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    Sound Check

    Do Susan Boyle a favor— don't buy her album

    Michael D. Clark
    Nov 24, 2009 | 5:05 pm
    • Susan Boyle the cover of her new CD, "I Dreamed a Dream"
    • Susan Boyle

    It needs to be said. It should have been said months ago. I’m going to be the first to say it.

    Susan Boyle is not meant to be a star. If you have a compassionate bone in your body, you will do what’s best for her and not buy her new album.

    That may sound harsh, but it is honest. And right now Boyle needs a little honesty.

    Those who patronize Boyle with hopes of everlasting fame and wealth through singing are the ones doing her damage. Those who cheer her more for the “ugly duckling with the pipes of gold” sideshow rather than simply enjoying her operatic renditions of theater favorites are the ones who will ruin her.

    She may soon be wealthy, but anyone who was watched this woman’s reaction to fame and defeat knows that continued celebrity would be the worst thing for her. If those around her truly love her, they would stop the circus Boyle’s life is about to become.

    Today scares me because it is the day that Boyle’s debut album, “I Dreamed A Dream,” is released. Once it’s out there it’s a no-win gambit for the dowdy Ms. Boyle as well as the rest of us.

    If it doesn’t sell, than it reaffirms what we all secretly already know: You have to be talented and beautiful to make it in entertainment today. And this woman who just wanted a chance to sing for a national audience will instead be humiliated on a world stage.

    What frightens me more is that those who have been following her plain-Jane-to-pop-princess rise over the last year are actually ready to go out and buy this album by the handfuls.

    I’m disheartened that a week from now “I Dreamed A Dream” may be at the top of the Billboard 200 album charts in the U.S. and that it will be like a Boyle-ized version of Beatlemania in the U.K. If this happens than Simon Cowell truly does own power of persuasion over us all.

    Mostly, I’m heartbroken about what celebrity will do to this simple Scottish woman’s life.

    Last April, Boyle, 48, mesmerized a crowd of 10 million viewers watching a first-round episode of Britain’s Got Talent (producer and judge Cowell’s British version of American Idol) with an octave-arcing rendition of “I Dreamed A Dream” from Les Miserable.

    She made it through to the semi-finals and was the favorite to win the contest after receiving the most votes from the public, despite continued debate about her frumpy appearance.

    Boyle came in second to an already forgotten dance crew called Diversity, but it was the reason she lost that was most troubling. Despite clearly having the most talent in Britain on that night, it was the more marketable, pretty youngsters that won the prize.

    “I know what they were thinking, but why should it matter as long as I can sing? It’s not a beauty contest,” Boyle bravely told The Sunday Times.

    The day after the final, Boyle was admitted into a psychiatric clinic and remained there for five days. The official diagnosis was exhaustion but rumors about her strange behavior had been swirling behind the scenes of the show. Even the normally callous Cowell seemed concerned.

    Her best chance to live a happy, healthy life from this point forward is for this album to quietly fade from the public eye and for her to resume her anonymous life in the family home in Scotland with her cat, Pebbles. She should continue to visit the elderly as a volunteer at her church and if she wants to sing, grace those older folks with a beautiful rendition of “I Dreamed A Dream” that they will never forget.

    That is the audience that will love Susan Boyle simply for being Susan Boyle. That is the audience she needs.

    The Down-Lo(ad)

    It wasn’t so long ago that if you told me that National Public Radio would be the place that I tuned to each week for the best in new, eclectic music I would have guffawed.

    NPR? Isn’t that the media conglomerate that serves the people by having really monotone voices talk about important international events (that most of us don’t understand) in between pledge drives? Yes, it is true, but obviously they moved past the valedictorians and went right for the “cool kids” to staff the music Web site.

    In addition to interviews with artists, reviews of albums and general daily music news, the site features an impressive archive of first-listen albums, recently taped concerts by bands like R.E.M., Dead Weather, Moby and Sonic Youth and a range that moves from hip-hop to classical.

    It’s like getting a little bit of South by Southwest each day. Tune in (right now you can hear the new concert album by buzz band Fever Ray for free) and you will look smart when talking about new music to your friends.




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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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