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    Elton Rocks Austin

    Elton John bandmate talks Texas dream gig and the thrill of Formula 1

    Tom Thornton
    Tom Thornton
    Oct 24, 2015 | 3:30 pm
    Elton John, March 2013, Toyota Center
    Elton John's longtime drummer Nigel Olsson dishes on the band's upcoming Formula 1 gig.
    Photo by Lynn Lane

    On Sunday, 100,000 fans will head to Circuit of The Americas for an epic battle between Lewis Hamilton and Sebastian Vettel in Formula 1 racing. In addition, the venue has pulled off a post-race coup: After the sport is done, fans can head to the new infield festival lawn to catch a two-hour show from Elton John and his full band.

    While racegoers will certainly be excited to catch Billboard’s No. 3 most popular artist of all time (he trails only The Beatles and Madonna), the band is equally thrilled to play at the event. John’s longtime drummer Nigel Olsson calls it a “dream gig,” as the 66-year-old racing enthusiast gets the rare chance to combine his dual loves of music and motor sports this week. We caught up with Olsson by phone as he prepared for the band’s popular Las Vegas residency prior to the F1 performance.

    CultureMap: The Elton John tour schedule is packed — you all are working hard. Why does the group still play so often after accomplishing so much?

    Nigel Olsson: It really amazes us all that we’re still going after over 40 years. We’re still selling out arenas, and audiences range from old people like me down to their children and even little kids. And we see those children singing the lyrics. We’re blessed to do this. Every day you turn on the TV and there is war, death, and sickness — the world has woes. Our job is to make people happy and to have them forget those woes for the night. We love to tour, though we’re not young anymore, but it’s what we’re here to do.

    CM: Touring is difficult when you aren't 25. How do you cope with the idle time and keeping healthy?

    NO: I rest a lot. I eat well. The party days are over! I like to keep up with motor racing, which is my other passion in life. When we’re home and off tour, I’ll go out to the racetrack and blast around in my Fiat Abarth. It’s easy now to keep up with your friends and family while traveling, so I’m a big believer in that. And I just have positive thoughts! That’s how you get through.

    CM: How did you get involved in motor racing as a passion?

    NO: When I was 7, I saw [Sir] Stirling Moss roaring around the track in a Formula 1 race on television. The cars looked like rocket ships, and they had very skinny wheels and no seat belts. I thought, “Wow! That’s something I might be interested in.” In England, we’re all crazy for Formula 1. I took about 10 years when I was away from the band to go motor racing myself. I did the Ferrari Challenge here in the U.S. for a couple of seasons and did some endurance racing as well. It’s my other passion. It keeps me focused and keeps me off the streets, basically.

    CM: Does that make the Austin show at COTA a highlight of your calendar this year?

    NO: I’m so excited to be involved. It’s a dream gig to perform after these guys fly around for two hours. I really hope to meet some of the drivers that I look up to. Formula 1 is so big globally, there will be fans in from so many countries we’ll get to play to. I’m really interested to see this track. My son went to the first Austin race at COTA, and he’s told me that it’s a beautiful track that I really need to see. I’m chomping at the bit.

    CM: Will you all get to see the race?

    NO: I hope so. I’ve got feelers out, but that’s in the hands of our management right now. This is a quick one for us — we’re performing in Vegas doing the Million Dollar Piano show Saturday night, so we’ll get in Saturday quite late. I’m going to enjoy every single minute either way.

    CM: Do you think Americans will ever embrace Formula 1 the way the rest of the world does?

    NO: It’s an excellent question. The United States Grand Prix was getting popular, but then it stalled. NASCAR and Indy cars and even drag racing are big here, so those series took the Formula 1 momentum away for a while. Hopefully if we can get this Austin race and others on national television in America, I think that would go a long way toward bigger American fan interest.

    CM: When you first began to study the craft of drumming, who were your influences and idols?

    NO: In the early days, Buddy Rich. When I first heard and saw him play the drums, I thought, “That’s what I want to do!” Ringo Starr is another, and he’s still one of my favorites — I love that guy. I’d also count Keith Moon (The Who), Ginger Baker (Cream), and Bev Bevan (ELO) as prime influences. It’s been many years since I started, though — there are now too many to mention!

    CM: There is the impression that in the 1970s, musicians were given more time and freedom to develop their audience and sound as compared to now. The internet and technology has changed that a lot. How do you feel about all the change?

    NO: Things have changed so much. The technology available has made it so much more challenging for up-and-coming drummers. Personally, I don’t like this “programming” situation. It takes away from the heart of playing music. Drummers can add light and shade. The way I play is a bit behind the beat, which wouldn’t sound like programmed stuff. It just feels weird to me — even when we recorded, I never wanted to listen to a click track. You play to the song. When I play with Elton, I play to the low end of his piano and to the lyrics. I’d class myself as a descriptive drummer, not a technical one. I can’t do a drumroll, so God forbid that I’ll ever have to play “God Save the Queen.” I’d be sent off by the Queen to the Tower of London!

    ---

    The Elton John Band performs Sunday, October 25 at Circuit of The Americas at 6 pm. Concert admission is included with all Sunday F1 tickets.

    concertssportsinterview
    news/entertainment

    Creed concert review

    Creed serve up millennial nostalgia at pyro-packed RodeoHouston concert

    Craig Hlavaty
    Mar 11, 2026 | 11:54 pm
    Creed concert RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Singer Scott Stapp serenades the RodeoHouston crowd.

