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    Holiday thriller

    Ryan Gosling & Kirsten Dunst get intense about one of Houston's most notoriousresidents

    Steven Devadanam
    Nov 26, 2010 | 6:05 pm
    • Ryan Gosling and Kirsten Dunst in "All Good Things"
    • Ryan Gosling and Kirsten Dunst when the marriage is unrraveling
    • Ryan Gosling
    • Ryan Gosling and Kirsten Dunst

    A soon-to-be-released psychological thriller, All Good Things, loosely depicts the life of Robert Durst, whose storied past includes the disappearance of his wife, suspicions being cast his way after the unsolved execution of one of his close friends (after the investigation of his wife's disappearance was reopened and the friend, Susan Berman, was identified by authorities as someone who might have information on the case) and the killing of a neighbor.

    Portrayed by Ryan Gosling, the unsympathetic Durst-modeled protagonist comes with a local connection: Durst remains free and resides in Houston.

    "Bobby D.," the eldest son of the late New York real estate mogul Seymour Durst, was never tried for the disappearance of his wife or officially tied to the murder of Berman, and was acquitted of murder in 2003 after being charged in Galveston. His attorney persuaded the Galveston jury that he shot his neighbor, Morris Black, as self-defense, and in a panic, dismembered and disposed of Black's remains (which later washed ashore in various trash bags).

    Durst has been diagnosed with schizophrenia, and when arrested in Galveston, was posing as a woman named "Dorothy Ciner" (a name taken from a former classmate of Durst's). Released on a $300,000 bail, Durst fled and was arrested for shoplifting a sandwich, newspaper and Band-Aid near his alma mater, Lehigh University, in eastern Pennsylvania.

    However, director Andrew Jarecki's $20 million movie rewinds the Durst tale to the disappearance of his first wife, Kathleen, in 1982. Jarecki, the founder of Moviefone, composer of the theme music for Felicity and producer behind the complex 2003 suburban pedophilia documentary Capturing the Friedmans, recorded hundreds of hours of footage of actual people connected to the true story of Robert Durst.

    Filmed between April and July 2008 in Connecticut and New York, All Good Things takes its name from a Vermont health store that Robert and his wife, Kathleen McCormack (portrayed in the movie by Kirsten Dunst under the name Katie McCarthy), opened in the 1970s.

    Marcus Hinchey and Marc Smerlings' screenplay is loosely based on their real life story, from the aristocratic Robert (renamed here as David Marks) meeting the stunning working-class medical student Katie, their escape from New York to Vermont and the unraveling of their marriage after being lured back to the city by David's father, culminating with Katie vanishing. The plot then races to 20 years later, when David's best friend disappears, and the case is reopened.

    Indeed, the true Durst's life was a complicated one. He reportedly witnessed his mother's suicide off the roof of their Scarsdale mansion at a young age, frequented the Studio 54 club scene and spent time with John Lennon during a primal scream therapy stint, as documented in a profile of the fugitive heir by Ned Zeman in a 2002 Vanity Fair exposé.

    Kirsten Dunst, of Bring It On and Marie Antoinette fame, described her initial reaction to the project to the New York Post:

    I read the script alone in a hotel room and afterwards I was so frightened. The fact that a person could be hiding a monster inside, that someone could be so capable of love and do these awful things too. Then how [his father's] corporation hid all these truths. It's about how money can stop justice — that you can buy your way out of so many things was so insane to me."

    Originally scheduled for a July 24, 2009 release through The Weinstein Company, the movie was interminably delayed and eventually Jarecki bought back the United States. distribution rights, which were then sold to Magnolia Pictures. The Dec. 3 release puts it into prime Oscar consideration.

    "Because it is impossible to know what happened, we have not tried to replicate the history of the case," Jarecki told the Los Angeles Times, "but to capture the emotion and complexity of this unsolved mystery that has for years been kept hidden from public view."

    Durst is far from hidden from public view in Houston, however. The New York heir maintains homes in Florida and Texas, where he resides in the storied Robinhood high-rise, and can be spotted at Rice Village café Croissant Brioche.

    Back in New York, the Durst family is prepared to take Jarecki to court for the depiction of their family in All Good Things. Attorney Richard Emery sent a letter on Sept. 8 to Magnolia Pictures and Jarecki, stating plans to sue, taking issue with the film's depiction with the family as collaborators in the prostitution and drug circles that surrounded the still-seedy Times Square of the 1970s.

    The Durst Organization's 11 million square feet of commercial and residential space in New York City is currently overseen by Douglas Durst, Robert's younger brother, who reigned over the development of the Conde Nast building in Times Square in the 1990s and Bank of America Tower at One Bryant Park, and recently won a competition for an equity stake in 1 World Trade Center.

    unspecified
    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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