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    movie news

    Goats caught in the middle of Fort Hood tragedy

    Joe Leydon
    Nov 9, 2009 | 10:41 am
    News_The Men Who Stare at Goats_promo poster
    Getty Images

    Much like my Variety colleague Derek Elley, I enjoyed The Men Who Stare at Goats as a satisfyingly quirky mix of straight-faced, off-the-wall absurdism and darkly comical political satire, featuring splendid ensemble work by the exceptionally well cast George Clooney, Jeff Bridges, Ewan McGregor, Kevin Spacey and Stephen Lang.

    But I must admit: When I viewed the Overture Films release Sunday, I was temporarily shaken by the unfortunate timeliness of a scene in which a berserk solider opens fire at other service personnel at a U.S. Army base.

    Mind you, I don’t hold this against the filmmakers, who had no way of knowing their movie would open at theaters and drive-ins everywhere within days — hours, really —of the tragic events at Fort Hood here in Texas.

    But I certainly can understand, if not share, the concern of someone like Vanity Fair’s Julian Sancton, who’s wondering whether the unsettling scene should be deleted from all future prints of the film. (It likely would be impossible, Sancton allows, to re-edit the prints already in release — even though, it should be noted, such after-the-fact trimming isn’t unprecedented: A joke about Rev. Martin Luther King was removed from release prints of Guess Who’s Coming to Dinner after MLK’s assassination.)

    Ironically, George Clooney and I talked about the potential for real-world tragedies affecting audience reactions to reel-world scenarios back in 1997, when I did this TV interview with him for The Peacemaker.

    That movie, you may recall, dealt with efforts to prevent a grudge-bearing Bosnian from setting off a nuclear device in New York City. Clooney admitted that he and other folks involved with the production had discussed the dreadful possibility that a similar terrorist attack might actually occur before Peacemaker hit theaters.

    And while they ultimately decided that they couldn’t worry about things over which they had no control, that they could only hope for the best while trying to make the best movie possible, Clooney pointedly noted the box-office failure of SpaceCamp, a 1986 adventure movie – about kids at a NASA summer camp who are accidentally launched into space — that had the misfortune of opening a few months after the Challenger space shuttle disaster.

    Fortunately for all parties involved with The Peacemaker – and for even more parties who had nothing whatsoever to do with the film – no major terrorist incidents occurred in the U.S. before or during the film’s theatrical run.

    In 2001, however, a broadcast TV airing of The Peacemaker was cancelled at the last minute because of… well, spectacularly bad timing. You see, the movie had been scheduled to air just a few days after Sept. 11.

    Joe Leydon is a longtime Houston movie critic and editor of movingpictureblog

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    Music feature

    Texas country star Cody Johnson's new album goes to 'Banks of Trinity'

    Associated Press
    Jul 3, 2026 | 1:00 pm
    Cody Johnson
    Photo by Cameron Powell
    Cody Johnson.

    There's a moment at every Cody Johnson show where the Texas-born-and-bred country star asks the crowd, “How many of you tonight are watching me and this band live for the very first time?” he told The Associated Press. “And every night, I would say at least 80% of the crowd raises their hands.”

    It's not the kind of reaction most veteran artists receive. “And I’m thinking, you know, 20 years is a long time to work for something. But when you see that … What’s the next 20 years look like?” he asks.

    The rancher, rodeo competitor, and onetime prison guard started his two-decade career playing honky tonks and dive bars. That led to slow and steady growth for the country traditionalist, but in the last few years, something has shifted. He landed his fifth career No. 1 song with “The Fall.” He was named Entertainer of the Year at the 2026 Academy of Country Music Awards, the show's highest honor. That was a month after he headlined Stagecoach Music Festival. For an artist with legions of fans, it looked like he was accessing new heights.

    “I feel like I’m closing a book and I’m opening another one and it’s all blank pages,” he says of this period. “Let's get to the next chapter." On June 26, that new era began with the release of his latest album, Banks of the Trinity.

    Traveling to the Banks of the Trinity
    It hasn't been an easy road. Last fall, Johnson had to cancel a bunch of tour dates after upper respiratory and sinus infections caused a burst eardrum that required surgery — an intimidating medical procedure for anyone, but especially nerve-wracking for a musician. “I was scared,” he said simply. But “in a roundabout way, it’s one of the best things that’s ever happened to me.”

    It forced him to take three months off, which allowed him to be home during the birth of his son. It also rejuvenated his approach in the studio. Before the incident, he thought the album was complete. It was not. The additional time resulted in the inclusion of a few songs that now feel inextricable from the record: “Thank Somebody Country,” “Take Me Back (Leave Me There),” “Cricket on a Hook,” and the resilient “I Have” among them.

    “What a blessing to have that kind of song fall in your lap when you’re kind of up against the ropes,” he says of the latter. “I mean, we thought we had the record done. It wasn’t done.”

    A title track with real resonance
    At the heart of Banks of the Trinity is its title track, which recalls Eagles' cover of “Seven Bridges Road” meets bluegrass and Southern gospel.

    Lyrically, it's an ode to Johnson's childhood. “I grew up on the banks of the Trinity [River.] Fishing for catfish, not so much out of pleasure or sport but for necessity to put food in the freezer. Deer season for me was not a trophy thing,” he said.

    And while that track inspires a feeling of nostalgia within the listener, he doesn't consider this album a throwback collection. He says it's about showcasing his evolving sonic diversity.

    "The rest of the album for me is a musical journey from track one to track 16,” he said. “There’s a little bit of a flavor for everybody. It does kind of hit Motown. It does kind of hit bluegrass. It does hit progressive country. It does it old country. It does a little rock here and there.”

    It's the result of a new kind of freedom, one that is at least partially due to his recent accomplishments, including taking home the top prize at the ACM Awards.

    “I just did the thing that I’ve aspired to do in my career my entire life,” he says. “A really good place is a really good way to describe where I am.”

    And now that the album is out, he's ready to take a breather.

    “I will be shirtless with no shoes on a beach at an undisclosed location,” he jokes about the days after record release. “'Cause I have already done all the prep work. I've been working on this album for two years. I’ve done all of the interviews. I’ve shook all the hands. Me and my wife and kids are gonna disappear for 10 days and I’m gonna become, I guess, every Kenny Chesney song ever.”

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