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    Worth The Wait

    Pearl Jam's Eddie Vedder falls hard for Houston, wins over patient fans inhot-ticket solo night

    Reid Schroder
    Nov 13, 2012 | 9:57 am
    • Monday's performance marked nearly 10 years since Eddie Vedder, well-known frontman of Pearl Jam and recently accomplished solo artist, has performed inHouston. During the first encore, he was joined on stage by opening act Glen Hansard anda talented fan from the audicence.
      Photo by Bradley Kerl
    • Vedder was equipped with an acoustic guitar, mandolin and ukelele to play solotunes, Pearl Jam favorites and thoughtfully-considered covers.
      Photo by Bradley Kerl

    If you were driving down Louisiana Street on Monday evening, you might have noticed an unusual throng of flannel-clad twenty- and thirtysomethings milling around Jones Hall.

    Though not a typical sight in front of the austere home of the Houston Symphony, it was understandable considering the words on the venue's marquee: "Eddie Vedder, with special guest Glen Hansard" glowed above a long line of eager fans waiting for the doors to open.

    Monday's performance marked nearly 10 years since Eddie Vedder, well-known front man of Pearl Jam and recently accomplished solo artist, has performed in Houston, and the first time he has played here without his band.

    To give a little perspective here, the Houston Astros have been to a World Series more recently than Eddie Vedder has played in Houston.

    To give a little perspective here, the Houston Astros have been to a World Series more recently than Eddie Vedder has played in H-Town. This city's long wait was not lost on the 47-year-old singer.

    "It's nice to be here in Houston, Texas tonight," Vedder said early in his set. "I was counting the numbers before the show, and it's hard to believe, but the group that I'm in, we've only played Texas, all total, in 22 years, about 15 times."

    Finally given this opportunity to vent, many fans excitedly proclaimed "We KNOW!" before Vedder playfully retorted with a plea that he was there presently and that he would report back to "the fellows," depending on how well the evening went.

    As the set continued, Vedder relied heavily on his solo material from 2007's Into The Wild soundtrack, but also performed favorites from his 2011 solo album Ukulele Songs and enough Pearl Jam songs to satisfy the large number of Ten Club members in attendance.

    A sonorous sound

    Drawing from such a wide range of material and equipped with an arsenal of acoustic guitar, mandolin and ukulele, the songs sounded natural in a sonorous environment like Jones Hall. This offered a welcome change of pace from the most recent Pearl Jam show played in The Woodlands back in 2003, which was a more raucous, political affair.

    Vedder, a professed audiophile, took multiple opportunities throughout the set to relish in the rich tone that the venue lent to his unmistakable baritone. As often as the songs allowed, the performer let loose with a series of vocal and instrumental embellishments.

    Vedder, a professed audiophile, took multiple opportunities throughout the set to relish in the rich tone that the venue lent to his unmistakable baritone.

    During Pearl Jam favorites like "Immortality," "I Am Mine" and "Porch" — songs that are arguably incomplete without the dynamic of Vedder's band — the singer held his own by furiously strumming textured rhythms that worked surprisingly well in this context.

    It's as if Vedder was channeling rather than defying his band mates; a comforting thought if the growing number of side projects from various members of Pearl Jam has fans worried about the band's future.

    Vedder has always worn his influences on his shoulder, and Monday evening’s performance was no exception. Not including the impromptu lyrical lead-ins from Pink Floyd and Perry Farrell songs, nearly a quarter of the set contained covers spanning generations of American music — Tom Waits, Cat Power, Buddy Holly and James Taylor, to name a few.

    As covers go, the singer made each song his own. "Good Woman" by Cat Power was introduced by Vedder as a song that he considers to be about the girl in "Better Man," if she had made the right decision. Similarly, Waits' "Picture in a Frame," when performed by Vedder, sounds like a soothing children's lullaby in addition to being a charming love song in its own right.

    During the first encore, Vedder graciously invited his opening act, Glen Hansard of the Irish group The Frames, to accompany him on a few songs before Hansard performed his own Oscar-winning composition, "Falling Slowly," with Vedder himself taking a verse.

