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    Music Matters

    Life as a sixtysomething Eagles groupie: Epic tour closing with rare warmth from cellphone phobic legends

    Jane Howze
    Oct 15, 2014 | 5:04 pm

    The Eagles landed in the Toyota Center again Tuesday night for the next-to-the-last performance of their "History of the Eagles Tour," which launched in Louisville 15 months — and more than 100 concerts — ago. The band visited both Dallas and Houston twice on this tour, with a sold out Houston performance in February, which I wrote about back then.

    Again this time, the nearly sold-out crowd was closer to retirement age than college age, though there were a number of younger fans who were there because their parents introduced them to the music.

    This newbie Eagles fan fell in love with the group not in the '70s when college friends were rocking to their many hits. I was introduced to them as more than background music in their highly-acclaimed documentary, History of the Eagles, which premiered at Sundance in 2013 As I wrote then, what I liked about them was, of course, the music, but also the back story.

    But because this tour is at its end, there was a more obvious and palpable looseness and warmth to the concert.

    Isn’t that what makes everyone interesting?

    The Eagles, like so many rock bands of the '70s, had a well-known, drug-fueled, conflict-ridden and seemingly joyless run, interspersed with brilliantly inspired songs written by co-leaders Glenn Frey and Don Henley. The band disbanded in 1979, only to reunite in 1994, and have enjoyed the coveted “second act” that has included playing to sold-out stadiums worldwide for the past 20 years.

    With my business travel, I have had the good luck (sometimes using a little special planning) of seeing them several times during this, their probably last tour. OK, count me in at nine concerts. It is a little embarrassing to be a sixtysomething groupie. As one of my college friends said, “Girl, it is time for you to grow up!”

    Given their ages — bumping up against 70 — it seems likely that the Eagles will probably not undertake this type of tour again. The concert I wrote about from Philadelphia last July was not much different from Tuesday night’s performance, which is a good thing, but it gave me a different perspective.

    What is there to get out of seeing the same concert nine times besides noticing that Henley wears the same 1960s plaid shirt every freaking performance?

    If you like the music, the pleasure seeing a band perform multiple times is not much different from seeing your favorite team or athlete perform again and again. You admire the craftsmanship, you relish seeing artists still at the top of their game and if you listen to their songs on the radio or play their CDs multiple times, why not see them in person if you have the opportunity?

    It is a little embarrassing to be a sixtysomething groupie. As one of my college friends said, “Girl, it is time for you to grow up!”

    Diehard Eagles fans know that like with Paul McCartney, Bruce Springsteen and U-2, you can expect to not be disappointed. The Eagles, in my experience, have never turned in a bad performance. But because this tour is at its end, there was a more obvious and palpable looseness and warmth to the concert.

    The band has been criticized as being so in control and so perfect as to be workmanlike and passionless.

    Henley, one of the great pop voices of all time, can be a little grumpy, but he smiled and made jokes throughout. When introduced, he even made faces at the camera. He said with real warmth and gratitude that the Eagles would not be here without their fans. Frey’s vocals were clear and strong, his electric piano on "I Can't Tell You Why" hauntingly good, yet he looked noticeably leaner than 15 months ago and he had bandages on both wrists and his fingers. Yep, time stands still for no one.

    Eagles Set List Soars

    The Eagles played all of the great songs that their fans still remember, note for note and word for word, with the first half devoted to a narrative with slower tempo ballads such as “Peaceful Easy Feeling” and “Witchy Woman,” and ending with “Take it to the Limit” (without the high notes hit by original singer Randy Meisner).

    As with earlier concerts, Frey announced an intermission so he could go to the bathroom, but added a comment, “I know you all can’t wait to check your cellphones," he cracked.

    It was an emotional concert from an unemotional band.

    The Eagles are notorious for having the ushers keep the audience in their seats with their cellphone stowed, and in an earlier review of this tour, I criticized the Eagles for being grumpy old men because they refused to allow photographs during the concerts. This started as a gentle admonition during the first concerts but by their first concert in Houston ushers patrolled the aisles, often interrupting the audience’s enjoyment by pushing their way into an aisle to enforce the no pictures policy.

    But you know what? I decided to stop griping and just go with the rules and I get it. It was wonderful to take in the concert with my ears, eyes and heart, rather than with my camera.

    The second act continued down memory lane with Joe Walsh taking center stage, a seemingly unscripted and a natural ham as well as one of the most talented guitarists around, delivering rousing, foot stomping renditions of “Life’s Been Good” and an expanded version of his “In The City.”

    And an Eagles concert would not be an Eagles concert with the haunting “Hotel California” and Henley’s soulful “Desperado.” The band appeared to have a sense of the ending of a chapter as they lingered on stage, taking in the affection and appreciation. It was an emotional concert from an unemotional band.

