back their fanbase. Whether they can forgive or forget remains to be seen, but surely this band has a lot of musical talent to make up the gap.

    Yacht performs at White Oak Music Hall, located at 2915 N. Main St., on Thursday, December 5. Jennifer Vanilla opens. Tickets start at $13 plus fees. Doors open at 8 pm.

    A$AP Ferg at House of Blues
    A member of the similarly money-signed A$AP Mob, which included A$AP Rocky, the New York City-based A$AP Ferg has found success as his own voice outside of his original group. Moving past the Mob, Ferg released a series of tight and aggressive mix tapes, collaborating with a who's-who of hip-hop artists, including Snopp Dogg, Busta Rhymes, and Rick Ross.

    His 2017 full-length, Still Striving, hit the Top 20 of the Billboard charts making him an equal with his former bandmate. After a series of guest appearances on other artists' tracks, his latest is this year's Floor Seats.

    A$AP Ferg is at House of Blues, located at 1204 Caroline St., on Friday, December 6. Murda Beatz, Made in TYO open. Tickets start at $32.50 plus fees. Doors open at 7 pm.

    Kansas at Smart Financial Centre
    The holidays are a good bet that classic rock acts will roll through the city and that job this year falls on the shoulders of Kansas (The Guess Who are also playing in The Woodlands Saturday night). The group rose to fame when too many bands named themselves after geographic locations (re: Chicago, Alabama, etc.).

    Like bands of the time, they got big on a mix of hard rock and prog rock that fit with the psychedelic times, hitting their commercial peak with 1977s Point of Know Return, featuring single "Dust in the Wind." And again, like many classic rock acts of the time, they broke up and reformed and are now a staple on the nostalgia circuit but fans of the act will take pleasure in the fact the band will be playing their biggest album in fill on this tour.

    Kansas performs at Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land on Saturday, December 7. Tickets start at $44.50 plus fees. The show starts at 7:30 pm.

    The Grand Ol' Christmas Show at House of Blues
    Holiday shows are a dime a dozen each December, but here's one that actually does it for a good cause. The Grand Ol' Christmas Show is a concert-meets-variety show-meets play featuring some of the best talent in Texas, including locally raised Americana troubadour Robert Ellis and Blue Water Highway.

    Starting in 2003, the annual Texas touring performance has helped raise over $100,000 for various charitable organizations, including the Brazoria County Youth Home, Agape in Action, The Brazosport Center for the Arts and Sciences, and Military Moms and Wives of Brazoria County. Part of this year's proceeds goes towards Habitat for Humanity.

    The Grand Ol’ Christmas Show is at House of Blues, located at 1204 Caroline St., on Sunday, December 7. Murda Beatz, Made in TYO open. Tickets start at $32.50 plus fees. Doors open at 7 pm.

    CultureMap show of the week: Houston's Megan Thee Stallion performs a sold-out show at White Oak Music Hall on Tuesday, December 3.

    Megan Thee Stallion
    Photo courtesy of Red Bull
    CultureMap show of the week: Houston's Megan Thee Stallion performs a sold-out show at White Oak Music Hall on Tuesday, December 3.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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