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    AC2 Live

    Andy Cohen shares deep thoughts about Anderson Cooper in advance of Houston show

    Kaitlin Steinberg
    Nov 29, 2017 | 11:00 am
    Anderson Cooper, Andy Cohen
    Anderson and Andy have been friends for years.
    Photo courtesy of AC2Live

    Bravo and CNN might not generally attract the same audiences, but watch one episode of Real Housewives, and you might find some parallels between the melodrama of a birthday party and the high drama of a political party.

    That’s what Andy Cohen and Anderson Cooper are counting on when they bring their live show, AC2: Deep Talk and Shallow Tales, to the Smart Financial Center at Sugar Land on Saturday night, (December 2).

    Cohen is the host of Bravo's Watch What Happens Live and the executive producer of the Real Housewives franchises, while Cooper is anchor of Anderson Cooper 360° on CNN and a correspondent for 60 Minutes. As far as Cohen is concerned, though, their jobs aren’t that different: “It’s all wrangling people.”

    In their live show, the two television personalities essentially interview each other, show video clips not always suitable for television, and take questions from the audience. This has proven to be the ideal recipe for an evening of laughter and debauchery peppered with personal anecdotes about the duo’s decades-long bromance.

    We caught up with Cohen ahead of his visit to Houston to find out more about the show, his friendship with Cooper and, of course, The Real Housewives of Dallas.

    CultureMap: How did you and Anderson Cooper meet and become buddies?

    Andy Cohen: We were set up on a blind date in the early ‘90s, but it didn’t happen. He said I was gesticulating too wildly on the phone, and I brought up his mother [heiress Gloria Vanderbilt], which he didn’t like. We would run into each other and see each other around, and we have mutual friends. We would end up going on a lot of vacations together, and for a long period of time, we would only see each other on vacation. We just got closer as the years went by, and, specifically in the last 10 or 15 years, have become great, great friends.

    CM: What was the idea behind the show? How did you pitch it to producers and audiences initially?

    AC: Basically, we didn’t have to. He interviewed me at a theater in New York promoting my second book, and his agent at the time represented Bill O’Reilly, who has been on tour with Dennis Miller for many years, doing this kind of conversation series. She said, gosh, your chemistry is so great, you should come up with some kind of a stage show conversation, and let’s tour with it. So, they set up a test date in Boston and it sold out very quickly, and people seemed to like it. The show has just evolved since then. It’s almost been three years that we’ve been doing this now.

    CM: How has it changed since its inception?

    AC: We’ve changed stories, we’ve changed some of the video clips. We’re better at it. Anderson is way looser. I think the big logline is how funny he is.

    CM: Has the current political climate changed the tenor of the show?

    AC: Not really. It’s not a political show. I do like to rib him that the presidential debates were a lot like Housewives reunions, so that’s something we talk about a little bit, but it’s really not a political show. It’s just fun and funny and a lot of dishy stories. It’s like being out at a bar with me and Anderson for a couple hours.

    CM: How are you and Anderson Cooper different?

    AC: He’s more reserved, I’m way more outgoing and social. He’s a catastrophist, I’m an optimist. He’s moody, I’m just happy!

    CM: Would he agree with that assessment?

    AC: Oh, I think so. All of it.

    CM: Do you think you each attract different audiences to the show?

    AC: Yeah, but I think within the same family. Maybe cousins?

    CM: What should audiences expect from your shows in Texas?

    AC: Our show is kind of set, and it also evolves. It’s things we know we’re talking about, and it’s off the cuff. We also open it up to questions at the end, and nothing’s off limits, so the vibe of the show is partly set by the audience. I have a lot of friends in Dallas who are coming to the show, and then Houston we’re both really excited to come to. I don’t really know anyone in Houston. I was there once as the grand marshal in the gay pride parade years ago, and I just loved it. I’m excited.

    CM: Can we expect any juicy stories about the Dallas housewives?

    AC: All of the Dallas housewives are coming to the Dallas show. They’re all invited, and they’re all coming, so I’m excited about that.

    CM: How do you go about choosing the ladies who star on shows like RHOD or Married to Medicine Houston?

    AC: I have nothing to do with M2MH, so I can’t take any credit for that one, but for Dallas, we have casting directors who go out and look for groups of friends, people in the same social circles. LeeAnne brought in D’Andra, and Kameron knew Cary, so now it’s about finding women who fit in the circle and having the other women bring them in.

    CM: We’re gonna be honest and say we didn’t love the first season of RHOD. But we thought this second season was so much better.

    AC: Yeah, we all did.

    CM: What do you think made this season better?

    AC: Well, season one, we weren’t sure if it was gonna be a Real Housewives or not when we were shooting. At first, we were really gonna focus on women who were involved in charities, so just the nature of the stories that we were looking to tell changed while we were shooting it and in post-production. So, that’s difficult, but the women were great both times. It was nothing they did.

    CM: Any plans for additional Texas-based shows?

    AC: I only executive produce the Housewives on Bravo. I used to be in charge of all programming, and I’m just not anymore.

    CM: Well, might we recommend a Southern Charm: Austin and a Real Housewives of Corpus Christi? Could you pass those along?

    AC: Interesting, interesting. OK, I’ll take those in.

    CM: So. You’re coming to Texas. Have you ever had a breakfast taco?

    AC: I have not.

    CM: We think you need to eat one while you’re here.

    AC: I do, too! We just can’t wait to come. We’ve been really looking forward to this, and we keep asking, “When are we going to Texas?” So we’re really excited.

    ------------

    Tickets for AC2: Deep Talk and Shallow Tales are available through Ticketmaster.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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