    Even though the Eagles could do the concert in their sleep, each performance has been richer and more nuanced, with additional cameras and new arrangements of several songs. Knowing that the audience loves the Eagles’ between songs commentary, there is more camaraderie and Bernie Leadon takes a role narrating the band’s history.

    When introducing one of the final songs, “In the Long Run,” Henley remarked that in 1979, when the song came out, the Eagles' music was being over shadowed by disco. In response the audience booed. Henley laughingly said, “And what do you hear of disco today? And we are still here,” to raucous cheers.

    With Wednesday night’s San Antonio concert the band will conclude their U.S. tour. I hope the Eagles will take flight again, and based on the audience’s reaction Tuesday night, their fans do too. But if not, their soaring vocals and poignant lyrics will live in my memory if not my camera.

    The Eagles concert tour, indeed, is just about over.

    The Eagles at Toyota Center February 2014
    Photo by Jane Howze
    The Eagles concert tour, indeed, is just about over.
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    ride like the wind

    Yacht rock legends Toto and Christopher Cross sail into Houston on 2026 tour

    Brianna Caleri
    Dec 9, 2025 | 9:30 am
    Toto onstage
    Toto/Facebook
    Toto is coming to Houston in August 2026.

    Three bands from the late 70s and early 80s — Toto, Christopher Cross, and The Romantics — are heading out on tour together with a stop at the Cynthia Woods Mitchell Pavilion in The Woodlands on August 7, 2026.

    The tour will run for 32 dates including one at the Germania Insurance Amphitheater in Austin on August 8. It starts in Bethel, New York, in July and ends in Toronto, Ontario, in August.

    Toto, best known for the hit so big it became a meme, "Africa," has had one of its strongest years in its 48-year history, according to a press release. In 2025 alone, their music has garnered more than a billion streams, with a weekly digital average of more than 20 million. "Africa" and "Hold The Line" have exceeded two billion and one billion streams, respectively, and have both gone at least triple platinum. Meanwhile, the majority of fans remain under 34 years old.

    Christopher Cross is a longtime friend of Toto and has collaborated with the group for more than 40 years. The two artists have toured extensively together. Cross became the first artist to win the "Big Four" awards at the Grammys for Record of the Year, Album of the Year, Song of the Year, and Best New Artist, two of which were for "Sailing."

    Finally, The Romantics are known for a British-American hybrid of rock music, that is often featured in movies, such as “What I Like About You,” “Talking In Your Sleep,” and “One In A Million."

    Ticket sales begin Friday, December 12, at 10 am via totoofficial.com.

    Dates on the upcoming summer tour are:

    7/15 Bethel, NY Bethel Woods Center for the Arts
    7/16 Saratoga Springs, NY Saratoga Performing Arts Center
    7/18 Holmdel, NJ PNC Bank Arts Center
    7/19 Wantagh, NY Northwell at Jones Beach Theater
    7/21 Boston, MA Leader Bank Pavilion
    7/23 Bangor, ME Maine Savings Amphitheater
    7/25 Syracuse, NY Empower Federal Credit Union Amphitheater at Lakeview
    7/26 Philadelphia, PA TD Pavilion at Highmark Mann
    7/28 Charlotte, NC PNC Music Pavilion
    7/29 Raleigh, NC Coastal Credit Union Music Park
    7/31 West Palm Beach, FL iTHINK Financial Amphitheatre
    8/01 Tampa, FL MIDFLORIDA Credit Union Amphitheatre
    8/02 Alpharetta, GA Ameris Bank Amphitheatre
    8/04 Orange Beach, AL The Wharf
    8/05 Brandon, MS Brandon Amphitheater
    8/07 The Woodlands, TX The Cynthia Woods Mitchell Pavilion
    8/08 Austin, TX Germania Insurance Amphitheater
    8/10 Albuquerque, NM Isleta Amphitheater
    8/11 Phoenix, AZ Arizona Financial Theatre
    8/12 Chula Vista, CA North Island Credit Union Amphitheatre
    8/14 Long Beach, CA Long Beach Amphitheater
    8/15 Mountain View, CA Shoreline Amphitheatre
    8/16 Wheatland, CA Toyota Amphitheatre
    8/18 Auburn, WA White River Amphitheatre
    8/19 Bend, OR Hayden Homes Amphitheater
    8/21 Salt Lake City, UT Utah First Credit Union Amphitheatre
    8/22 Denver, CO Ball Arena
    8/24 Kansas City, MO MORTON Amphitheater
    8/26 Shakopee, MN Mystic Lake Amphitheater
    8/28 Grand Rapids, MI Acrisure Amphitheater
    8/29 Clarkston, MI Pine Knob Music Theatre
    8/30 Toronto, ON RBC Amphitheatre

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