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    Holiday thriller

    Ryan Gosling & Kirsten Dunst get intense about one of Houston's most notoriousresidents

    Steven Devadanam
    Nov 26, 2010 | 6:05 pm
    • Ryan Gosling and Kirsten Dunst in "All Good Things"
    • Ryan Gosling and Kirsten Dunst when the marriage is unrraveling
    • Ryan Gosling
    • Ryan Gosling and Kirsten Dunst

    A soon-to-be-released psychological thriller, All Good Things, loosely depicts the life of Robert Durst, whose storied past includes the disappearance of his wife, suspicions being cast his way after the unsolved execution of one of his close friends (after the investigation of his wife's disappearance was reopened and the friend, Susan Berman, was identified by authorities as someone who might have information on the case) and the killing of a neighbor.

    Portrayed by Ryan Gosling, the unsympathetic Durst-modeled protagonist comes with a local connection: Durst remains free and resides in Houston.

    "Bobby D.," the eldest son of the late New York real estate mogul Seymour Durst, was never tried for the disappearance of his wife or officially tied to the murder of Berman, and was acquitted of murder in 2003 after being charged in Galveston. His attorney persuaded the Galveston jury that he shot his neighbor, Morris Black, as self-defense, and in a panic, dismembered and disposed of Black's remains (which later washed ashore in various trash bags).

    Durst has been diagnosed with schizophrenia, and when arrested in Galveston, was posing as a woman named "Dorothy Ciner" (a name taken from a former classmate of Durst's). Released on a $300,000 bail, Durst fled and was arrested for shoplifting a sandwich, newspaper and Band-Aid near his alma mater, Lehigh University, in eastern Pennsylvania.

    However, director Andrew Jarecki's $20 million movie rewinds the Durst tale to the disappearance of his first wife, Kathleen, in 1982. Jarecki, the founder of Moviefone, composer of the theme music for Felicity and producer behind the complex 2003 suburban pedophilia documentary Capturing the Friedmans, recorded hundreds of hours of footage of actual people connected to the true story of Robert Durst.

    Filmed between April and July 2008 in Connecticut and New York, All Good Things takes its name from a Vermont health store that Robert and his wife, Kathleen McCormack (portrayed in the movie by Kirsten Dunst under the name Katie McCarthy), opened in the 1970s.

    Marcus Hinchey and Marc Smerlings' screenplay is loosely based on their real life story, from the aristocratic Robert (renamed here as David Marks) meeting the stunning working-class medical student Katie, their escape from New York to Vermont and the unraveling of their marriage after being lured back to the city by David's father, culminating with Katie vanishing. The plot then races to 20 years later, when David's best friend disappears, and the case is reopened.

    Indeed, the true Durst's life was a complicated one. He reportedly witnessed his mother's suicide off the roof of their Scarsdale mansion at a young age, frequented the Studio 54 club scene and spent time with John Lennon during a primal scream therapy stint, as documented in a profile of the fugitive heir by Ned Zeman in a 2002 Vanity Fair exposé.

    Kirsten Dunst, of Bring It On and Marie Antoinette fame, described her initial reaction to the project to the New York Post:

    I read the script alone in a hotel room and afterwards I was so frightened. The fact that a person could be hiding a monster inside, that someone could be so capable of love and do these awful things too. Then how [his father's] corporation hid all these truths. It's about how money can stop justice — that you can buy your way out of so many things was so insane to me."

    Originally scheduled for a July 24, 2009 release through The Weinstein Company, the movie was interminably delayed and eventually Jarecki bought back the United States. distribution rights, which were then sold to Magnolia Pictures. The Dec. 3 release puts it into prime Oscar consideration.

    "Because it is impossible to know what happened, we have not tried to replicate the history of the case," Jarecki told the Los Angeles Times, "but to capture the emotion and complexity of this unsolved mystery that has for years been kept hidden from public view."

    Durst is far from hidden from public view in Houston, however. The New York heir maintains homes in Florida and Texas, where he resides in the storied Robinhood high-rise, and can be spotted at Rice Village café Croissant Brioche.

    Back in New York, the Durst family is prepared to take Jarecki to court for the depiction of their family in All Good Things. Attorney Richard Emery sent a letter on Sept. 8 to Magnolia Pictures and Jarecki, stating plans to sue, taking issue with the film's depiction with the family as collaborators in the prostitution and drug circles that surrounded the still-seedy Times Square of the 1970s.

    The Durst Organization's 11 million square feet of commercial and residential space in New York City is currently overseen by Douglas Durst, Robert's younger brother, who reigned over the development of the Conde Nast building in Times Square in the 1990s and Bank of America Tower at One Bryant Park, and recently won a competition for an equity stake in 1 World Trade Center.

    unspecified
    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

    moviesfilm
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