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    Worth The Wait

    Pearl Jam's Eddie Vedder falls hard for Houston, wins over patient fans inhot-ticket solo night

    Reid Schroder
    Nov 13, 2012 | 9:57 am
    • Monday's performance marked nearly 10 years since Eddie Vedder, well-known frontman of Pearl Jam and recently accomplished solo artist, has performed inHouston. During the first encore, he was joined on stage by opening act Glen Hansard anda talented fan from the audicence.
      Photo by Bradley Kerl
    • Vedder was equipped with an acoustic guitar, mandolin and ukelele to play solotunes, Pearl Jam favorites and thoughtfully-considered covers.
      Photo by Bradley Kerl

    If you were driving down Louisiana Street on Monday evening, you might have noticed an unusual throng of flannel-clad twenty- and thirtysomethings milling around Jones Hall.

    Though not a typical sight in front of the austere home of the Houston Symphony, it was understandable considering the words on the venue's marquee: "Eddie Vedder, with special guest Glen Hansard" glowed above a long line of eager fans waiting for the doors to open.

    Monday's performance marked nearly 10 years since Eddie Vedder, well-known front man of Pearl Jam and recently accomplished solo artist, has performed in Houston, and the first time he has played here without his band.

    To give a little perspective here, the Houston Astros have been to a World Series more recently than Eddie Vedder has played in Houston.

    To give a little perspective here, the Houston Astros have been to a World Series more recently than Eddie Vedder has played in H-Town. This city's long wait was not lost on the 47-year-old singer.

    "It's nice to be here in Houston, Texas tonight," Vedder said early in his set. "I was counting the numbers before the show, and it's hard to believe, but the group that I'm in, we've only played Texas, all total, in 22 years, about 15 times."

    Finally given this opportunity to vent, many fans excitedly proclaimed "We KNOW!" before Vedder playfully retorted with a plea that he was there presently and that he would report back to "the fellows," depending on how well the evening went.

    As the set continued, Vedder relied heavily on his solo material from 2007's Into The Wild soundtrack, but also performed favorites from his 2011 solo album Ukulele Songs and enough Pearl Jam songs to satisfy the large number of Ten Club members in attendance.

    A sonorous sound

    Drawing from such a wide range of material and equipped with an arsenal of acoustic guitar, mandolin and ukulele, the songs sounded natural in a sonorous environment like Jones Hall. This offered a welcome change of pace from the most recent Pearl Jam show played in The Woodlands back in 2003, which was a more raucous, political affair.

    Vedder, a professed audiophile, took multiple opportunities throughout the set to relish in the rich tone that the venue lent to his unmistakable baritone. As often as the songs allowed, the performer let loose with a series of vocal and instrumental embellishments.

    Vedder, a professed audiophile, took multiple opportunities throughout the set to relish in the rich tone that the venue lent to his unmistakable baritone.

    During Pearl Jam favorites like "Immortality," "I Am Mine" and "Porch" — songs that are arguably incomplete without the dynamic of Vedder's band — the singer held his own by furiously strumming textured rhythms that worked surprisingly well in this context.

    It's as if Vedder was channeling rather than defying his band mates; a comforting thought if the growing number of side projects from various members of Pearl Jam has fans worried about the band's future.

    Vedder has always worn his influences on his shoulder, and Monday evening’s performance was no exception. Not including the impromptu lyrical lead-ins from Pink Floyd and Perry Farrell songs, nearly a quarter of the set contained covers spanning generations of American music — Tom Waits, Cat Power, Buddy Holly and James Taylor, to name a few.

    As covers go, the singer made each song his own. "Good Woman" by Cat Power was introduced by Vedder as a song that he considers to be about the girl in "Better Man," if she had made the right decision. Similarly, Waits' "Picture in a Frame," when performed by Vedder, sounds like a soothing children's lullaby in addition to being a charming love song in its own right.

    During the first encore, Vedder graciously invited his opening act, Glen Hansard of the Irish group The Frames, to accompany him on a few songs before Hansard performed his own Oscar-winning composition, "Falling Slowly," with Vedder himself taking a verse.

    In keeping with that communal spirit, the evening concluded with a triumphant rendition of "Hard Sun" from the Into The Wild soundtrack, with Vedder joined by Hansard, a talented fan from the audience and a packed house full of energetic fans singing along with nearly a decade's worth of pent-up gusto.

    Vedder will play a second show at Jones Hall on Tuesday at 7:30 p.m. As both shows were rescheduled from the original soldout April dates, your best bet on getting in may be through a third party vendor.

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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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