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    Movie Review

    Unfunny and non-scary Freaky gives body switch movies a bad name

    Alex Bentley
    Nov 12, 2020 | 10:30 am
    Unfunny and non-scary Freaky gives body switch movies a bad name
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    The premise of the new horror movie Freaky is rife with potential. A take-off of Disney’s Freaky Friday, with added unspoken allusion to the classic horror series Friday the 13th, it features a serial killer named the Blissfield Butcher (Vince Vaughn) magically swapping bodies with high schooler Millie (Kathryn Newton) via an ancient cursed knife.

    Of course, it’s what you do with the fun premise that matters, and this film squanders nearly every opportunity to be memorable. Things start off promising, at least for fans of horror, as the opening sequence of the film has the Butcher dispatch an unfortunate group of teenagers using a variety of creative means, including a wine bottle, tennis racquet, and antique spear.

    Things start to go downhill with the introduction to Millie, which is full of so many clichés that it’s hard to know where to start. Millie, who is white, has two best friends, one of whom is Black and the other gay (Celeste O'Connor and Misha Osherovich). Despite being objectively attractive, she is viewed as an outcast by a group of bully girls, and also acts as the school mascot, the better to cover up her “ugly” face.

    Once the body switch happens via an attempted stabbing of Millie by the Butcher, the movie goes awry in innumerable ways. It’s obvious writer/director Christopher Landon is going for a fun horror movie vibe, but he lands on dumb instead of entertaining. He has plenty of relevant experience, writing much of the Paranormal Activity series and being involved with both Happy Death Day films, but whatever he learned with those experiences doesn’t show up here.

    Landon and co-writer Michael Kennedy try to shoehorn in confrontations by Millie as the Butcher with people who were mean to her previously, something that doesn’t make much sense. Why would the Butcher specifically go after Millie’s enemies when he has no knowledge of them? It makes for a nice comeuppance for those rotten characters, but the revenge is hollow.

    Landon also tries for some sincerity by playing up the death of Millie’s dad and her mom’s subsequent alcoholism, but heartfelt emotions feel radically out-of-place with the rest of the film. Similarly, Millie’s relationship with her two best friends never makes an impact on the film, nor does a budding relationship with football star Booker (Uriah Shelton).

    In fact, the only part of the film that works in the slightest are the performances by Vaughn and Newton, no surprise since they are the stars. While the effectiveness of them affecting each other’s demeanors is dubious, at least each of them commits to the idea fully, going for the gusto at every turn. Each gives their respective dual roles more effort than they deserved.

    Freaky is timed fortuitously to come out on Friday the 13th of November, but only those hard-up for at-home entertainment should bother venturing out to theaters to see it. Risking your health to see this massively unsuccessful film is way scarier than anything it has to offer.

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    Freaky will open in theaters on November 13.

    Vince Vaughn and Kathryn Newton in Freaky.

    Vince Vaughn and Kathryn Newton in Freaky
    Photo by Brian Douglas/Universal Pictures
    Vince Vaughn and Kathryn Newton in Freaky.
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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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