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    Real Housewives Recap

    The Real Housewives of Dallas reunion ends with roses, thorns, and too many metaphors

    Kaitlin Steinberg
    Nov 13, 2017 | 10:22 pm
    Real Housewives of Dallas Season 2 cast
    That's a wrap on the second season.
    Photo courtesy of Bravo Media

    We last saw LeeAnne Locken storming off set during Part 1 of The Real Housewives of Dallas Reunion, incensed by the revelation that Mark Deuber would be joining the girls to talk about the allegations LeeAnne made against him this season.

    “Her man can defend her, but my man can’t defend me?” LeeAnne asks, though, in reality, Mark is there to defend himself, not Cary. Eventually, LeeAnne returns to the set, shaking in her sequins at the thought of facing Mark. It’s wild that a sartorially-inclined plastic surgeon can strike such fear into her brave, carnie heart.

    But first, Mark has to answer to the viewers, who had a lot of questions about his attitude toward his family this season. As a reminder of Mark’s bad ‘tude, Andy presents a montage of him being kind of a jerk toward Cary and his young daughter, Suri.

    Even though Cary looks like she’s going to vomit all over her hubby after watching that clip, she insists Mark just wants her to be “furfilled.” Yes, she said “FUR-filled” multiple times, which leads me to believe Mark doesn’t actually want her to be fulfilled, but, rather, dripping with luxurious furs.

    Cary and Mark band together, maintaining that they’re both just very sarcastic. Andy asks D’Andra to give them advice, because now that she’s been married for a couple years (Cary and Mark have been married for eight years), she can help them out? She tells them to watch what they say, because they can’t take back their words. Right then would have been the perfect time for Andy to roll the clip of D’Andra threatening to take her stepson’s eyes out of his head.

    Next, we get a montage of “loose lips” on the show, which is really just Cary and LeeAnne talking shit about each other’s partners. Finally, we get to hear from Mark about the drug-fueled allegations that he gets "hit on" at the Round-Up.

    Mark, of course, denies this, and LeeAnne swears she “didn’t mean it as an insult.” She says 80 to 90 percent of her friends are gay and that her work for the LGBT community speaks for itself, so she would never call someone gay as an insult. Still, it ain’t cool, particularly because Cary and Mark’s kids watch the show. LeeAnne says she doesn’t have kids, so she doesn’t understand, which is maybe the worst excuse she’s come up with yet.

    Andy then asks Mark how he feels about LeeAnne calling his plastic surgery practice a “chop shop,” and LeeAnne responds to Mark’s assertion that it hurts by shaking her head in a very understanding manner. First, she’ll tear you down; then, she’ll be there with a sympathetic smile when you get upset. Then, she’ll say she’s sorry and didn’t mean it, until she does it yet again.

    The price of oil in Texas may be volatile, but LeeAnne’s tendency to offend, and then apologize, and then re-offend is about as surefire as Heidi Dillon’s charity work.

    Also reliable? Brandi’s gossiping. If something scandalous is uttered in her presence, pretty soon all of Dallas will know. Brandi insists that she only repeated what LeeAnne said about Cary and Mark because someone’s life was threatened. Uh huh, sure.

    Then, Andy reads a tweet calling Cary hypocritical for being upset about LeeAnne’s claims regarding Mark, but turning around and making a similarly vicious claim about the size of Rich’s ... package. Cary apologizes and mentions that she also apologized to Rich.

    Andy notes that the two ladies have made a habit of getting offended and lashing out at each other, and LeeAnne says she can’t handle much more of herself “acting like an idiot.” Penitence is great, LeeAnne, but actions are better.

    We move on from the never-ending LeeAnne and Cary saga, though, to revisit Brandi’s allegations that Cary and Mark got together while Cary was Mark’s nanny and that their relationship started as an affair. Brandi breaks down and apologizes again for what she said, and Cary accepts her tearful offering of remorse.

    Because D’Andra and Kameron are so boring and silent throughout all of this, Andy has to keep prompting them to speak by asking for their opinions. When he questions D’Andra, she pulls a bit of a 180, asking Cary and Mark how they could forgive Brandi and invite her back into their lives but they can’t forgive LeeAnne. Mark says it’s a pattern of behavior, and Brandi asks D’Andra why she’s always making excuses for LeeAnne.

    Andy seems to latch onto that idea, though, later asking Cary if, since she’s forgiven Brandi, she could forgive LeeAnne, as well. Cary doesn’t really answer. Andy thanks Mark for his time then goes to break, but not before announcing that he, Andy, is headed to the Round-Up. No one laughs. Too soon, Cohen. Too soon.

    Next, we get a montage of LeeAnne and Brandi’s weird, burgeoning friendship and then the unraveling of the friendship that probably never should have been. Brandi says she slowly realized how malicious LeeAnne was, and that “you are who you hang out with.” Kameron says that’s a double standard, then silently shakes her head for the next 20 minutes.

