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    Stretch Sweat Pray

    Mr. Hot Yoga: How Bikram Choudhury changed the way we exercise

    Clifford Pugh
    Oct 22, 2010 | 11:42 am
    • In Zoot suit and fedora, Choudhury doesn't look like the traditional yogi.
      Photo by Gabe Canales
    • Bikram Choudhury addresses a crowd at Rice University's Stude Hall.
      Photo by Gabe Canales
    • At one teacher training session, Choudhury stood on a woman's back.
      Photo by tiarescott/Flickr
    • In this undated photo from his autobiography, a much younger Choudhurydemonstrates the spine-twisting pose.
    • In his autobiography, Choudhury describes encounters with Richard Nixon andShirley MacLaine.

    At first, I thought I had happened into the wrong hotel room.

    The man at the door was dressed in a cream-colored silk zoot suit and shirt with contrasting black collar and cuffs, jeweled cuff links, an American flag tie tack pinned to his swirly black tie, gold loafers and white fedora, with his longish black hair peeking out from the back.

    This is the man who "invented" hot yoga?

    I had expected a swami in flowing robes. Instead I found a man who looked like he was part of Michael Jackson's entourage.

    "I'm in show biz. I entertain people," Bikram Choudhury said during an interview before presenting a lecture at Rice University. "It's a very boring subject. Why do you want to pay money to go to a hot room and torture yourself? I have to make it a little interesting."

    In recent years, Birkram's regimen of hot yoga, incorporating two sets of 26 poses during a 90-minute session in temperatures approaching 112 degrees, has taken off. In 1995, when the first freestanding Bikram studio in Houston opened, it attracted only a handful of students. Now there are six sanctioned studios in Houston — 15 in Texas — and thousands of regulars. He has more than 500 approved studios in the United States and around the world.

    "Before, only young kids used to come. Now (people in their) 50s and 60s come — doctors, engineers, lawyers, scientists," Bikram said.

    Why has it become so popular?

    "There are hundreds of reasons," he said. "But the shortest answer is, it works."

    He cites a recent scientific study in which Bikram yoga appears to prevent bone loss in women and cites the number of loyal celebrity clients — Kareem Abdul-Jabbar, Ralph Sampson, Michelle Kwan, Serena and Venus Williams — who claim it prolonged their sports careers. His latest adherent, Kobe Bryant, recently took up Bikram yoga for the same reason, Choudhury said. The clientele ranges from Playboy playmates to the U.S. men's gymnastics team, who did Bikram yoga in Houston before the 2008 Olympics, said Mike Winter, owner of two Houston studios.

    Feel the heat

    Choudhury came up with the idea for hot yoga a long time ago — just how long ago, he won't say; his birth certificate indicates he's 64, but he intimates he's much older — when practicing yoga in his hometown of Calcutta.

    "India is hot. We'd open the windows but my sweat felt cold, so I closed the windows and doors to my practice. Everyone complained to my guru."

    He believes that doing the poses in heat stimulates and strengthen muscles, joints and organs.

    Classes are standardized, so that a Bikram session is consistent in Houston or Honduras. "Wherever you go — man, woman, which language, young, old — it's exactly the same thing. It's like a Cadillac dealership. Anywhere in the world, you go to buy a Cadillac, and it's the same car. It's a product of Detroit. I'm a product of Beverly Hills," he said.

    According to his autobiography, Choudhury's green card came courtesy of President Richard Nixon, whom he treated for advanced thrombophlebitis in his left leg while Nixon was in Hawaii. Soon afterwards, in 1973, Choudhury settled in Beverly Hills and, at the urging of Shirley MacLaine, opened a yoga school. At first, he didn't charge for his classes until MacLaine told, "If you don't charge money, people won't respect you. They'll think you're full of it."

    He quickly cottoned to western ways. Although he was conflicted at first, telling MacLaine "If I ask for money, I'm a false yogi, a fraud," Choudhury now lives in a Beverly Hills mansion, owns a fleet of Rolls Royces and Bentleys and a closet of flashy designer clothes and Rolex watches. He sees nothing wrong in combining the material with the spiritual.

    "Indian yogi's are old-fashioned, conservative, prejudicial people. You have to look like yogi, talk like yogi, have a beard like yogi. Now, I live in America. Indian people never have the opportunity to learn what the west and America has to offer to this world. (There's) nothing wrong with nice house, nice clothes, nice food, nice friend. But don't forget the other part. You live in the best country in the world, America, but you don't live long enough to enjoy it. So I give you good life, enjoy what you accomplished. It's a balance. That's the most important thing."

    He has resisted western vices. He has never tasted alcohol or coffee and never smoked a cigarette. He says he only sleeps a few hours a night and eats only one daily meal — a piece of fish, chicken or meat or a small amount of egg curry rice — at night. "The best food in the world is no food," he said.

    He does an advance class three days a week and practices on his own — doing as many as 1,500 crunches in the sauna in sweltering temperatures he says most people couldn't handle — on other days.

    Each Bikram class is heavily choreographed from start to finish. While some have questioned the class length and wondered if it could be shortened, he says it must be done in its entirety to realize success.

    "It's a melody. If you drop one key, it's not the same," he said.

    His manner is mild, but during teacher training sessions, known as "Bikram boot camp," Choudhury is sometimes anything but Zen-like. He has been known to loudly berate teachers and call them out when instructions are not up to his standards.

    "I'll do anything to make it work. I'm not an easygoing man," he said.

    Answers critics

    Choudhury scoffs at Southern Baptist Seminary president Albert Mohler's recent pronouncements that Christians should not practice yoga because it has a spiritual aspect meant to connect with the divine.

    "What he said is normal but the way he said it is totally ignorant," Choudhury said "If you do yoga, you have good health. It's a preventative medicine."

    And, he maintains, no one in the western world understands spirituality, anyway.

    "So far in my life, no western man, including the Pope, can answer this question: 'In one sentence, what is spiritualism?' So when people talk about spirit in the western world, we Indians laugh because if people can't learn A,B,C,D, how can you explain Shakespeare, Byron, Shelley and Keates?"

    And he shrugs off criticisms that he copyrighted his 26-posture sequence, even though yoga is a 5,000-year-old tradition that cannot be owned, to create the "McDonald's of yoga."

    "Nothing bothers me," he replied. "I'm bullet proof, waterproof, wind proof, money proof, sex proof, emotion proof, stress proof, strength proof."

    unspecified
    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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    news/entertainment

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