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    Something for everyone

    Cinema Arts Festival lineup revealed . . . ladies' nights, portrait of a pimp,all-star movies & more

    Joe Leydon
    Oct 23, 2012 | 6:00 pm
    • The Sapphires is a thoroughly engaging sleeper that could get lots of attentionat Oscar time.
      Photo courtesy of The Sapphires
    • Beauty is Embarrasing is Neil Berkeley’s acclaimed documentary that celebratesthe life and work of Wayne White, who won three Emmys for designing Pee-Wee'sPlayhouse.
      Photo courtesy of Beauty is Embarrassing
    • Jennifer Lawrence and Bradley Cooper are getting Oscar buzz for their roles inSilver Linings Playbook.
      Photo courtesy of Silver Linings Playbook
    • Dustin Hoffman makes his directorial debut in Quartet, which features anall-star class that includes Maggie Smith.
      Photo courtesy of Quartet
    • Iceberg Slim reclines and smokes a pipe in the engaging documentary, IcebergSlim: Portrait of a Pimp
      Photo courtesy of Iceberg Slim: Portrait of a Pimp
    • What would a film festival be without a Christopher Walken movie? He stars in ALate Quartet
      Photo courtesy of © 2012 Entertainment One Films U.S. and Opening NightProductions
    • A documentary on fashion legend Diana Vreeland will close the festival.
      Photo courtesy of Diane Vreeland: The Eye Has to Travel

    Take four: Organizers of the Houston Cinema Arts Festival – the festival formerly known as Cinema Arts Festival Houston – have promised an even more splendiferous smorgasbord of films and filmmakers for the 2012 edition of their annual event, which runs Nov. 7-11 at various venues around H-Town.

    During a launch event Tuesday evening at Hotel Icon, HCAF artistic director Richard Herskowitz took particular pride in pointing out that this year’s opening and closing night attractions at Museum of Fine Arts, Houston — Liz Garbus’ Love, Marilyn and Lisa Immordino Vreeland’s Diana Vreeland: The Eye Has to Travel — are works by female directors.

    “Women may be woefully under-represented in commercial feature filmmaking,” Herskowitz said, “but they won’t be at our festival this year.”

    “Women may be woefully under-represented in commercial feature filmmaking,” Herskowitz said, “but they won’t be at our festival this year.”

    Also on tap for HCAF 2012: A retrospective tribute to innovative indie filmmaker Shirley Clarke (The Connection, Ornette: Made in America) curated by Milestone Films; a free-admission screening of An American in Paris to celebrate the centennial of the late, great Gene Kelly; and a previously announced Q&A with veteran actor and Oscar-winning director Robert Redford.

    But wait, there’s more: Herskowitz also promises “movies with great ensemble casts – and with Quartet in their titles.” No kidding.

    HCAF officially bills itself as – OK, take a deep breath – “a groundbreaking and innovative arts festival featuring films and new media by and about artists in the visual, performing, and literary arts.”

    But, hey, let’s face it: When most folks hear the words “film festival,” the first question they ask is: “What movies are they going to show?” Here’s a list of the 10 most promising HCAF 2012 titles:

    Silver Linings Playbook

    Oscar buzz has been steadily increasing for writer-director David O. Russell’s offbeat romantic dramedy ever since its premiere last month at the Toronto Film Festival. Indeed, Bradley Cooper is getting the best reviews of his career so far for his affecting lead performance as a manic-depressive ex-teacher trying to rebuild his life after a stint in a mental institution. (Hey, it was either that or a prison sentence after he beat up his estranged wife’s lover.) Co-stars include Robert De Niro and Jacki Weaver as the protagonist’s parents, and Jennifer Lawrence as a beautiful widow who may comfort the poor guy with some sexual healing.

    Quartet

    At 75, Dustin Hoffman cannot, strictly speaking, be described as a hot young director. But he has been tapped to receive the Breakthrough Director prize at this year’s Hollywood Film Awards for his debut effort as a feature filmmaker, this sophisticated ensemble comedy (featuring Maggie Smith, Tom Courtenay, Billy Connolly, Pauline Collins and Michael Gambon) about sometimes cantankerous residents of a retirement home for classical singers and musicians.

    The Sapphires

    Maybe you haven’t yet heard much about Wayne Blair’s smartly funny and sensationally well-acted comedy-drama about a late ‘60s girl group from the Australian outback and their eventful tour of military outposts in Vietnam. But trust me: As awards season begins in earnest, you will be hearing a lot about this thoroughly engaging sleeper – and about unlikely romantic leads Deborah Mailman (as the savviest of the songbirds) and Bridesmaids co-star Chris O’Dowd (as the boozy Irish hustler who manages the group).

