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    Progressive Forum

    Order in the court: John Paul Stevens reflects on Bush v. Gore & other Suprememoments

    Nancy Wozny
    Nov 17, 2010 | 11:40 pm

    Texas may be considered a conservative state but a Houston crowd of liberal admirers gave a big Lone Star shout out to former U.S. Supreme Court Justice John Paul Stevens Tuesday night at the Wortham Theater Center. Stevens held court in front of a sold-out audience as part of The Progressive Forum lecture series.

    During a one-hour question-and-answer format with Progressive Forum president Randall R. Morton, Stevens touched on life inside the Supreme Court, some of his landmark opinions and his hopes for the future.

    "We are a friendly town," Morton told Stevens, after the crowd welcomed him with a standing ovation.

    Charming and relaxed, the 90-year old Justice responded to each question with his characteristic insight, humor and rigor.

    Appointed to the Supreme Court by President Gerald Ford in 1975, Stevens is the third longest serving justice in the court's history, and was largely considered to be the leader of the liberal wing before his retirement earlier this year. His majority opinion on Rasul v. Bush (2004) held that the habeas statute covered Guantanamo Bay, Cuba. (The crowd cheered when Morton read this particular achievement.)

    On the court, Stevens was known for being a coalition builder with swing justices, writing his own first draft of opinions, and for being a voice of moderation. He is also an amateur Shakespeare scholar, most known for questioning the true authorship of the Bard's works.

    Morton questioned the spry Justice on everything from his opinion on the death penalty to daily life on the court.

    "Most people asked how you spend your day," remarked Morton.

    "Now or then?" joked Stevens. "Every day is not the same, just as every case is not the same."

    Contrary to myth, divisive cases represented a small part of the docket, he said.

    "It's an orderly process," said Stevens, naming the many steps in the detailed procedure.

    Throughout the session, Stevens reiterated the idea that each case is unique. "It's a mistake to think we should know how a nominee should respond," he said. "It's a learning process."

    Stevens mentioned his own change of heart over capital punishment. In 1976, he voted to reinstate capital punishment in Gregg v. Georgia, then denounced it more than 30 years later in Braze v. Rees (2008). Stevens went on to explain the evolving function of capital punishment.

    The mood lightened when Morton questioned Stevens on his memories of watching Babe Ruth's famous "called shot" in the 1932 World Series. "I also threw the first pitch at Wrigley Field," Stevens said.

    As for advice on improving the Supreme Court, the justice had just a few words, "Read my dissents," he said forcefully.

    Who can forget his scathing dissenting opinion on Bush v. Gore (2000)? "Although we may never know with complete certainty the identity of the winner of this year's presidential election, the identity of the loser is perfectly clear. It is the nation's confidence in the judge as an impartial guardian of the rule of law," he said.

    He also suggested, crediting his wife for the idea, that they should bring back retired justices during recusals.

    Stevens mused on everything from health care to the role of religion in public life, distringuishing policy decisions from constitutional issues. He spoke frankly on his support for the building of the Muslim community center in New York, relaying his own memories of seeing Japanese tourists at Pearl Harbor, where he was stationed during World War II. Stevens reflected on their right to be there and warned of a narrow point of view.

    "We can't judge a whole class of people based on the actions of a few," he said. "These are different Muslims who may themselves be escaping persecution."

    He even offered some advice to young lawyers. "Develop honesty and intellectual integrity. Remember your word is good."

    Morton concluded the questioning on the subject of worries and hopes. Stevens is deeply concerned about partisanship and the lack of cooperation in policy decisions.

    As for hope, that came easily. "That people continue to vote and come out to events like this," he said.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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