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    AC2 Live

    Andy Cohen shares deep thoughts about Anderson Cooper in advance of Houston show

    Kaitlin Steinberg
    Nov 29, 2017 | 11:00 am
    Anderson Cooper, Andy Cohen
    Anderson and Andy have been friends for years.
    Photo courtesy of AC2Live

    Bravo and CNN might not generally attract the same audiences, but watch one episode of Real Housewives, and you might find some parallels between the melodrama of a birthday party and the high drama of a political party.

    That’s what Andy Cohen and Anderson Cooper are counting on when they bring their live show, AC2: Deep Talk and Shallow Tales, to the Smart Financial Center at Sugar Land on Saturday night, (December 2).

    Cohen is the host of Bravo's Watch What Happens Live and the executive producer of the Real Housewives franchises, while Cooper is anchor of Anderson Cooper 360° on CNN and a correspondent for 60 Minutes. As far as Cohen is concerned, though, their jobs aren’t that different: “It’s all wrangling people.”

    In their live show, the two television personalities essentially interview each other, show video clips not always suitable for television, and take questions from the audience. This has proven to be the ideal recipe for an evening of laughter and debauchery peppered with personal anecdotes about the duo’s decades-long bromance.

    We caught up with Cohen ahead of his visit to Houston to find out more about the show, his friendship with Cooper and, of course, The Real Housewives of Dallas.

    CultureMap: How did you and Anderson Cooper meet and become buddies?

    Andy Cohen: We were set up on a blind date in the early ‘90s, but it didn’t happen. He said I was gesticulating too wildly on the phone, and I brought up his mother [heiress Gloria Vanderbilt], which he didn’t like. We would run into each other and see each other around, and we have mutual friends. We would end up going on a lot of vacations together, and for a long period of time, we would only see each other on vacation. We just got closer as the years went by, and, specifically in the last 10 or 15 years, have become great, great friends.

    CM: What was the idea behind the show? How did you pitch it to producers and audiences initially?

    AC: Basically, we didn’t have to. He interviewed me at a theater in New York promoting my second book, and his agent at the time represented Bill O’Reilly, who has been on tour with Dennis Miller for many years, doing this kind of conversation series. She said, gosh, your chemistry is so great, you should come up with some kind of a stage show conversation, and let’s tour with it. So, they set up a test date in Boston and it sold out very quickly, and people seemed to like it. The show has just evolved since then. It’s almost been three years that we’ve been doing this now.

    CM: How has it changed since its inception?

    AC: We’ve changed stories, we’ve changed some of the video clips. We’re better at it. Anderson is way looser. I think the big logline is how funny he is.

    CM: Has the current political climate changed the tenor of the show?

    AC: Not really. It’s not a political show. I do like to rib him that the presidential debates were a lot like Housewives reunions, so that’s something we talk about a little bit, but it’s really not a political show. It’s just fun and funny and a lot of dishy stories. It’s like being out at a bar with me and Anderson for a couple hours.

    CM: How are you and Anderson Cooper different?

    AC: He’s more reserved, I’m way more outgoing and social. He’s a catastrophist, I’m an optimist. He’s moody, I’m just happy!

    CM: Would he agree with that assessment?

    AC: Oh, I think so. All of it.

    CM: Do you think you each attract different audiences to the show?

    AC: Yeah, but I think within the same family. Maybe cousins?

    CM: What should audiences expect from your shows in Texas?

    AC: Our show is kind of set, and it also evolves. It’s things we know we’re talking about, and it’s off the cuff. We also open it up to questions at the end, and nothing’s off limits, so the vibe of the show is partly set by the audience. I have a lot of friends in Dallas who are coming to the show, and then Houston we’re both really excited to come to. I don’t really know anyone in Houston. I was there once as the grand marshal in the gay pride parade years ago, and I just loved it. I’m excited.

    CM: Can we expect any juicy stories about the Dallas housewives?

    AC: All of the Dallas housewives are coming to the Dallas show. They’re all invited, and they’re all coming, so I’m excited about that.

    CM: How do you go about choosing the ladies who star on shows like RHOD or Married to Medicine Houston?

    AC: I have nothing to do with M2MH, so I can’t take any credit for that one, but for Dallas, we have casting directors who go out and look for groups of friends, people in the same social circles. LeeAnne brought in D’Andra, and Kameron knew Cary, so now it’s about finding women who fit in the circle and having the other women bring them in.

    CM: We’re gonna be honest and say we didn’t love the first season of RHOD. But we thought this second season was so much better.

    AC: Yeah, we all did.

    CM: What do you think made this season better?

    AC: Well, season one, we weren’t sure if it was gonna be a Real Housewives or not when we were shooting. At first, we were really gonna focus on women who were involved in charities, so just the nature of the stories that we were looking to tell changed while we were shooting it and in post-production. So, that’s difficult, but the women were great both times. It was nothing they did.

    CM: Any plans for additional Texas-based shows?

    AC: I only executive produce the Housewives on Bravo. I used to be in charge of all programming, and I’m just not anymore.

    CM: Well, might we recommend a Southern Charm: Austin and a Real Housewives of Corpus Christi? Could you pass those along?

    AC: Interesting, interesting. OK, I’ll take those in.

    CM: So. You’re coming to Texas. Have you ever had a breakfast taco?

    AC: I have not.

    CM: We think you need to eat one while you’re here.

    AC: I do, too! We just can’t wait to come. We’ve been really looking forward to this, and we keep asking, “When are we going to Texas?” So we’re really excited.

    ------------

    Tickets for AC2: Deep Talk and Shallow Tales are available through Ticketmaster.

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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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