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    We got the beat

    Music Pick of the Week: Britney Spears does it again

    Michael D. Clark
    Nov 11, 2009 | 5:00 am

    Britney Spears, “The Singles Collection” (Jive)

    Normally, I would never dream of awarding "album of the week" honors to a greatest hits compilation. It appears, however, that the recording industry has shelved most of the new music for 2009 and turned its attention to stocking stuffers. So expect an avalanche of hits compilations and holiday-theme albums from your favorite artists for the next six weeks.

    Several acts like AC/DC, The Killers and Snow Patrol came out with repackaged packaged hits this week, but none of these audio histories will create as much buzz as Britney Spears’ “The Singles Collection.”

    And why not? It’s been five years since she last found a way to resell her fans the singles they already own.

    Oops, make that four years.

    I almost forgot about the “B In the Mix” remix album in 2005. No matter, it seems the appetite for her music and related gossip is insatiable.

    The Britney Spears saga has been a voyeuristic obsession of you, me, MTV, E Television, the National Enquirer and pretty much every other news outlet for the last decade.

    It was 1999 when the now 27 year-old (she’ll be 28 on Dec. 2) landed in the public eye and at the top of album charts around the world with debut album “… Baby One More Time."

    We all initially cooed with delight at her puppy-eyed teen-pop innocence on songs like “Sometimes” (one of the few singles that didn’t make “The Singles Collection” cut) and “Born To Make You Happy.”

    We collectively made Spears’ follow-up “Oops!... I Did It Again” (an album title which is not getting better with age; I audibly groaned as I typed it just now) the fastest-selling album ever by a female artist, nabbing 1.3 million copies in the first week. With songs like “Stronger” and the title track, it was like watching a teen angel become a vamp before our eyes.

    Somewhere between being flirtatious, simulating sex on the hotel balcony with K-Fed, shaving her head and losing custody of her children, the Spears fairy tale turned into a nightmare. What makes this new chronological singles collection so interesting is that the scars of her life are reflected perfectly in her songs.

    It’s all a bit creepy and riveting, like looking through Spears’ bedroom windows. As an album, however, I’m not sure “The Singles Collection” is necessary. If a fan already has all her studio albums (or even just 2004’s “Greatest Hits: My Prerogative” and her last two studio albums- “Blackout” and “Circus”) the only thing missing would be the one original track, current sexy No. 1 single “3.”

    My advice to fans of Spears: Cut your costs and buy “3” off ITunes. Or just turn on your favorite top 40 radio station. It’s being played nearly non-stop right now.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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