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    Multiple civil suits

    An art world Jerry Sandusky? Cadillac Ranch owner accused of sexually abusingteenage boys

    Tyler Rudick
    Oct 31, 2012 | 6:02 am
    • Stanley Marsh 3, in top hat and coat, at the 20th anniversary party for CadillacRanch in Amarillo on June 21, 1994
      LibertySoftware.be
    • The art famous Cadillac Ranch scene.
      Photo by Richie Diesterheft/Wikipedia

    Quirky arts patron Stanley Marsh 3 — best known for sponsoring Ant Farm's famous Cadillac Ranch installation on his Texas panhandle ranch in 1974 — is at the center of a child abuse scandal involving a number of underage boys.

    In the first of what appears to be as many as four lawsuits, the 74-year-old Marsh is accused of plying an unnamed teenager with cash, cars and drugs to perform a variety of sex acts in 2010 and 2011. These closed-door sessions, according to court documents filed last week that are just coming out now, would occur at Marsh's office in downtown Amarillo.

    The suit explains that the boy, who was 15 and 16 at the time of the incidents, was required by Marsh to take Viagra and was subsequently paid based on the number of climaxes he would have.

    "I wouldn't make these allegations if I didn't feel they were legitimate," attorney Anthony Buzbee says.

    "Marsh 3 is a wealthy, eccentric businessman and arts patron," reads legal documents filed by Houston attorney Anthony Buzbee, who is leading the case on behalf of the victims. "[He] has been known to take in troubled young men, particularly ones with artistic talent, under a so-called 'mentorship program.' "

    The suit goes on to call Marsh "a serial abuser of boys and young men."

    When the victim's mother in the first lawsuit discovered the sexual basis of this mentoring relationship, she reported the abuse to the District Attorney's office and the Amarillo Police Department. Neither agency has taken formal action against Marsh, according to the suit.

    Also named as defendants are Marsh's wife Wendy, his adopted son Stanley Marsh IV, a business associate named David Weir and McCartt And Associates, which manages the Chase Tower.

    Shocking Charges

    On Tuesday, Buzbee filed a second lawsuit on behalf of another unnamed victim who was paid to watch pornographic films with Marsh during their first mentoring session.

    Over the course of 20 more meetings, the sex acts escalated in intimacy, according to the suit. On one occasion, the two met at Marsh's home outside of Amarillo where the businessman's wife Wendy allegedly led the boy to a bedroom where her husband was waiting. While Wendy Marsh is listed as her husband's guardian in both cases, she apparently is named as an individual in this second suit.

    "We're taking the case very seriously and I expect Mr. Marsh's army of lawyers are as well."

    "These lawsuits aren't a good situation for anyone involved," Buzbee tells CultureMap, noting that two more cases are likely on the way.

    "I wouldn't make these allegations if I didn't feel they were legitimate. I've seen plenty of documents and photographic evidence to know this is real. We're taking the case very seriously and I expect Mr. Marsh's army of lawyers are as well."

    "It's not my usual practice to say much about pending litigation to the media," Marsh's attorney Kelly Utsinger told the Amarillo Globe News. "But I will tell you we will be filing responsive pleadings to deny these allegations."

    Throughout the last two decades, Stanley Marsh 3 has reportedly faced similar accusations in other civil lawsuits, most of which he quickly settled.

    unspecified
    news/entertainment

    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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