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    Why? Because she could

    Mary Ellen Carroll defies the doubters, turns her house 180 degrees (with video)

    Carolina Astrain
    Nov 15, 2010 | 8:55 pm
    • Crew members Armando Gonzalez and Martin Mendiola will continue to work on thesite.
      Photo by Carolina Astrain
    • Mary Ellen Carroll (to the right) receives roses and congratulations from herfriends and colleagues after the turn.
      Photo by Carolina Astrain
    • Charles Renfro flew all the way from New York to support his friend.
      Photo by Carolina Astrain
    • A little bit of rain didn't stop Carroll.
    • Bits of the house that fell off during the first attempt at the turn in October.
      Photo by Carolina Astrain
    • Carroll and her colleagues see "protoype 180" as a chance to revitalize the artcommunity in Sharpstown.
      Photo by Carolina Astrain
    • Neighbor Stephan Barga and his daughter Stephanie Pennington watched from theirbackyard.
      Photo by Carolina Astrain
    • Mary Ellen Carroll and Keith Cherry, stand before their collaborative effort.
      Photo by Carolina Astrain

    Mary Ellen Carroll did what most of us thought was going to be impossible. She turned a dilapidated house in Sharpstown 180 degrees — and it didn't come toppling down.

    In October, Carroll was set to turn the house on 6513 Sharpsview for her "protoype 180" performance art project, but had to delay it due to engineering fears of the house crumbling during the turn. Cherry House Moving Company and the artist were able to overcome these technicalities by placing wooden planks placed under the wheels of the moving truck as it made the 180-degree turn.

    Decked out in a dark blue blazer and white pants, Carroll, the architecture diva extraordinaire, was introduced by her close friend, noted architect Charles Renfro, who sported a smart gray skinny tie for the momentous occasion. Spots of light rain mixed with intermittent downpours, extending the turning process from a planned one-and-1/2 hours to three.

    After the truck got stuck in the mud, the team powdered the wheels with lime to regain traction. The rain finally cleared and the intermission ended, and about 11 spectators from the original core 40 remained to see the end of an undeniably unique brand of performance art. Carroll says that her cameras caught more than 200 people in all stopping by at some point during the day.

    Adding to the special event feel, Carroll broadcast it on a web cam setup, allowing thousands around the world the chance to look in if they so desired.

    Watch the turn:

    The idea behind "prototype 180" came to Carroll one day while she was stuck in Los Angeles traffic. The notion of turning a house 180 degrees, and transforming the backyard into the front, fit into Carroll's mind as a social commentary on the abandoned first-wave suburbs across the nation. She thought of the whole thing while surrounded by cars on the freeway. Then, she spent 10 years working to make it happen.

    Now that the house has been turned, the next step is placing it on a soon-to-be cemented foundation (projected to take about three more weeks). Once that process is over, landscape and installation artist Molly Gochman, a collaborator on the project, will begin her contribution to Carroll's work by designing a minimalistic installation.

    "I don't want it to flood the neighbors," Gochman said. "That'll be the first challenge, and then I'll break down the elements of the landscape."

    The hope is that the house will provoke discussion and dialogue. Carroll plans to bring the art community to the so-called forgotten suburb with "prototype 180," and also seeks international attention through the live video feed from cameras planted on corners of the house.

    Carroll plans on remodeling the home with environmentally-friendly amenities and decor of the era when it was built. The artist has said it is also intended to eventually become a single-family home to a real family, but which family is still undecided.

    If you were trying to avoid gentrification, Sharpstown — get ready, the artists are moving in.

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    Movie review

    Nerdy teen comedies make a comeback with new movie Summer of 69

    Alex Bentley
    May 9, 2025 | 10:45 am
    Sam Morelos and Chloe Fineman in Summer of 69
    Photo courtesy of Hulu
    Sam Morelos and Chloe Fineman in Summer of 69.

    There was a trend in the late 2010s/early 2020s of bawdy comedies featuring teenage female protagonists, including Blockers, Booksmart, and Yes, God, Yes. Those types of films seemed to go by the wayside in recent years, but they’re making a comeback with the new film Summer of 69.

    Abby (Sam Morelos) is a high school senior and video game streamer who has had a crush on her classmate Max (Matt Cornett) for her entire childhood. When she learns that Max has recently broken up with his longtime girlfriend, she’s determined to make her move. With advice from a confidant that Max likes a certain sexual position, Abby sets out to learn as much as she can about it, including hiring a stripper, Santa Monica (Chloe Fineman), to help her.

    Coincidentally, Santa Monica is facing a situation where the club at which she works, Diamond Dolls, will be closed if the owner doesn’t come up with $20,000 in a week. Abby, who comes from a well-to-do family, seems to offer the perfect solution, and so the two agree to a week of lessons for that amount. Naturally, all sorts of complications arise, as well as the two women forming an unexpected bond.

    Written and directed by Jillian Bell, with help from co-writers Jules Byrne and Liz Nico, the film is both suggestive and innocent at the same time. For all of the talk about sex and innuendo, having the nerdy and inexperienced Abby at the center of the film ensures that the story remains relatively chaste throughout. That includes scenes at the strip club, where Bell makes the choice to show almost no nudity.

    Most of the humor of the film stems from Abby’s lack of experience, highlighted by her having “sexual” fantasies about Max that never actually get to the sex part. The juxtaposition between Abby and Santa Monica is also used for laughs, although Bell and her co-writers make sure to include a side story for the dancer that makes her into a three-dimensional person.

    What ultimately makes the movie succeed is the way it keeps its characters relatable. Many high school films feel the need to play into a bunch of stereotypes, but those are kept to a minimum here. Instead, Bell upends expectations by delivering honest - sometimes to a fault for the characters - dialogue that acknowledges the spectrum of sexual realities for high schoolers, a version that differs from insatiable horniness of some other teen comedies.

    Morelos, one of the stars of Netflix’s That ‘90s Show, makes for a charming lead, someone who can convincingly take her character from awkward to confident over the course of the story. Fineman, best known for her current stint as a cast member on Saturday Night Live, complements her well, showing her comedic prowess in a number of physical scenes. A supporting cast that includes Nicole Byer, Paula Pell, Alex Moffat, and Natalie Morales keeps the energy level high.

    Despite its titillating title, Summer of 69 is much more sweet than naughty. Like most coming-of-age movies, it’s about a girl who’s trying to figure out where she fits in the world. The answers she finds aren’t always the ones she was expecting, but in the best possible way.

    ---

    Summer of 69 starts streaming on Hulu on May 9.

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