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    Movie Review

    Intense Billy Lynn's Long Halftime Walk is too complex to enjoy fully

    Alex Bentley
    Nov 18, 2016 | 8:45 am
    Intense Billy Lynn's Long Halftime Walk is too complex to enjoy fully
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    Though it’s not an exact science, movies about war tend to go in cycles. Movies made between 2005 and 2010 were usually critical of the ongoing Iraq and Afghanistan wars, and more recent films like American Sniper and Lone Survivor have celebrated individual heroics while mostly eschewing overt politics.

    Both sides of the aisle are touched upon in the new film Billy Lynn’s Long Halftime Walk, based on the acclaimed novel by Ben Fountain. Set at a Dallas Thanksgiving Day football game in 2004, it follows Billy Lynn (newcomer Joe Alwyn) and his fellow Bravo Company members as they make the final stop on a U.S. tour celebrating their heroics in Iraq.

    Lynn was caught on camera attempting to save the life of a fellow soldier, an image that was said to have inspired many stateside. But for Lynn and his team, being lauded for, as he says, “the worst day of my life,” is a supremely odd experience. Add in being forced to participate in a halftime show with Destiny’s Child, possible PTSD symptoms, and other oddities, and it’s no wonder they feel overwhelmed.

    There’s a lot to keep track of in the film, including the sometimes perplexing camaraderie of Bravo Company; flashbacks to their time in Iraq; an insistence by Lynn’s sister, Kathryn (Kristen Stewart), that he stay home to be tested for PTSD; a Hollywood agent, Albert (Chris Tucker), trying to set up a movie deal for the company; a spark of a relationship with a cheerleader (Makenzie Leigh); and the machinations of Norm Oglesby (Steve Martin), a Jerry Jones-esque figure.

    There’s so much going on, in fact, that it’s a little difficult to make the necessary connections to any of the subplots. That’s part of the point, naturally; Billy is being pulled in so many different directions at once that it’s a wonder he doesn’t have a breakdown every few minutes. But it also makes for a less-than-fulfilling movie experience, as you can only get comfortable for a few minutes before Billy is pulled in a different direction.

    Then there’s the way director Ang Lee chose to shoot the film. The ultra-high frame rate version will only be seen in New York and Los Angeles, but the intense reality for which Lee was aiming is clear. At multiple points, he fills the screen with a single actor speaking directly into the camera, an unnerving technique that often seems to have no real purpose.

    Fortunately, Alwyn is up to the task of cutting through everything to the heart of his character. His large, expressive eyes and open demeanor allow him to transform Billy for whatever situation arises. It also helps that he can play off the pure id of squad leader Dime (Garrett Hedlund), whose instinctual and visceral reactions make Billy seem calm and rational in comparison.

    Billy Lynn’s Long Halftime Walk neither glorifies nor condemns the things that arise due to war. It’s an intensely personal journey through the immensely complicated life of one particular soldier, but it could’ve been made a tad less complex in order to make the story work better.

    Joe Alwyn in Billy Lynn's Long Halftime Walk.

    Joe Alwyn in Billy Lynn's Long Halftime Walk
    Photo courtesy of Sony Pictures
    Joe Alwyn in Billy Lynn's Long Halftime Walk.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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