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    this one goes out to alex

    New Houston music pop-ups celebrate the life of dearly departed figure

    Johnston Farrow
    Oct 22, 2020 | 1:47 pm
    The lights are dim at Barbarella in Houston after the sudden passing of GM Alex Akers.

    The Houston and Austin nightlife industry is mourning the loss of one of their own.

    Alex Akers, the well-liked general manager with popular Midtown dance club Barbarella, located at 2402 San Jacinto St., passed away suddenly last week. He leaves behind a young daughter, Auden.

    Due to coronavirus restrictions keeping the doors closed at Barbarella, staff at the beloved Midtown nightspot, as well as family, friends, and fans are invited to celebrate his life this weekend with pop-ups at White Oak Music Hall sister bar, Raven Tower, (310 North St.), Thursday, Friday, and Saturday nights.

    Expect themes familiar to regulars: Thursday will be '90s Night, Friday will be New Noise (alternative dance, electronic), and Saturday will be '80s Night. All proceeds will go to support Akers' family. Twin Shadow's George Lewis Jr. will play guest DJ on Saturday night; shows start at 9 p.m.

    Akers was the frontman of the Houston spin-off of the popular Austin dance club that offered cheap cover, cheap drinks, a no-fuss ambiance, and a light-up dance floor. It has been known as the best place to groove in Midtown and joined the pantheon of rare nightlife spots where patrons can simply be themselves.

    Barbarella followed a successful formula to appeal to different tastes, playing music themes throughout the week, including emo and LGBTQ-friendly nights, as well as unique one-offs with the best DJ talent in the city and beyond.

    “We are a dance dive bar and we’re a dance club for those who don’t like dance clubs," Barbarella co-founder, Harvey Graham, tells CultureMap from Las Vegas, home to one of his other clubs. "Most dance clubs are all about bottle service and superficial and we’re like a chef-owned restaurant — we’re owned by DJs and our first concern is our love of music. It’s finding good DJs and playing good music, and everything else comes after that.”

    Akers helped start the club in 2013 as a partner in the Houston venture with owners of the Austin spot, after working his way up the ranks at the ownership group's first club, Swan Dive, located on the Red River-6th Street corridor and later, the Austin Barbarella, which continues on.

    “We really liked people like Alex who are super friendly and good with people," Graham says. "He worked really hard and when we decided to expand to Houston, he said he had some money and would like to become a partner in it. We liked to reward people from within and who liked the concept. So we brought him on board and he helped me start it up.”

    Akers is remembered by those who knew him for being a genuinely kind soul in an often unforgivable business replete with oversized egos, very late nights, and a narrow bottom line with little margin for error.

    "I haven’t had a better experience working anywhere else which is why I’ve been there for seven years," Barbarella resident DJ and Houston musician Brandon Duhon tells CultureMap. "He also loved his mom a lot and she would sometimes come and hang out at the club — I thought it was really sweet that he was in the venue doing all this business, but in the midst of all that, they would still spend time together. I really wish that this didn’t happen because he was a positive influence in this world, and for sure a positive influence in the Houston scene."

    Others remembered the Barbarella GM for taking the time for others, including feeding the homeless population around the venue and offering them odd jobs to put money in their pockets.

    “He was always nice, honest, generous, and considerate," Duhon says. "That is a rarity with people, but it’s even more of a rarity with people who are running nightlife businesses.”

    “He had boyish enthusiasm, a young soul, carefree, always so much fun to be around," Graham adds. “He was the face of the club. To the Barbarella family, it’s a huge loss and it’s going to be super weird doing it without him.”

    Like bars across the country, COVID effectively shuttered the doors at the dance venue leaving many without work. It recently had a lifeline thrown by White Oak Music Hall co-owner Jagi Katial, who invited Barbarella to host a series of outdoor pop-up events at the neighboring venue, Raven Tower, following easing of restrictions for bars.

    For those involved, it was a way to get staff back to work and get people dancing again, but it was also the meeting of two like-minded local music spots with a lot of mutual respect for each other.