    Andy asks D’Andra’s opinion of LeeAnne’s threat to slit Brandi’s throat if she ever crossed her, and Brandi jumps in with, “Oh, gosh, don’t even ask D’Andra, because all it’s going to be is, like, ‘Oh, I’m Jesus.’”

    “You’re Jesus?” LeeAnne asks D’Andra.

    “I’m Jesus,” D’Andra replies. So it’s settled.

    To my utter shock, Kameron speaks again, telling Brandi that it was a silly comment and she needs to move on, before proclaiming, “There’s nothing else to talk about.” I don’t think Kameron gets how this reunion show works. Girlfriend, you’re supposed to talk.

    LeeAnne says Stephanie should learn to call Brandi on her poor behavior like D’Andra does with her. Brandi says she has a mother, so she doesn’t need another one, and LeeAnne takes that as a direct jab about her own relationship with her mother.

    Andy asks Cary and Stephanie if they feel they forced Brandi to re-examine her relationship with LeeAnne, and they both vehemently deny that. Stephanie maintains that Brandi would not have accused Cary of having an affair with Mark if LeeAnne hadn’t influenced her, repeating what Brandi said earlier, “You are who you hang out with.”

    Andy notes that they’ve trotted out that adage a few times now, and Cary says, “We all hang out with each other, so we’re fucked.”

    That would have been a great place to end the reunion, but, instead, Stephanie drones on about how she couldn’t have remained friends with Brandi had Brandi started acting like her new buddy LeeAnne, because “You are who you hang out with.” Just kidding, she didn’t say that again, but it was heavily implied.

    Kameron thinks Brandi needs to remember who was there for her when she was feuding with Stephanie. She also thinks Brandi, Cary, and Stephanie need to calm down about LeeAnne’s death threats because, “that’s her carnie talk.”

    LeeAnne moves swiftly from carnie talk to cleric talk when asked about the future of her friendship with Brandi. “I’m always going to believe in Acts 2:25, and I’m going to pitch my tent in the land of hope.” (I looked it up, and that’s actually Acts 2:26, but you got close there, LeeAnne.)

    Brandi says that’s fine for LeeAnne, but for her own health, she’s going to have to remove herself from their relationship. LeeAnne continues to speak in metaphors, claiming that her heart is “laying there in the middle of the floor, fucking slowly stopping beating.”

    Brandi seems initially grossed out by that imagery (we all were), then she notes that LeeAnne is 50 years old, and she’s not sure how much she’s even capable of change at this point. LeeAnne maintains she’s going to try to get better, and everyone chimes in that they want that for her.

    Andy decides to end the Dallas reunion by taking a play from the New York playbook and asking each lady what their roses and thorns were from the season (the rose being the highlight and the thorn being the low point).

    They all give really boring answers, except for LeeAnne who says, “I feel like I’m in an empty garden. Sometimes it’s hard for me to see my roses because of my own thorns. I’m my own thorn.”

    Can I just say I love metaphor-spouting LeeAnne? I love her.

    Brandi’s thorn was hurting the Deuber family, and her rose was repairing her friendship with Stephanie, to whom she offers a rose, as if they’re on the Bachelor and they’re choosing each other. LeeAnne looks highly unimpressed.

    Andy asks D’Andra, as the voice of reason, for closing remarks. She says they all need to “walk away, let the dust settle, and come back with a fresh perspective.”

    And then, instead of closing with cocktails and a toast like every other franchise, the reunion just ends. If anyone deserves a margarita, it’s these girls.

    And me. And you, for sticking with this. Cheers, y’all.

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    In Memoriam

    Texas-based actor James Van Der Beek dies at 48

    Associated Press
    Feb 11, 2026 | 4:45 pm
    James Van Der Beek
    James Van Der Beek/Instagram
    James Van Der Beek announced he was being treated for colorectal cancer in 2024.

    Actor James David Van Der Beek has died, according to an announcement on his social media. He was 48 years old.

    "Our beloved James David Van Der Beek passed peacefully this morning," the post reads. "He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity, and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.

    Van Der Beek shared in 2020 that he and his family were moving to the Austin area, and they settled in Spicewood. He announced his colorectal cancer diagnosis in 2024.

    In late 2025, Van Der Beek auctioned some of his TV memorabilia from his time on Dawson's Creek to pay for his treatment.

    The actor originally starred in coming-of-age dramas at the dawn of the new millennium, shooting to fame playing the titular character in Dawson’s Creek and in later years parodied his own hunky persona.

    Forever tied to ‘Dawson’s Creek'
    A one-time theater kid, Van Der Beek would star in the movie Varsity Blues and on TV in CSI: Cyber as FBI Special Agent Elijah Mundo, but was forever connected to Dawson’s Creek, which ran from 1998 to 2003 on The WB.

    The series followed a group of high school friends as they learned about falling in love, creating real friendships and finding their footing in life. Van Der Beek, then 20, played 15-year-old Dawson Leery, who aspired to be a director of Steven Spielberg quality.