    Hello, my friend, we meet again.

    I’ve had a torrid relationship with Creed. As a circa-2000s punk rocker, it was implied that I was supposed to hate them. Nevertheless, I enjoyed those hook-laden Mark Tremonti riffs and Scott Stapp’s burly, Bono-grasping vocals, with just a hint of irony deep in the mix. I had “One Last Breath” on a burned mix CD, bunched in with Fugazi, Rancid, and Sham 69. I would skip it as quickly as I could, depending on who was in the car. Driving home from a long day slinging milk in the Kroger dairy cooler? Windows down, Stapp up.

    When I began my music journalism career 20 years ago (!!!), I began sticking up for them, much to the consternation of a lot of my fellow writers who were hung up on stuff that was supposed to be cooler and hipper. Creed’s pop-culture zenith came right as The Strokes and The White Stripes were thrust on us by the music press as a counter to post-grunge, which other music writers were categorically allergic to. Remember when our biggest problems in America were bands that were overtly influenced by Pearl Jam and Alice In Chains?

    In 2012, I interviewed lead singer Scott Stapp along the way for the Houston Press, and I distinctly recall Stapp being confused on our call that a guy from a smug alt-weekly wasn’t asking him stupid questions or making fun of his leather pants. The band was heading to Houston for a two-night stand at the Bayou Music Center in 2012 when they played 1997’s “My Own Prison” and 1999’s “Human Clay” in their entirety.

    Fun fact: “Human Clay” has sold over 20 million albums alone, besting Nirvana’s “Nevermind” and Pearl Jam’s “Ten” by only a relatively small margin. Creed moved more physical CDs when people actually bought music.

    Somehow, along the way, people stopped hating Creed and Nickelback, and the hate gave way to pre-social media, millennial high school, and pre-9/11 nostalgia. The similarly maligned Nickelback sold out the rodeo in 2024.

    On Wednesday, March 11, I saw junior high school kids wearing crispy new Creed shirts with their parents. Gen Alpha is beginning to get curious about what mom and dad were up to during spring break 2001, and Zoomers are rediscovering Y2K fashions. Haven’t you seen those “Mom, What Were You Like In The ‘90s?” memes?

    Creed has been sold out for weeks, drawing 70,007 attendees. If you had told someone 10 years ago that Creed would sell out RodeoHouston, they would have been skeptical. And yet here we are, staring down at a sold-out Creed show. These things run in cycles. Emotions fade. Annoyance turns into wistfulness for the days of Nokia brick phones and 99-cent gas. You can even go on a Creed Cruise now.

    Creed hit the stage just before 9:30 pm, an enviable bedtime for most elderly millennials, kicking off with the TOOL-chugalug of “Bullets,” with Stapp and Tremonti making the best use of their stage platforms, crucial devices for any major rock band in the 2000s. Unrelenting pyro shot from the dirt surrounding the stage every time Stapp lifted or flailed his arms like Elvis if he discovered cardio.

    The dirge of “Torn” — the second single from My Own Prison — was pyro-less, likely giving the cannons a few minutes to cool off. The sweaty Stapp, at just 52, looks to be in better shape than he did 20 years ago, now sporting a conservative haircut like he stepped out of his company’s stadium suite or finished a twilight run at Memorial Park.

    Stapp introduced “My Own Prison” with a preachery pep talk that wouldn’t sound out of place at an altar call at Sturgis. The crowd hung on every emphatic word. Maybe seeing two middle-aged dudes wearing Stryper shirts down on the concourse made more sense than I realized. Is Creed actually just TOOL that accepted Christ? The graphics behind the band could’ve fooled me.

    Stapp introduced “One” with a speech on commonalities and love. Looking back, Creed’s lyrics were much too earnest, hitting at a time when critics were still hungover from grunge.

    During “With Arms Wide Open,” the rodeo cameras would routinely cut to tattooed dads and rocker chicks in the crowd playing air guitar along with Tremonti and singing their guts out like they did the first time they heard it on 94.5 The Buzz. For a large segment of the crowd, they might have had a Gen-X parent jamming this stuff on the way to school in the morning.

    “Are you ready to get higher in here, Houston?” Stapp yells. The place erupts as “Higher” starts. Stapp was in his element, pyro shooting off, his silver jewelry dangling, taking in the crowd, like he didn’t expect such a response.

    Possibly the last true rock power ballad ever recorded, “One Last Breath,” got the biggest screams of the night; it might also be the Gen-Z “Don’t Stop Believing” as long as we’re making wildly controversial statements. [Editor’s note: Isn’t that Mr. Brightside? -ES]

    Welcome back, Creed, from pop-culture purgatory, and props for what might have been the loudest RodeoHouston show in years.

    SETLIST

    Bullets
    Torn
    Are You Ready?
    My Own Prison
    What If
    One
    With Arms Wide Open
    Higher
    One Last Breath
    My Sacrifice

    Creed concert RodeoHouston

    Courtesy of Houston Livestock Show and Rodeo

    Singer Scott Stapp serenades the RodeoHouston crowd.

    rodeohoustonhouston livestock show and rodeoconcert review
    news/entertainment

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