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    At the Movies

    A hair-raising experience in London for the Harry Potter stars: Emma, Daniel,Rupert all deal

    Regina Scruggs
    Nov 22, 2010 | 4:17 pm
    • Emma Watson couldn't cut her hair until her Harry Potter contract ran out.
    • Rupert Grint is a lot more comfortable in person than he seems on the talkshows.
    • Daniel Radcliffe, from left, Emma Watson and Rupert Grint are dealing with lifeafter Potter.

    Dateline: Claridge's Hotel, London, November 12. At 8:30 a.m., still fighting jet lag after having been in England two days, I'm sipping tea and sampling the scones like any good Brit, in this swankiest of swanky London hotels.

    However, this Yank was waiting her turn to interview the stars of Harry Potter and the Deathly Hallows, Part 1. The previous afternoon at the Warner Bros. London headquarters screening room, some two dozen of us were among the first in the world to see the seventh entry in the long-running series about The Boy Who Lived.

    I hadn't been to London in 15 years, and I found the city to be much the same, albeit more expensive. This time around, I was excited both to be back in this sophisticated city, as well as being present for Pottermania, Stage One.

    At this point, folks, after 10 years and six previous movies, you're either on the Potter bandwagon — or should I say, Hogwarts train — or you're not. Would it really matter what we critics thought? Here's a hint: Uh, no.

    Still, pre-release Pottermania covered two weeks: It started with the screenings for the international press (which included me) and the British press in London, along with the London premiere. It continued with the New York and Los Angeles premieres, and into opening weekend, where it grossed a mind-boggling $330 million, the biggest payday for the franchise.

    That morning at Claridge's I had been told we were going to meet with the young stars of the movies: Daniel Radcliffe (Harry Potter), Emma Watson (Hermione Granger), Rupert Grint (Ron Weasley), and Tom Felton (Draco Malfoy); producers David Heyman and David Barron; and director David Yates.

    I first met with Yates, who told me that the new composer, Alexandre Desplat, would also be scoring Deathly Hallows, Part 2, the final installment of the Potter franchise due in theaters next July.

    I think I got a scoop! Rumor has it that John Williams, who scored the first three films and is responsible for "Hedwig's Theme" which has become the main theme for the series, might be coming back for the grand finale. Yates confessed that Williams would only do a score to a rough cut of the movie, and Yates was reluctant to let anyone see his movie in rough-cut state.

    So Johnny was out and Alex was in.

    When Felton-with-the-light-brown-hair joined our table, the first thing I said to him was "Hey, we're getting you with unbleached hair!" He laughed and admitted that without the bleached hair and white pancake makeup, he's not usually recognized; in fact, sometimes he has to convince people he really does play Draco.

    Speaking of hair, Watson looked up-to-date with her new short hairdo. Now that Potter filming is completed, she's been free to adopt whatever look she wants (she was contractually obligated not to cut her hair while playing Hermione).

    I asked her about splitting her time between acting and going to college stateside at Brown University. She replied that she was missing two weeks of classes for the Potter press activities, but she had to work hard, in every sense, to prove to professors that she could keep up the classwork and her grades.

    More hair: The redheaded Grint, always the most mysterious of the principals, often seemed a bit uncomfortable when I've seen him on talk shows. But he seemed relaxed and friendly, and has a shy smile. (I hear he owns an old ice-cream truck. Wonder if he drives it around his neighborhood, handing out treats to kids?) He even seemed to well up a bit when talking about the emotions on set when it was the last day of shooting the Potter series.

    Handsome, and yes, grown-up Daniel Radcliffe joined just as one of the other reporters was having trouble with her recorder. He jumped right in to help her. What a geek!

    You don't have to do stuff like that, Dan; surely you have minions to deal with the little people.

    Did I mention it was recently reported that Mr. Radcliffe is the richest man in the U.K. under age 30? We're talking personal net worth upwards of $50 million. I already had it mind to propose to him.

    It's still a little weird to see him without the Harry glasses, which he only wears for the role. He's heading back to Broadway this winter in How to Succeed in Business Without Really Trying and said he would try to do justice to the leading role of Finch.

    Since we had just talked to Watson about her university experience, I asked whether he was planning to finish his college degree anytime. He said no, he thinks he's found that which he wants to do. I should have figured that Mr. Richest Man Under 30 don't need no stinkin' degree.

    Before he left, I took a private moment to give him a present: Last year for KUHF's Music From The Movies I produced a show about the last movie, Half-Blood Prince, and I had brought a CD copy of the show. I was thrilled to be able to give it to him...I'd like to think he'll listen to it sometime.

    Thus endeth my Potter experience. I forgot to propose to Dan, or even Rupert (he's got a few pounds in the bank, too).

    I did get to Harrod's, though. Try the white chocolate martini in the Chocolate Bar.

    And next time you're in London, go by O'Neill's Pub in Shepherd's Bush. Ask the house band to play that traditional Irish favorite, "Stuck in the Middle with You." They played it for me.

    Regina Scruggs is a Houston writer and former host of "Music From The Movies" on KUHF-FM.

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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