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    Live Music Now

    Here are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 4, 2018 | 2:20 pm

    The CultureMap weekly live music column is usually a chronological affair, taking readers through the biggest, best, and most noteworthy shows day-by-day. But this week, we're going to skip to the most important first because it's that big of a deal and will likely be some of the biggest shows of the year.

    The Rocket Man himself, Sir Elton John will make what he says to be his last appearance on a Houston stage as a performer this weekend, capping a legendary career with his Farewell Yellow Brick Road tour. While music retirements are usually as hard and fast as comic book character deaths, there is a legitimate chance this one will stick. The 71-year-old is a gazillionaire, has sold almost as many albums (over 300 million), influenced countless musicians, has little left to prove, and nothing more to accomplish. At this point, he's doing it because he was born to do it, music is simply the same to him as breathing (with big thanks to his mum in the recent poignant, tear-jerking Christmas ad).

    It would be nearly impossible to list all of his hits here, especially since he achieved at least one Top 40 song every year from 1970 to 1999. But expect to hear his biggest, "Candle in the Wind," "Bennie and the Jets," "Don't Let the Sun Go Down On Me," "Goodbye Yellow Brick Road," "Your Song," "I Guess That's Why They Call It the Blues," among many others.

    It's not shocking that both his Saturday and Sunday show are completely sold out. But if you are a fan and have access to a savings account, the money it will take to buy a ticket on the resale market it will be worth it to see one of most talented stars in the history of music tickle the ivories one more time. His talents as a live performer will be missed.

    Elton John says farewell to all the tiny dancers at the Toyota Center, located at 1510 Polk St., on Saturday, December 8 and Sunday, December 9. Tickets start at $195 on the resale market. Doors open at 7 pm.

    Born Ruffians at White Oak
    Toronto indie-rock act Born Ruffians made waves in their native land since their inception in the mid-aughts, but are making a play for relevancy in the U.S. The three-piece has toured with some of the indie-rock circuit's best including Franz Ferdinand, Peter Bjorn and John, and Caribou, their eclectic indie rhythms combined with folky melodies. Their latest is Uncle, Duke & the Chief.

    Born Ruffians play White Oak Music Hall, located at 2915 N Main St., on Tuesday, December 4. Little Junior opens. Tickets are $15 plus service fees. Doors open at 7 pm.

    CultureMap recommends: Nashville rising star Maggie Rose
    Singer-songwriter Maggie Rose is making big waves in her homebase of Nashville and beyond, gaining notices in major music publications, including NPR, Vogue, and USA Today, for her multi-genre style outside of country. She's touring with a 13-piece band, resulting in a blast of soul, funk, rock 'n roll, blues, gospel, and pop. Instead of Dolly, it's way more Arethra, allowing Rose's powerhouse voice to shine, embracing her inner diva.

    Maggie Rose performs at Warehouse Live, located at 813 St Emanuel St, on Friday, December 7. Oliver Penn opens. Tickets start at $10 plus service fees. Doors open at 7 pm.

    '70s R&B and soul with The Commodores and The Temptations
    It's an oldies double-bill at Arena Theatre this Friday as The Commodores and The Temptations are responsible for some of the biggest hits of the pop, R&B, and soul of the '60s, '70s, and '80s. The former act is mostly famous for when Lionel Ritchie was a co-lead singer and songwriter in the band before venturing off as a solo artist. Their song include the best of A.M. radio, "Three Times a Lady," "Easy," and "Nightshift." The Temptations are just as famous for their sweet, sweet melodies and dance moves to match. "My Girl," "Papa Was a Rollin' Stone," and "The Way You Do the Things You Do," are stone-cold classics and worth the price of admission.

    The Commodores and The Temptations are at Arena Theatre, located at 7326 Southwest Fwy, on Friday, December 7. Tickets start at $35.50 plus service fees. Show starts at 8:30 pm.

    Joy Williams (formerly of The Civil Wars)
    Unfortunately, the show at Heights Theater with the amazing blues act The Robert Cray Band on Friday is sold out, so let us point you in the direction of the upcoming performance by Joy Williams, formerly the singer of the acclaimed Americana act, The Civil Wars. She won four Grammy awards and hit No. 1 on the Billboard charts with her songwriting partner John Paul White before creative differences led to an acrimonious split in 2014. Williams has had a good solo career, which can be largely attributed to her gorgeous vocals, but the material veers more towards adult pop than her folksy back catalog. Regardless, she's a talent too good to pass up. She is touring in advance of her set-to-be released record, Front Porch.

    Joy Williams headlines the Heights Theater, located at 339 W. 19th St., on Sunday, December 9. Anthony Da Costa opens Tickets start at $26 plus a $6 service fee. Doors open at 7 pm.

    Stop and Stare at OneRepublic
    Pop-rock act OneRepublic last played at RodeoHouston earlier this year and seemed to find it difficult to fill the space, despite a good performance by lead singer Ryan Tedder. Their headlining slot at House of Blues will be the perfect venue for the "Counting Stars" and "Stop and Stare" band, allowing them to get up close and intimate with their die-hard fans as part of the Mixmas 96.5 holiday show.

    OneRepublic headlines the House of Blues, located at 1204 Caroline St., on Monday, December 10. Ocean Park Standoff, Matt Nathanson, and Brynn Elliott open. Tickets start at $59.50 plus service fees. Doors open at 6:30 pm.

    CultureMap show of the week: Elton John plays his last shows at Toyota Center on Saturday, December 8 and Sunday, December 9.

    Elton John at Circuit of the Americas F1 Weekend
    Photo by Daniel Cavazos
    CultureMap show of the week: Elton John plays his last shows at Toyota Center on Saturday, December 8 and Sunday, December 9.
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    Movie Review

    Safe cracking takes center stage in new heist movie Tuner

    Alex Bentley
    May 29, 2026 | 3:14 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties — not to mention the danger of the thefts — insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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