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    this one goes out to alex

    New Houston music pop-ups celebrate the life of dearly departed figure

    Johnston Farrow
    Oct 22, 2020 | 1:47 pm
    The lights are dim at Barbarella in Houston after the sudden passing of GM Alex Akers.

    The Houston and Austin nightlife industry is mourning the loss of one of their own.

    Alex Akers, the well-liked general manager with popular Midtown dance club Barbarella, located at 2402 San Jacinto St., passed away suddenly last week. He leaves behind a young daughter, Auden.

    Due to coronavirus restrictions keeping the doors closed at Barbarella, staff at the beloved Midtown nightspot, as well as family, friends, and fans are invited to celebrate his life this weekend with pop-ups at White Oak Music Hall sister bar, Raven Tower, (310 North St.), Thursday, Friday, and Saturday nights.

    Expect themes familiar to regulars: Thursday will be '90s Night, Friday will be New Noise (alternative dance, electronic), and Saturday will be '80s Night. All proceeds will go to support Akers' family. Twin Shadow's George Lewis Jr. will play guest DJ on Saturday night; shows start at 9 p.m.

    Akers was the frontman of the Houston spin-off of the popular Austin dance club that offered cheap cover, cheap drinks, a no-fuss ambiance, and a light-up dance floor. It has been known as the best place to groove in Midtown and joined the pantheon of rare nightlife spots where patrons can simply be themselves.

    Barbarella followed a successful formula to appeal to different tastes, playing music themes throughout the week, including emo and LGBTQ-friendly nights, as well as unique one-offs with the best DJ talent in the city and beyond.

    “We are a dance dive bar and we’re a dance club for those who don’t like dance clubs," Barbarella co-founder, Harvey Graham, tells CultureMap from Las Vegas, home to one of his other clubs. "Most dance clubs are all about bottle service and superficial and we’re like a chef-owned restaurant — we’re owned by DJs and our first concern is our love of music. It’s finding good DJs and playing good music, and everything else comes after that.”

    Akers helped start the club in 2013 as a partner in the Houston venture with owners of the Austin spot, after working his way up the ranks at the ownership group's first club, Swan Dive, located on the Red River-6th Street corridor and later, the Austin Barbarella, which continues on.

    “We really liked people like Alex who are super friendly and good with people," Graham says. "He worked really hard and when we decided to expand to Houston, he said he had some money and would like to become a partner in it. We liked to reward people from within and who liked the concept. So we brought him on board and he helped me start it up.”

    Akers is remembered by those who knew him for being a genuinely kind soul in an often unforgivable business replete with oversized egos, very late nights, and a narrow bottom line with little margin for error.

    "I haven’t had a better experience working anywhere else which is why I’ve been there for seven years," Barbarella resident DJ and Houston musician Brandon Duhon tells CultureMap. "He also loved his mom a lot and she would sometimes come and hang out at the club — I thought it was really sweet that he was in the venue doing all this business, but in the midst of all that, they would still spend time together. I really wish that this didn’t happen because he was a positive influence in this world, and for sure a positive influence in the Houston scene."

    Others remembered the Barbarella GM for taking the time for others, including feeding the homeless population around the venue and offering them odd jobs to put money in their pockets.

    “He was always nice, honest, generous, and considerate," Duhon says. "That is a rarity with people, but it’s even more of a rarity with people who are running nightlife businesses.”

    “He had boyish enthusiasm, a young soul, carefree, always so much fun to be around," Graham adds. “He was the face of the club. To the Barbarella family, it’s a huge loss and it’s going to be super weird doing it without him.”

    Like bars across the country, COVID effectively shuttered the doors at the dance venue leaving many without work. It recently had a lifeline thrown by White Oak Music Hall co-owner Jagi Katial, who invited Barbarella to host a series of outdoor pop-up events at the neighboring venue, Raven Tower, following easing of restrictions for bars.

    For those involved, it was a way to get staff back to work and get people dancing again, but it was also the meeting of two like-minded local music spots with a lot of mutual respect for each other.

    “There’s a do-it-yourself element that’s apparent at White Oak but it comes across visually and aesthetically at Barb’s," says Katial. "White Oak is glossy and brand-new looking but it's definitely a DIY project. Alex saw that, he valued that, and I valued that about Barbs. There’s definitely a similarity in music but more than anything, there was an overlapping philosophy on how we operated organizations.”

    There is no word how Akers' death will affect Barbarella in Houston moving forward. For now, Akers' love of music will be at the forefront this weekend during the Barbarella shows. While all three pop-up nights will raise proceeds for Akers' family, Barbarella staff, friends, and loved ones are invited to attend the Friday night event to raise a toast and share memories.

    “I’d like people to come out a celebrate Alex’s life," Katial says. "If you knew or didn’t know Alex, if you went to Barbs or didn’t, just come out and enjoy one of those nights.”

    Barbarella will host a series of pop-up dance events in tribute to GM Alex Akers, who recently passed away.

    Barbarella Houston
    Photo by Damon A. / Yelp
    Barbarella will host a series of pop-up dance events in tribute to GM Alex Akers, who recently passed away.
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    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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