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    Unafraid Of Controversy

    A dance company on the move: Urban Souls tests the boundaries of a season

    Nancy Wozny
    Oct 30, 2010 | 9:17 am
    • Leonard Price and Quincy Toliver
      Photo by Shawn Welling
    • Tiffany Hall and Walter Hull in "Scarlet Situation"
      Photo by Todd M. Spoth
    • Quincy Toliver in "Scarlet Situation"
      Photo by James Weisman
    • Michael Baerga and Quincy Toliver
      Photo by Shawn Welling

    Five is the magic number for dance companies. Urban Souls Dance Company may be celebrating their fifth anniversary, but this year they present their very first season. For artistic director and founder Harrison Guy, now is the time to bite the season bullet.

    On Saturday night, Urban Souls launches its season with "Touched by 5," a tribute to five individuals who shaped the company: Troy Powell, associate director of Ailey II. Travis Gatling, associate director of dance at Ohio University, Kenneth Epting of explanation dance company, Dorrell Martin of The Joffrey Ballet School New York and Guy.

    Guy felt the inaugural season should open with a focus on the company's history. The concert closes with a Guy's "Dancumentary," which tells the unique story of Urban Souls.

    On Feb. 12, Urban Souls takes a tour through Houston's historic Fourth Ward in "Whispers from the Colored Section," with original music by Malcolm Rector of St. Thomas University.

    "The Fourth Ward may be the oldest African American neighborhood in Houston," Guy says. "It was home the city's first public housing project. "

    This piece is a collaborative effort with the African American Library at the Gregory School.

    Guy is a dance man with a mission: to present dance stories that matter and touch our souls. In the past, the company has addressed the crisis in Darfur and AIDS/HIV. No subject is too complex, which sometimes makes them controversial.

    Guy doesn't want to shy away from difficult subjects that are deeply entrenched in the African and African-American experience. Having trained at the Ailey School in New York, Guy immersed himself in the work of other African-American dance leaders, yet he's not interested in duplicating what has gone before him. For Guy, the African-American experience in dance has room for many voices. He describes the company's artistic vision with a thoughtful passion.

    "We are soulful, interested in real life stories that surpass the simplicity of happy and sad dances," Guy says. "We are more complicated than that. It's an anxious voice; there are a lot of untold stories that need to get out. "

    Guy hopes to forge connections to other African-American dance companies in Houston. Recently, he served on a panel addressing the history of African-American dance in Houston.

    "I was so happy that Lauren Anderson had heard of us," Guy recalls. "But we still need to get out and see each other's work. The identify of African-American dance is evolving. The first step in establishing an collective identity is mutual support."

    Early in the process Walter Hull joined the effort as a dancer and general manager. Hull also directs the youth company and serves as the liaison between the board and the company. Hull has big plans for the troupe.

    "His vision is for Urban Souls to produce high quality art that crosses all boundaries and expectations,eventually developing into a international touring company," Guy says.

    Guy also credits Andrea Cody, executive director of Dance Houston, for starting a company in the first place. Urban Souls presented one piece for several years on Dance Houston's various city-wide dance festivals. The experience gave Guy a chance to imagine having a troupe of his own.

    "Andrea pushed me to form the company," remembers Guy. "We also learned so much from all the other companies at the festivals."

    Cody has an eye for rising talent and has played a crucial role in the local dance community.

    "I’ve always supported Harrison’s vision and I believe in his integrity as a person," Cody says. "When I first worked with him, I saw his potential to bring a lot to the stage and to the community. He had training, passion, vision, and discipline. That’s the kind of artist I wanted to encourage to become a leader in the arts."

    All shows take place at the Morris Cultural Arts Center on the Campus of Houston Baptist University. "I love that space, it's perfect for us," Guy says.

    The season closes with a big old dance party called "Playlist" on June 18.

    "This show is about dancing to great music like Earth, Wind and Fire and other R & B legends. We are such serious people most of the time," admits Guy. "Sometimes in our eagerness to share bold stories we forget about the simple things in life that make us feel good, like hearing our favorite song. Music has a way of bringing out the warm and fuzzy in us all."

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    Bad Times at the Cinema

    Big budget busts and incoherent stories: The 10 worst movies of 2025

    Alex Bentley
    Dec 29, 2025 | 6:00 pm
    Red Hulk/President Thaddeus Ross (Harrison Ford) in Captain America: Brave New World
    Photo courtesy of Marvel Studios
    Red Hulk/President Thaddeus Ross (Harrison Ford) in Captain America: Brave New World.

    5) Anaconda

    Red Hulk/President Thaddeus Ross (Harrison Ford) in Captain America: Brave New World

    Photo courtesy of Marvel Studios

    Red Hulk/President Thaddeus Ross (Harrison Ford) in Captain America: Brave New World.

    It's no surprise that most of the worst movies in any given year tend to come from big studios, as the big budget marketing campaigns behind those films build up huge expectations that are then dashed when audiences see what little effort was put into making the movies broadly appealing. Whether it was too much fan service or too little understanding of what it takes to make a story coherent, the worst movies of 2025 were barely worth watching, either in theaters or at home.


    Scroll through CultureMap's picks of the 10 worst films of 2025 by using the left and right arrows on each photo.


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