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    Music Matters

    Concert Picks of the Week Oct. 20

    Michael D. Clark
    Oct 22, 2009 | 12:00 am
    • The Bravery at Warehouse Live Saturday night
      Mark Berger
    • Art Brut at Walter's on Washington Saturday night

    If I didn’t know better, I’d swear there was a modern rock radio-sponsored music festival taking place this week in Austin or Beaumont with each band picking up additional gigs in Houston over the weekend to help offset travel expenses. This Friday and Saturday clubs in Houston will be bursting with doe-eyed rock boys, romancing the ladies with anthems and ballads.

    And for those who prefer their heart throbs a little less rock boy and a little more “cowboy,” don’t miss the ZiegenBock Music Festival on Saturday.

    Friday

    Dinosaur Jr./Built to Spill at Warehouse Live

    Many bands claim to be indie rockers who bend the rules of conventional songwriting and recording, but J. Mascis of Dinosaur Jr. and Built to Spill guitarist/vocalist Doug Martsch are the real deal. At one point Martsch toyed with changing his band members for every album to ensure originality. He settled for a mix of big guitars and contemplative jams that are always pleasantly off-kilter. For a sneak preview of what the show might sounds like, check out Built to Spill’s new album, “There Is No Enemy.”

    Tickets $25-$27.

    Saturday

    The Bravery at Warehouse Live

    Be the first in your Facebook community to hear songs from the Manhattan band’s latest album “Stir the Blood,” (not slated for release until December 1). Let’s hope it sounds more like the synth-punk guitar fun that made past hits “An Honest Mistake” and “Time Won’t Let Me Go” so much fun to shout along with. Does anybody but me think the new single "Slow Poison" sounds like a lost Echo & The Bunnymen track circle 1988?

    Tickets $20-$25.

    Art Brut at Walter’s on Washington

    The group’s latest album is called “Art Brut vs. Satan,” but the only teacher-pupil faceoff here is between Art Brut lead singer Eddie Argos and the album’s producer, Frank Black. Under the head Pixies punk rock gaze, Agros leads Art Brut through a quick and punchy set of songs about drinking too much (“Mysterious Bruises”) and traveling by bus (“The Passenger”).

    Tickets $12.

    ZiegenBock Music Festival

    What do you get when you mix a day-long festival of live country and roots jams by some of Texas’ most-favored sons (plus a few out-of-state friends) and access to beer vendors every couple hundred yards? Answer: A headache the next morning. Helping to build the buzz from the stage at Sam Houston Race Park will be Cross Canadian Ragweed, the Randy Rogers Band, Bob Schneider Hayes Carll and many more.

    Tickets $16-$30.

    Outside the Loop

    Buzzfest XXIIII

    For those who don’t want to pick just one favorite modern rock howler to see this weekend in a Houston club, the Cynthia Woods Mitchell Pavilion and 94.5 FM, The Buzz, host Buzzfest XXIII this Saturday. Featured bands include Alice in Chains, Puddle of Mudd, Jet, Tantric Chevelle and Our Lady Peace.

    unspecified
    news/entertainment

    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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