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    Holiday thriller

    Ryan Gosling & Kirsten Dunst get intense about one of Houston's most notoriousresidents

    Steven Devadanam
    Nov 26, 2010 | 6:05 pm
    • Ryan Gosling and Kirsten Dunst in "All Good Things"
    • Ryan Gosling and Kirsten Dunst when the marriage is unrraveling
    • Ryan Gosling
    • Ryan Gosling and Kirsten Dunst

    A soon-to-be-released psychological thriller, All Good Things, loosely depicts the life of Robert Durst, whose storied past includes the disappearance of his wife, suspicions being cast his way after the unsolved execution of one of his close friends (after the investigation of his wife's disappearance was reopened and the friend, Susan Berman, was identified by authorities as someone who might have information on the case) and the killing of a neighbor.

    Portrayed by Ryan Gosling, the unsympathetic Durst-modeled protagonist comes with a local connection: Durst remains free and resides in Houston.

    "Bobby D.," the eldest son of the late New York real estate mogul Seymour Durst, was never tried for the disappearance of his wife or officially tied to the murder of Berman, and was acquitted of murder in 2003 after being charged in Galveston. His attorney persuaded the Galveston jury that he shot his neighbor, Morris Black, as self-defense, and in a panic, dismembered and disposed of Black's remains (which later washed ashore in various trash bags).

    Durst has been diagnosed with schizophrenia, and when arrested in Galveston, was posing as a woman named "Dorothy Ciner" (a name taken from a former classmate of Durst's). Released on a $300,000 bail, Durst fled and was arrested for shoplifting a sandwich, newspaper and Band-Aid near his alma mater, Lehigh University, in eastern Pennsylvania.

    However, director Andrew Jarecki's $20 million movie rewinds the Durst tale to the disappearance of his first wife, Kathleen, in 1982. Jarecki, the founder of Moviefone, composer of the theme music for Felicity and producer behind the complex 2003 suburban pedophilia documentary Capturing the Friedmans, recorded hundreds of hours of footage of actual people connected to the true story of Robert Durst.

    Filmed between April and July 2008 in Connecticut and New York, All Good Things takes its name from a Vermont health store that Robert and his wife, Kathleen McCormack (portrayed in the movie by Kirsten Dunst under the name Katie McCarthy), opened in the 1970s.

    Marcus Hinchey and Marc Smerlings' screenplay is loosely based on their real life story, from the aristocratic Robert (renamed here as David Marks) meeting the stunning working-class medical student Katie, their escape from New York to Vermont and the unraveling of their marriage after being lured back to the city by David's father, culminating with Katie vanishing. The plot then races to 20 years later, when David's best friend disappears, and the case is reopened.

    Indeed, the true Durst's life was a complicated one. He reportedly witnessed his mother's suicide off the roof of their Scarsdale mansion at a young age, frequented the Studio 54 club scene and spent time with John Lennon during a primal scream therapy stint, as documented in a profile of the fugitive heir by Ned Zeman in a 2002 Vanity Fair exposé.

    Kirsten Dunst, of Bring It On and Marie Antoinette fame, described her initial reaction to the project to the New York Post:

    I read the script alone in a hotel room and afterwards I was so frightened. The fact that a person could be hiding a monster inside, that someone could be so capable of love and do these awful things too. Then how [his father's] corporation hid all these truths. It's about how money can stop justice — that you can buy your way out of so many things was so insane to me."

    Originally scheduled for a July 24, 2009 release through The Weinstein Company, the movie was interminably delayed and eventually Jarecki bought back the United States. distribution rights, which were then sold to Magnolia Pictures. The Dec. 3 release puts it into prime Oscar consideration.

    "Because it is impossible to know what happened, we have not tried to replicate the history of the case," Jarecki told the Los Angeles Times, "but to capture the emotion and complexity of this unsolved mystery that has for years been kept hidden from public view."

    Durst is far from hidden from public view in Houston, however. The New York heir maintains homes in Florida and Texas, where he resides in the storied Robinhood high-rise, and can be spotted at Rice Village café Croissant Brioche.

    Back in New York, the Durst family is prepared to take Jarecki to court for the depiction of their family in All Good Things. Attorney Richard Emery sent a letter on Sept. 8 to Magnolia Pictures and Jarecki, stating plans to sue, taking issue with the film's depiction with the family as collaborators in the prostitution and drug circles that surrounded the still-seedy Times Square of the 1970s.

    The Durst Organization's 11 million square feet of commercial and residential space in New York City is currently overseen by Douglas Durst, Robert's younger brother, who reigned over the development of the Conde Nast building in Times Square in the 1990s and Bank of America Tower at One Bryant Park, and recently won a competition for an equity stake in 1 World Trade Center.

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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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