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    Real Housewives Recap Episode 9

    The Real Housewives of Dallas are naughty yachties in Mexico

    Kaitlin Steinberg
    Oct 9, 2017 | 10:25 pm
    D'Andra, Brandi, and Stephanie in Mexico, Real Housewives
    D'Andra, Brandi, and Stephanie on a boat trip in Mexico.
    D'Andra Simmons/Instagram

    This week’s episode of The Real Housewives of Dallas picks up right where last week left off: with a catfight in a bat cave in Mexico. Brandi is accusing Cary of putting down other doctors, while Cary is upset that Brandi didn’t defend her against LeeAnne’s threats on her life.

    Let’s be clear about those threats, though. While disturbing (as LeeAnne is wont to be), the remarks weren’t actually clear threats on Cary’s life. The whole thing has been blown wildly out of proportion and somehow morphed from a vague, drug-fueled rant into “LeeAnne wants to strangle me with her bare hands.” Is that something LeeAnne could feasibly do? Absolutely. But she never actually said that.

    Less clear is what, exactly, Cary said about Brandi’s doctor. Brandi remembers Cary warning her that he “killed people on the operating table,” but Cary swears this never happened. As dinner ends, the argument remains unresolved, and the group splits up for a night of fun in Mexico.

    Fun is pretty subjective in this case, though. While Brandi, Stephanie, D’Andra, and LeeAnne indulge in still more tequila and dance the night away on top of a bar, Cary and Kameron put on face masks, snuggle into their jammies, and go to sleep.

    The next morning, Cary and Kameron are bright-eyed and well-rested, while Brandi and Stephanie struggle to get their bearings in the midst of what have to be massive, earth-shattering hangovers. Kameron lectures Cary about what poor friends Brandi and Stephanie have been, clearly plotting to finally gain her own “ride or die” buddy in this gang.

    Meanwhile, Brandi and Stephanie plot to reclaim “Sexual Chocolate,” the large, brown dildo Brandi brought on the trip, as he seems to have gone missing in the chaos of chasing Kameron around the beach, wiener in hand. As viewers, we didn’t see what happened to ol’ Sexual Chocolate after LeeAnne confiscated him and buried him in the sand, but Stephanie swears she saw LeeAnne dig him back up and bring him to her room. She is determined to save him.

    Anyway, before the great dildo hunt begins, D’Andra has taken a page out of Mommy Dearest’s book and planned some team-building exercises for the disjointed group. She pairs the ladies off, joining LeeAnne with Cary and Kameron with Brandi. D’Andra will be with Stephanie, which is all well and good, but if everyone in those other pairings survives this day of “fun on the beach,” I will be shocked.

    To test the ladies’ patience, a trio of Mexican cabana boys has set up the lamest obstacle course ever. They have to spin around a pole a few times, shimmy under a volleyball net, dig up a ball and throw said ball into a bucket, then return to the start where they will tag their partners, and the whole thing will go down again. Brandi dubs her team with Kameron “Team Sesame Street,” because Kameron is Big Bird and Brandi is Elmo. It’s not clear if Kameron is aware of this designation, but Brandi’s impression of Big Bird Kameron is spot on.

    Big Bird reveals that she had her chromosomes tested, and she is endowed with a “professional athlete gene,” which she puts to use, easily winning the obstacle course. LeeAnne gives up, citing her recent breast surgery, while D’Andra can’t find her balls, which feels very much like a metaphor for her relationship with her mother.

    The second part of the team-building is a game of volleyball, and somehow (Hint: It’s because she was captain of her high school volleyball team, and she knows she can win), LeeAnne’s boobs heal in time to crush her opponents.

    After the game, at a relaxed beachside lunch, Brandi can’t seem to let her newfound peace with Kameron endure, choosing instead to poke the Big Bird by quipping about how unsophisticated she, Brandi, is. Then, when Cary comments that she has to go “wash the sand out of her vagina,” Brandi points at Kameron, challenging her to lash out at the impropriety of the statement.

    “She legitly has a medical condition,” Kameron replies. “Legitly.” She’s a smart blonde, y’all.

    Later, Brandi and Stephanie take advantage of LeeAnne and D’Andra being out of their suite to sneak in and reclaim Sexual Chocolate. They dress up as LeeAnne and D’Andra — Brandi in a glittery bodysuit and too much makeup and Stephanie in a gold headband that I swear D’Andra is actually wearing later in the episode. They convince the front desk manager that they are LeeAnne (“I’ve been in a lot of movies … Miss Congeniality … I’m a really big deal.”) and D’Andra (“LeeAnne, stop it!”).

    Once in the suite, the girls manage to find Sexual Chocolate hidden beneath LeeAnne’s pillow. Do you have a lot of questions? I have a lot of questions.

    That evening, the group reconvenes for a relaxing jaunt on a yacht. As LeeAnne, Stephanie and Brandi pose for a photo before the sunset, Kameron starts whispering to Cary about how fake that trio is. To her credit, though, she doesn’t keep these thoughts to herself. She comes right out and asks Brandi and Stephanie why they’re being buddy-buddy with LeeAnne after making fun of her and her crazy boob doctor when they first arrived in Mexico. Then she asks why they didn’t have Cary’s back in her dust-up with LeeAnne the previous night.

    Before either can respond, D’Andra calls out Cary for making fun of LeeAnne’s fiancé, Rich. Cary admits to “joking” that Rich is in possession of “the world’s smallest penis,” which LeeAnne quickly refutes by zooming in on a photo of Rich’s crotch on her phone. And ... well ... good for you, LeeAnne.

    Cary apologizes, then (rightfully) throws Brandi under the bus for continuing to gossip about everyone around her. Brandi freaks out about constantly being put “in the middle,” and proceeds to (rightfully) throw LeeAnne under the bus for claiming that Cary’s husband, Mark, “gets his dick sucked at the Round Up.”

    Cary immediately transforms into the lady who doth protest too much, swearing that Mark is doing no such thing and harping on how hurtful LeeAnne’s claims are to her family.

    And then, as if Mother Nature wants in on the argument, the winds pick up, the waves grow choppy, and the serene yacht ride becomes the water roller coaster from hell. Two hours after the swells start, Stephanie is literally hitting the deck, unable to walk from a mixture of drunkenness and seasickness. Cary, Kameron, and Brandi seem to have bonded over laughing at Stephanie, until Stephanie vomits over the side of the boat and Cary commences her sympathy retching.

    Once the boat finally docks, the argument between LeeAnne and Cary reignites, with LeeAnne claiming Cary gets away with saying whatever she wants, while she, LeeAnne, is always the bad guy. They end up apologizing to each other (let’s see how long that truce lasts), and Stephanie breaks the tension by asking to see LeeAnne’s newly doctored boobs. LeeAnne refuses and threatens to chase Stephanie around with “that big, black dick,” which is the perfect segue for Brandi to reintroduce Sexual Chocolate to the gang. Yes, he’s been on the boat the entire time.

    Because she learned nothing from Kameron’s earlier freak out, Brandi starts to poke at her with the dildo again. Kameron absolutely cannot deal with being in the same ZIP code as a dildo, so she storms off the boat, calling Brandi and Stephanie “trashy” in about 15 different ways. She’s not entirely wrong.

    When Cary and D’Andra implore Kameron to go back on the boat, she delivers the best line of the night, saying that if Brandi won’t apologize to her, “she can suck it.” The most amazing part of that outburst is that Kameron didn’t even realize she made a joke until D’Andra and Cary started laughing hysterically.

    Oh, Big Bird. Never, never change.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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