    Iceberg Slim: Portrait of a Pimp

    Director Jorge Hinojosa will be on hand at HCAF 2012 to introduce his fascinating documentary portrait of the notorious ex-procurer turned best-selling author whose raw and brutal books – many of them based on his own experiences – have been favorably compared with the literature of Ralph Ellison, James Baldwin and other chroniclers of the African-American experience. Among the on-camera interviewees discussing Iceberg Slim’s enduring influence: Ice-T (the film’s executive producer), Chris Rock, Snoop Dogg and Henry Rollins.

    (Editor's Note: Joe Leydon will be conducting a post-screening Q&A with director Jorge Hinojosa following the HCAF screening of Iceberg Slim: Portrait of a Pimp. We have told him, however, not to wear his '70s mack outfit for the occasion. Because, really, nothing looks more pathetic than a middle-aged white dude wearing '70s mack attire —or , for that matter, '70s attire of any sort.)

    Stand-Up Guys

    Appropriately enough for Houston Cinema Arts Festival, here’s a movie about con artists. Specifically, it’s a darkly comical buddy flick from actor-turned-director and HCAF 2012 guest Fisher Stevens (who, for some of us, will always be most familiar as Ben Jabituya of the Short Circuit movies) about Al Pacino, Christopher Walken and Alan Arkin as aging underworld types who reunite for one last night on the town. Unfortunately, the evening might not end on a cheery note: One of the old friends has been assigned the unpleasant task of killing another member of the hard-partying trio.

    A Late Quartet

    Just as you can never have enough cowbell in your pop song, you can never have enough Christopher Walken in a film festival. So here he is again, in that other “Quartet movie” Herskowitz mentioned, playing the founding member of an illustrious string quartet on the verge of celebrating their 25th season as an ensemble. When Walken’s character announces his imminent retirement due to a debilitating illness, this note of discord has a profound impact on his fellow artists (played by Philip Seymour Hoffman, Catherine Keener and Mark Ivanir).

    Caesar Must Die

    And now for something completely different from esteemed Italian filmmakers Paolo and Vittorio Taviani: An artful balance of drama and documentary, depicting a performance of Shakespeare’s Julius Caesar by inmates in the high-security section of Rome's Rebibbia prison. It will interesting to see how this award-winning import – Italy’s official submission for this year’s foreign-language film Oscar – compares to Shakespeare Behind Bars, a home-grown documentary that covers similar territory.

    Beauty is Embarrassing

    Neil Berkeley’s acclaimed documentary celebrates the life and work of Wayne White, a free-wheeling visual artist and raconteur who won three Emmys for designing Pee-Wee’s Playhouse in the 1980s, created the distinctive look for two seminal music videos – a Georges Melies-flavored fantasia for The Smashing Pumpkins’ “Tonight, Tonight” and a manic batch of animated surrealism for Peter Gabriel’s “Big Time” – and tells all in a one-man stage show excerpted in this movie. (White is slated to appear at the HCAF screening.)

    Love, Marilyn

    Oscar-nominated documentarian Liz Garbus (The Farm: Angola USA, Girlhood) is scheduled to appear in H-Town to present her latest effort, an ambitious attempt to fashion a revealing portrait of screen icon Marilyn Monroe. Glenn Close, Uma Thurman, Lili Taylor, Lindsay Lohan and Viola Davis are among the actresses who appear on camera to enact Monroe’s own words from the late legend’s never-before-seen personal papers, diaries and letters. And Adrien Brody, Hope Davis, David Strathairn, Jeremy Piven and Paul Giamatti increase the star power by reading the words of Monroe’s friends and admirers.

    Diana Vreeland: The Eye Has to Travel

    Filmmaker Lisa Immordino Vreeland keeps it all in the family with a documentary portrait of her late grandmother-in-law, the trend-setting and enduringly influential fashion editor of Harper’s Bazaar and editor-in-chief of Vogue. No less a local luminary than Lynn Wyatt will moderate the Q&A with the director of this year’s official HCAF 2012 closing-night film.

    Individual tickets for the festival go on sale Wednesday and are available on the HCAF website.

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    Movie Review

    Margot Robbie ignites provocative new take on Wuthering Heights

    Alex Bentley
    Feb 12, 2026 | 3:31 pm
    Jacob Elordi and Margot Robbie in Wuthering Heights
    Photo courtesy of Warner Bros. Pictures
    Jacob Elordi and Margot Robbie in Wuthering Heights.

    Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years — each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

    Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

    Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

    Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

    Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

    What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

    Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

    This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

    ---

    Wuthering Heights opens in theaters on February 13.

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