    In keeping with that communal spirit, the evening concluded with a triumphant rendition of "Hard Sun" from the Into The Wild soundtrack, with Vedder joined by Hansard, a talented fan from the audience and a packed house full of energetic fans singing along with nearly a decade's worth of pent-up gusto.

    Vedder will play a second show at Jones Hall on Tuesday at 7:30 p.m. As both shows were rescheduled from the original soldout April dates, your best bet on getting in may be through a third party vendor.

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    Movie Review

    Charming Ryan Gosling tries to save the Earth in Project Hail Mary

    Alex Bentley
    Mar 19, 2026 | 3:30 pm
    Ryan Gosling in Project Hail Mary
    Photo by Jonathan Olley
    Ryan Gosling in Project Hail Mary

    The reasons behind the success of 2015’s The Martian, which earned over $630 million worldwide and got nominated for seven Oscars, had as much to do with the novel written by Andy Weir as it did with star Matt Damon and director Ridley Scott. Weir’s commitment to making an entertaining story that was also scientifically accurate proved to be easy to translate into a blockbuster movie.

    The same is true for Weir’s 2021 novel, Project Hail Mary, now a film starring Ryan Gosling. Gosling plays Dr. Ryland Grace, who opens the film waking up from an induced coma, alone on an interstellar spaceship named the Hail Mary. As his foggy mind clears, he — and the audience — learn that he was recruited to help an initiative to save the world after it’s discovered that a mysterious phenomenon is causing the sun to cool down, threatening all life on Earth.

    The film toggles back and forth between Grace’s time on the ship and his whirlwind journey of scientific discovery on Earth, with revelations coming on both sides. On Earth, he mostly deals with Eva Stratt (Sandra Hüller), the unflappable and unstoppable leader of the international coalition dedicated to solving the problem. And in space, orbiting the far-off star known as Tau Ceti, he encounters another being he names Rocky, a five-limbed creature that looks like a boulder which teams up with him to try to save both of their worlds.

    Directed by Phil Lord and Christopher Miller, and written by Drew Goddard (who also wrote The Martian), the film melds multiple genres into an astonishingly great whole. It starts off as a mystery, morphs into science fiction, transitions into actual science, becomes a thriller, adds in plenty of drama, and — for good measure — features plenty of comedy along the way. Shifting tones like this film does is tricky for many filmmakers, but Lord and Miller prove to be masterful at knowing just how much of each to include before it becomes too much.

    One of the biggest keys to the story is the fact that Grace is not a hero in the movie sense of the word. He’s very smart, but he’s also an everyman, teaching middle school science after being shunned from academia. The circumstances of how he ended up on the Hail Mary are doled out in pieces over the course of the film, but it’s clear from the start that Grace’s talents are not the ones found in your typical astronaut. Ironically, it’s him being forced to do heroic stuff that imbues him with an atypical type of bravery.

    The relationship between Grace and Rocky is unique, and Rocky ends up being as endearing an alien that’s been featured in movies despite the fact that he has no face and speaks only in musical tones. The film does a very effective job of putting the audience in Grace’s shoes, having to figure out ways to communicate with Rocky at the same time as he’s trying to figure out how to complete a mission he wasn’t trained to do.

    Gosling is the ideal actor to portray a man like Grace. Essentially alone for much of the film, his innate charm and humorous delivery keep the film from feeling like an extended monologue. The flashback scenes to his time on Earth feature solid performances from people like Hüller (Anatomy of a Fall), Lionel Boyce (The Bear), and more, who fill in the pieces of the story without feeling out of place.

    Project Hail Mary is a crowd-pleaser in all the right ways, delivering plenty of thrilling action and funny moments while also digging deep into science nerd elements. With a movie star like Gosling in the lead and successful filmmakers like Lord, Miller, and Goddard behind the scenes, the film makes an early case for being one of best of the year.

    ---

    Project Hail Mary opens in theaters on March 20.

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