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    Through Sunday at George R. Brown

    Unique perspectives abound at Texas Contemporary Art Fair

    Tyler Rudick
    Oct 22, 2011 | 3:01 pm
    • Paul Villinski, Passage, 2011, salvaged wood, found aluminum cans, wire, soot,and steel. Courtesy of Morgan Lehman.
      Photo by Tyler Rudick
    • Yup, online Texas art magazine Glasstire brought a miniature horse to thepreview party... and tagged it with their own logo.
      Photo by Tyler Rudick
    • Walter Robinson, Zero Sum Game, 2011. Courtesy of Catharine Clark Gallery.
      Photo by Tyler Rudick
    • Tracy Snelling, El Diablo Inn, 2010, mixed media. Courtesy of Rena BranstenGallery.
      Photo by Tyler Rudick

    It's all about unique new perspectives at the Texas Contemporary Art Fair, which features over 50 galleries specializing in the work of today’s most innovative artists.

    “Everything’s going well so far and it’s still only the preview,” Fredericka Hunter, who founded Houston’s Texas Gallery in the late 1970s, said at the Thursday night event which kicked off the festival. “We were one of top 10 performing galleries at Art Platform-Los Angeles a few weeks ago. I hope it goes just as well this weekend.”

    “Max Fishko [the fair’s director] comes from a long line of gallerists,” continued Hunter, who has remained a stong supporter of the event since its inception. “His family’s Forum Gallery in New York is one of the art’s most influential galleries, with works in major museums across the world.”

    For the fair, Texas Gallery has focused on a number of Houston-based artists — Francesca Fuchs, Rachel Hecker, Susie Rosmarin, and David McGee — as well as high-profile artists like photographer William Wegman and realist painter Rackstraw Downs.

    “With the down economy, many galleries are cutting back on the number of national and international fairs they can afford,” said Art Palace gallery owner Arturo Palacios. “But it’s wonderful to be in a town and art market you know.”

    Project Row Houses — one of several non-profits at the fair, including Fotofest, Contemporary Arts Museum Houston, and Glasstire (which had a miniature horse at its booth) — was promoting its current Communograph project, a series of events exploring the art of history-making in the Third Ward.

    Arturo Palacios, who moved his Art Palace gallery from Austin to Houston in January 2010, was excited to gain new exposure within the city’s art community. His booth was drawing a number of passers-by trying to get a better look of a double-headed sheep wrapped in crocheted yarn, a 2009 piece by Elaine Bradford entitled Tragus Januali (Pushmi Pullyu) after the whimsical Dr. Doolittle creature.

    “With the down economy, many galleries are cutting back on the number of national and international fairs they can afford,” he said. “But it’s wonderful to be in a town and art market you know.”

    Local art bookseller Exquisite Corpse was busy throughout the much of the evening, selling first editions and rare art monographs. Owner David Aylsworth, who also paints, had a bold abstract painting named “Hungry Yearning Burning” on display next door at the Inman Gallery, another key gallery in the early organization of the fair which was also showing work by rising art-star Dario Robleto.

    Marisa Sage, who owns the Brooklyn-based gallery Like the Spice (ha, get it?), already made a number of sales two hours into the preview party. “This year, we’ve done shows in San Fransisco, New York, the Hamptons, and Miami,” she said. “So far, we’re off to a phenomenal start.”

    Both guests and gallerists alike noted a rather upbeat and personable atmosphere at the preview, speaking volumes to director Max Fishko’s goal of enabling “conversations on what’s currently happening in art.”

    “There’s a definite spirit of inquiry tonight,” said Yana Balson from Fred Torres Collaborations, who had work from major artists Alessandro Twombly and David Lachapelle. “We have had much more interaction at this show than at many of our previous fair experiences in the past few years.”

    For a mere $35, noted Houston art collector Judy Nyquist purchased a painted bottle from noted local artist Bill Davenport, one a of number of artist’s at the preview offering work under $100.

    “Before this fall, the art world was skeptical about the staging of a show this size in Houston,” she said. “It’s truly amazing to see so many people here tonight, to see the city coming out to support a contemporary art event like this.”

    Texas Contemporary Art Fair runs through Sunday at the George R. Brown Convention Center (Hall A). One-day tickets are $20. Click here for details and schedule.

    unspecified
    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment
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