    “There’s a do-it-yourself element that’s apparent at White Oak but it comes across visually and aesthetically at Barb’s," says Katial. "White Oak is glossy and brand-new looking but it's definitely a DIY project. Alex saw that, he valued that, and I valued that about Barbs. There’s definitely a similarity in music but more than anything, there was an overlapping philosophy on how we operated organizations.”

    There is no word how Akers' death will affect Barbarella in Houston moving forward. For now, Akers' love of music will be at the forefront this weekend during the Barbarella shows. While all three pop-up nights will raise proceeds for Akers' family, Barbarella staff, friends, and loved ones are invited to attend the Friday night event to raise a toast and share memories.

    “I’d like people to come out a celebrate Alex’s life," Katial says. "If you knew or didn’t know Alex, if you went to Barbs or didn’t, just come out and enjoy one of those nights.”

    Barbarella will host a series of pop-up dance events in tribute to GM Alex Akers, who recently passed away.

    Barbarella Houston
      
    Photo by Damon A. / Yelp
    Barbarella will host a series of pop-up dance events in tribute to GM Alex Akers, who recently passed away.
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    Movie Review

    Live action Lilo & Stitch remake offers up frenzied fun and nostalgia

    Alex Bentley
    May 23, 2025 | 2:30 pm
    Lilo & Stitch
    Courtesy of Disney
    Lilo & Stitch returns to theaters this weekend.

    The project to turn every single Disney animated movie into a “live action” film has rarely seemed like anything but a money grab by the movie studio. Most of the films have failed to update the original in any meaningful way, and in many of the cases, they’re almost shot-for-shot remakes, making the reason for the new film’s existence even more confusing.

    Having almost exhausted the supply of their 20th century movies, Disney has now remade 2002’s Lilo & Stitch. The film follows an alien experiment, originally known as 626 (voiced by Chris Sanders), created by Jumba ( Zach Galifianakis) for the benefit of an alien race led by the Grand Councilwoman (Hannah Waddingham). Unfortunately, 626 is too uncontrollable for them, and is banished to the faraway planet known as Earth.

    Landing in Hawaii, the creature soon to be known as Stitch gloms on to a young girl named Lilo (Maia Kealoha), who mistakes it for a dog while looking for companionship following the death of her parents. Tracked by Jumba and fellow alien Pleakley (Billy Magnussen), now in human form, Stitch leaves a trail of destruction wherever he goes, much to the chagrin of Lilo’s older sister, Nani (Sydney Agudong).

    Directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes, the film will surely be a blast of nostalgia for anyone who was a kid when the original came out. The now-3D Stitch is just as chaotic as ever, and they even included cast members from the first film like Tia Carrere (now playing a social worker for the orphaned sisters) and Amy Hill as a kindly neighbor.

    But for all of the frenzied fun that Stitch offers, there’s very little else that holds the story together. For one, the Lilo character as a real person doesn’t work as well as she does in animated form, as there’s something fluid that happens in animation that feels stilted when it’s an actual little girl. Perhaps sensing this fault, the film is loaded to the hilt with bite-sized moments that try to make the audience laugh, but do little to give the story any meaning.

    The difference between animation and live action is never more evident than with Jumba, Pleakley, and CIA agent Cobra Bubbles (Courtney B. Vance). Characters that are goofy and enjoyable in animated form come off as weird and off-putting in human form. They’re supposed to bring a sense of fun and even suspense to the film, but instead they feel like characters who are getting in the way of a better story.

    Kealoha, making her professional debut, is definitely cute and offers up some interesting moments opposite Stitch and Nani, but her lack of experience shows. Agudong turns in the best performance, giving a bit of emotional weight to a film that needed more. Galifianakis and Magnussen would have been better served as voice-only roles; neither comes off well when their characters turn into humans. Hill is like a warm hug every time she comes on screen, and the story could have used more of her.

    The new Lilo & Stitch is not an abomination, but like most of the Disney live action remakes before it, it fails to stand on its own merits. Never given a chance to be its own thing and featuring storytelling too disjointed to be effective, the film is another so-so effort from a studio that knows how to make much better movies.

    ---

    Lilo & Stitch is now playing in theaters.

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