    With Paula Cole’s “I Don’t Want To Wait,” as its moody theme song, Dawson's Creek helped define The WB as a haven for teens and young adults who related to its hyper-articulate dialogue and frank talk about sexuality. And it made household names of Van Der Beek, Katie Holmes, Michelle Williams, and Joshua Jackson.

    “While James' legacy will always live on, this is a huge loss to not just your family but the world,” Sarah Michelle Gellar wrote to his widow on Instagram. Katharine McPhee Foster added: “This is just beyond devastating news.” Others posting messages of mourning were Jenna Dewan and Olivia Munn.

    The show caused a stir when one of the teens embarked on a racy affair with a teacher 20 years his senior and when Holmes' character climbed through Dawson's bedroom window and they curled up together. Racier shows like Euphoria and Sex Education owe a debt to Dawson's Creek.

    Van Der Beek sometimes struggled to get out from under the shadow of the show but eventually leaned into lampooning himself, like on Funny Or Die videos and on Kesha's “Blow” music video, which included his laser gun battle with the pop star in a nightclub and dead unicorns.

    “It’s tough to compete with something that was the cultural phenomenon that Dawson’s Creek was,” he told Vulture in 2013. “It ran for so long. That’s a lot of hours playing one character in front of people. So it’s natural that they associate you with that.”

    A popular GIF and Varsity Blues
    More than a decade after the show went off the air, a scene at the end of the show’s third season became a GIF. Dawson was watching as his soul mate embarks on a love affair with his best friend and burst into tears.

    “It wasn’t scripted that I was supposed to cry; it was just one of those things where it’s a magical moment and it just happens in the scene,” Van Der Beek told Vanity Fair. He seemed exasperated when he told the Los Angeles Times: “All of a sudden, six years of work was boiled down to one seven-second clip on loop.” (Van Der Beek himself recreated the GIF in 2011 for Funny or Die and gave it a second life.)

    While still on Dawson’s Creek, Van Der Beek hosted Saturday Night Live — the musical guest was Everlast — and landed a plumb role in Varsity Blues, playing a second-string high school quarterback who leaps into the breach when the star suffers an injury.

    Van Der Beek’s character, Mox, turns out to not be a football fanatic, preferring to read Kurt Vonnegut and yearning for the college education that will allow him to escape the jock mentality of his Texas town.

    “I don’t want your life,” he screams at one point. Critic Roger Ebert called him “convincing and likable.

    After Dawson’s Creek
    Some of his projects after Dawson’s Creek included co-creating and playing Wesley “Diplo” Pentz, a dull but likable music producer in the mockumentary satire on Viceland, What Would Diplo Do? In 2019, he made it to the semifinals of ABC’s Dancing with the Stars and played a balding, out-of-shape ex-boyfriend on How I Met Your Mother.

    “The more you make fun of yourself and don’t try to go for any kind of respect, the more people seem to respect you,” he told Vanity Fair in 2011. “I’ve always been a clown trapped in a leading man’s body.”

    Between 2003 and 2013, he made appearances in shows like Criminal Minds, One Tree Hill, and How I Met Your Mother. He played himself with a crackpot intensity in the Krysten Ritter-led ABC drama Don’t Trust the B— in Apartment 23, and the short-lived CSI spinoff CSI: Cyber and CBS’ Friends With Better Lives.

    He’s also appeared in movies such as Kevin Smith’s 2001 comedy Jay and Silent Bob Strike Back and its 2019 sequel, Jay and Silent Bob Reboot. He was in the Bret Easton Ellis adaptation of The Rules of Attraction in 2002 opposite Jessica Biel and Kate Bosworth.

    In 2025, he was unmasked as Griffin on The Masked Singer, after singing a cover of John Denver’s “Take Me Home, Country Roads” and “I Had Some Help” by Post Malone and Morgan Wallen.

    Early life as a theater kid
    Van Der Beek, who was raised in Cheshire, Connecticut, started acting at 13 after suffering a concussion playing football that prevented him from playing for a year. He landed the role of Danny Zuko in his school production of Grease.

    He stuck with theater, landing at 16 in 1994 an off-Broadway role in Finding the Sun by Pulitzer Prize-winner Edward Albee and one of the sons in a revival of Shenandoah at the prestigious Goodspeed Opera House in his home state.

    He earned a scholarship to New Jersey’s Drew University but left school early when he was cast in Dawson’s Creek. In 2024, he returned to campus to accept an honorary degree for his “selfless service and exemplary commitment to the mission of Drew,” the university said.

    Drew University President Hilary Link welcomed Van Der Beek with a popular quote from his Dawson’s Creek character: “Edge is fleeting,” she said, “but heart lasts forever. So on this morning, we pay tribute to that heart.”

    He is survived by his wife, Kimberly, and six children, Olivia, Joshua, Annabel, Emilia, Gwendolyn and Jeremiah. A GoFundMe fundraiser has been established for the family.

    ___

    AP Music Writer Maria Sherman and CultureMap Austin editor Brianna Caleri contributed to this report.

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