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    Most viewed & Editor's Picks

    Plus-size models, "vanity" exhibitions & Brett Favre's photos are source ofCultureMap debate

    Clifford Pugh
    Oct 25, 2010 | 10:21 pm
    • Plus-size model at a New York show
    • RED HOT — Asian Art Today from the Chaney Family Collection, an exhibition atthe Museum of Fine Arts, Houston
      © Do-Ho Suh, courtesy of artist and Lehmann Maupin Gallery, New York
    • What's with the obsession over a man's private parts?

    It was a good week for an exchange of views on CultureMap. Readers debated the lack of plus-size models at Houston fashion week, discussed an Los Angeles Times story about the rise of "vanity" exhibitions at the big art institutions like the Museum of FIne Arts, Houston and conferred to talk about ways to nurture and expand Houston's creative class.

    When CultureMap debuted nearly a year ago, these were the kinds of topics we hoped would capture your attention and provoke debate.

    But we consider just about anything people are talking about to be fair game. So it's not surprising that the most read story of the week came from CultureMap writer Caroline Gallay, who wonders why men think that wolf whistles and photos of their private parts will endear themselves to women.

    Whatever happened to flowers and candy?

    Most viewed stories Oct. 17-23

    1. Examining if Johnson pictures ever worked for Brett Favre of Kanye or any man

    2. Willow Smith's struggle to make success goes to her hair, not her head

    3. What the Chile mine rescue proves about the power of Houston technology

    4. Paris at Becca's, Kinky in Dallas and Hilfiger raids a Houston shop

    5. Hotel ZaZa hosts a big bow wow for the Humane Society and the party animals rumble

    Editor's picks

    1. Where were the plus-size models at Houston fashion week?

    2. In defense of "vanity" exhibitions: Why the LA Times misses the mark in MFAH blasting

    3. Fighting Houston's image as Austin's frumpy sister: You can't put a man on the moon & fear LED lighting

    4. No benefit for Dan Duncan heirs from estate tax loophole, spokesman says

    5. Looking back on the ultimate weekend for classical music lovers: Three reviews, two neglected pets & a spent critic

    unspecified
    news/entertainment

    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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