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    Warner Bros. on board

    Will the Galveston hurricane be turned into the next Titanic?

    Sarah Rufca
    Oct 12, 2010 | 3:56 pm
    • Galveston's devastation is the backdrop of a new movie project in the works.
    • Polly Johnsen, producer
    • Daniel Sussman, screenwriter

    When it comes to natural disasters, there's been more than enough fodder for dramatic interpretation.

    Instead studios have stuck to farfetched, overblown films about volcanos, alien invasions and Mayan calendar doomsday predictions, with mediocre results.

    But that could all be changing. Warner Bros. has bought a script about the 1900 hurricane in Galveston, the largest natural disaster in American history. It killed 8,000 people — four times as many as Hurricane Katrina. The Category 4 hurricane virtually wiped out the city, known at the time as "the Wall Street of the Southwest" and allowed Houston to eclipse the island city as the regional metropolis.

    The screenplay by Daniel Sussman, a former writer for The Practice, uses the hurricane as a backdrop for dramatic arcs about "a pair of young lovers on the verge of being separated, a struggle for power among various bureaucracies and a bitter love triangle involving two brothers," according to Risky Business.

    Sounds more like Titanic than 2012 — for the better. And in reminding America of some of the recent hurricane devastation, it may look to Hereafter, the new Matt Damon movie that incorporates the 2004 tsunami.

    The film is being produced by Polly Johnsen, who was also behind Cop Out and has several big movies in the works, including the new Excalibur and a film version of The Abstinence Teacher reportedly starring Sandra Bullock and Steve Carell.

    Johnsen has a first-look deal with Warner Bros. giving WB the first chance to take on a project, which means Galveston was snapped up as soon as it was offered, a good omen. Galveston is tentatively scheduled for a 2013 release according to IMDb.

    Can Hollywood do a good job telling the story of Galveston? Who would you want to see staring or directing?

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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