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Hunger Games Revolution

Calm before the storm: Mockingjay - Part 1 sets up final Hunger Games battle just right

Alex Bentley
Nov 29, 2014 | 10:34 am

Splitting the final film of a popular book-turned-movie series into two parts is all the rage these days, as the makers of the Harry Potter, Twilight and now The Hunger Games series have all opted to do so. Detractors decry the overt commercialism of these moves, while supporters rejoice in an extra chance to spend time with their favorite characters.

Whatever side of the debate you fall on, the results have been iffy at best. But The Hunger Games is looking to buck that trend with Mockingjay - Part 1, the first step toward all-out revolution in the world of Panem.

Instead of just throwing Katniss into war, they make her struggles fully real for the audience, which results in a more powerful drama.

The film throws the audience directly into Katniss Everdeen’s (Jennifer Lawrence) new reality: living underground in the recently revealed District 13. There, 13’s President Coin (Julianne Moore), former gamesmaker Plutarch Heavensbee (Philip Seymour Hoffman) and others try to convince Katniss to become the face of the revolution against the Capitol, something she is loath to do.

But when she sees videos of Peeta (Josh Hutcherson) suffering at the hands of President Snow (Donald Sutherland), along with what happened to her former home in District 12, she complies. With the help of Effie (Elizabeth Banks), Haymitch (Woody Harrelson) and Gale (Liam Hemsworth), Katniss starts to become whom she is meant to be, whether she likes it or not.

One’s enjoyment of Mockingjay - Part 1 depends on two factors. First and most obviously, you have to know that you will not get closure in this film. Second and most important, there is very little action. The first part is all about setting up the battle royale in part two, and the filmmakers have saved most of the big set pieces for that film.

That said, there’s much to love about part one. Commercial qualms aside, splitting the final film in two is good for both lovers of the books and movie fans. By devoting almost an entire film to Katniss’ uneasiness at being the virtual leader of the revolution, director Francis Lawrence and his team were able to really delve into details that would be glossed over otherwise.

Instead of just throwing her directly into war, which would happen if the whole story was told in two-and-a-half to three hours, they make her struggles fully real for the audience, which results in a more powerful drama. It also makes the few action scenes in the film impactful in a way that they wouldn’t be if the movie were full of them.

The filmmakers also deserve credit for not sugarcoating the darker parts of the story. The film definitely falls in the PG-13 range, but the themes it covers make it feel closer to an R. The film is definitely not for younger children, and even older viewers may find themselves shocked at various violent acts, implied or otherwise.

At this point in the series, the interactions between the characters are as important to the story’s success as any plot twists. Despite their somewhat dire circumstances, it’s a pleasure to see Katniss, Effie, Haymitch, Gale and others band together to get things done. They all feel essential to the plot, especially in a film that features more dialogue than fighting.

The film is an actor’s idea of heaven and nearly all of them rise to the challenge. Lawrence is as great as ever, as is the late Hoffman, Banks, Harrelson and newcomer Moore. Even actors in smaller roles, like Jeffrey Wright, Sam Claflin and Natalie Dormer, make the most of their moments in the spotlight.

There is no real resolution in Mockingjay - Part 1, but it delivers more than enough to satisfy fans while they endure the yearlong wait for Part 2. War is coming, and the calm before the storm is the perfect way to prepare the audience for the end of the story.

Elizabeth Banks in The Hunger Games: Mockingay - Part 1.

Elizabeth Banks in The Hunger Games: Mockingay - Part 1
Photo by Murray Close
Elizabeth Banks in The Hunger Games: Mockingay - Part 1.
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Movie Review

Meta-comedy remake Anaconda coils itself into an unfunny mess

Alex Bentley
Dec 26, 2025 | 2:30 pm
Jack Black and Paul Rudd in Anaconda
Photo by Matt Grace
Jack Black and Paul Rudd in Anaconda.

In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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Anaconda is now playing in theaters.

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