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    Sound Check

    Do Susan Boyle a favor— don't buy her album

    Michael D. Clark
    Nov 24, 2009 | 5:05 pm
    • Susan Boyle the cover of her new CD, "I Dreamed a Dream"
    • Susan Boyle

    It needs to be said. It should have been said months ago. I’m going to be the first to say it.

    Susan Boyle is not meant to be a star. If you have a compassionate bone in your body, you will do what’s best for her and not buy her new album.

    That may sound harsh, but it is honest. And right now Boyle needs a little honesty.

    Those who patronize Boyle with hopes of everlasting fame and wealth through singing are the ones doing her damage. Those who cheer her more for the “ugly duckling with the pipes of gold” sideshow rather than simply enjoying her operatic renditions of theater favorites are the ones who will ruin her.

    She may soon be wealthy, but anyone who was watched this woman’s reaction to fame and defeat knows that continued celebrity would be the worst thing for her. If those around her truly love her, they would stop the circus Boyle’s life is about to become.

    Today scares me because it is the day that Boyle’s debut album, “I Dreamed A Dream,” is released. Once it’s out there it’s a no-win gambit for the dowdy Ms. Boyle as well as the rest of us.

    If it doesn’t sell, than it reaffirms what we all secretly already know: You have to be talented and beautiful to make it in entertainment today. And this woman who just wanted a chance to sing for a national audience will instead be humiliated on a world stage.

    What frightens me more is that those who have been following her plain-Jane-to-pop-princess rise over the last year are actually ready to go out and buy this album by the handfuls.

    I’m disheartened that a week from now “I Dreamed A Dream” may be at the top of the Billboard 200 album charts in the U.S. and that it will be like a Boyle-ized version of Beatlemania in the U.K. If this happens than Simon Cowell truly does own power of persuasion over us all.

    Mostly, I’m heartbroken about what celebrity will do to this simple Scottish woman’s life.

    Last April, Boyle, 48, mesmerized a crowd of 10 million viewers watching a first-round episode of Britain’s Got Talent (producer and judge Cowell’s British version of American Idol) with an octave-arcing rendition of “I Dreamed A Dream” from Les Miserable.

    She made it through to the semi-finals and was the favorite to win the contest after receiving the most votes from the public, despite continued debate about her frumpy appearance.

    Boyle came in second to an already forgotten dance crew called Diversity, but it was the reason she lost that was most troubling. Despite clearly having the most talent in Britain on that night, it was the more marketable, pretty youngsters that won the prize.

    “I know what they were thinking, but why should it matter as long as I can sing? It’s not a beauty contest,” Boyle bravely told The Sunday Times.

    The day after the final, Boyle was admitted into a psychiatric clinic and remained there for five days. The official diagnosis was exhaustion but rumors about her strange behavior had been swirling behind the scenes of the show. Even the normally callous Cowell seemed concerned.

    Her best chance to live a happy, healthy life from this point forward is for this album to quietly fade from the public eye and for her to resume her anonymous life in the family home in Scotland with her cat, Pebbles. She should continue to visit the elderly as a volunteer at her church and if she wants to sing, grace those older folks with a beautiful rendition of “I Dreamed A Dream” that they will never forget.

    That is the audience that will love Susan Boyle simply for being Susan Boyle. That is the audience she needs.

    The Down-Lo(ad)

    It wasn’t so long ago that if you told me that National Public Radio would be the place that I tuned to each week for the best in new, eclectic music I would have guffawed.

    NPR? Isn’t that the media conglomerate that serves the people by having really monotone voices talk about important international events (that most of us don’t understand) in between pledge drives? Yes, it is true, but obviously they moved past the valedictorians and went right for the “cool kids” to staff the music Web site.

    In addition to interviews with artists, reviews of albums and general daily music news, the site features an impressive archive of first-listen albums, recently taped concerts by bands like R.E.M., Dead Weather, Moby and Sonic Youth and a range that moves from hip-hop to classical.

    It’s like getting a little bit of South by Southwest each day. Tune in (right now you can hear the new concert album by buzz band Fever Ray for free) and you will look smart when talking about new music to your friends.




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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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