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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Oct 8, 2019 | 1:40 pm

    Is Houston a bad live music city?

    The uglier side of local audiences reared its head again this weekend at the Raconteurs show at Revention Music Center with several complaints coming from crowd members on social media that accused others of being discourteous and loud during a show by a band that's known for being, well, loud.

    What's even stranger is that the show was a no-phones space, meaning that the band's management required every ticket holder to place their cell phone in a lockable pouch, which only unlocked if the patron moved to a designated area. Maybe it was a case of everyone discovering the joys of no screen time and felt inclined to share their every waking thoughts with those around them.

    Let's practice a little common courtesy, folks. A concert space should be like going to the movies — keep the speaking to a soft whisper and let people through if they are trying to get to their friends/significant others if they had to use the restroom or refill their beverages.

    CultureMap's biggest, best, and most notable shows of the week are as follows:

    CultureMap recommends: Mumford & Sons at Toyota Center
    You can thank Mumford & Sons for the popularization of "whoa-oh-ohs" that have pervaded pop and rock music like an invasive species. Arcade Fire may have started the current trend on their debut album Funeral, but it was the London act that brought it to the mainstream with their huge first album Sigh No More that produced the inescapable singles, "Little Lion Man," and "The Cave," which mixed Arcade Fire's driving rhythms with furious acoustic folk strums. They rode those "whoa-oh-ohs" to international fame and celebrity wives (lead singer Marcus Mumford is married to actress Carey Mulligan).

    Their latest is the experimental Delta, which seems to be less of the "whoa-oh-ohs" and has been seen as a critical misstep. Go figure. But this band has too many hit songs to discount and it will surely pack out the Toyota Center this Tuesday night.

    Mumford and Sons perform at Toyota Center, located at 1510 Polk St., on Tuesday, October 8. Gang of Youths open. Tickets start at $29 plus service fees. Doors open at 6 pm.

    Great Van Fleet at Smart Financial
    Greta Van Fleet, the second coming of Led Zeppelin comes to Houston promoting the release of their second album, Anthem of the Peaceful Army. While universally panned for their output due to its die-hard allegiance to the House of Plant and Page, the Michigan based act found an audience early on with their Zep-aping debut From the Fires, landing on the covers of music magazines and even a slot on Saturday Night Live.

    It could have been a case of young musicians playing to their influences, but Anthem... was more of the same. These guys have talent, to be sure, let's hope that they find their own sound as they grow as musicians.

    Greta Van Fleet headlines Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Wednesday, October 9. Shannon and the Clams open. Tickets start at $39.50 plus fees. Show starts at 8 pm.

    CultureMap show of the week: Billie Eilish at Toyota Center
    Not since Nirvana have we seen an artist or group touch a cultural nerve like Los Angeles native Billie Eilish. Starting at a grassroots level, releasing singles sporadically, all produced by her brother in his bedroom, Eilish grew her audience through smart marketing in a digital sphere. Her sound incorporates dark elements and skittering pop beats, a mix of Nine Inch Nails, and Ariana Grande that sits comfortably on the Billboard Top 100 as it does on alternative radio.

    Did we mention she's only 18 years old and she holds the record as the first artist born in the 2000s with a No. 1 song ("Bad Guy")? And that she forgoes any sense of sex appeal, wearing ultra baggy clothing to place the focus on her music? Celebrities and teenagers alike are flocking to her shows, she's selling out tours, defying gravity on Saturday Night Live in a clip that will go down in music history, and she has one of the biggest albums in recent memory with When We Fall Asleep, Where Do We Go? What were you doing when you were 18?

    Billie Eilish performs at Toyota Center, located at 1510 Polk St., on Thursday, October 10. Duckwrth opens. Tickets start at $39.50 plus service fees. Doors open at 6:30 pm.

    Banks at HOB
    Like James Blake, who played House of Blues last Sunday, Banks plies her trade in alternative pop and R&B with heavy emphasis on synths and manipulated vocals. Like Billie Eilish, the California native used the power of the internet to rise to fame, attracting pop, R&B, EDM, and indie fans alike, her first album, 2014's Goddess landing high on the Billboard charts. Her progressive pop adventures continue on the critically acclaimed third album, aptly named III, which features the killer dance-inflected first single, "Gimme."

    Banks plays House of Blues, located at 1204 Caroline St., on Thursday, October 10. Kevin Garrett opens. Tickets start at $26.50 plus fees. Doors open at 8 pm.

    Jon Pardi at White Oak Music Hall
    Fast-rising country singer Jon Pardi rolls into Houston armed with a new album that includes some well known credits. First single from his new album Heartache Medication, "Don't Blame it on the Whiskey," features the songwriting talents of Eric Church and Miranda Lambert among other Nashville hitmakers.

    The California native — it seems to be California week on Houston stages — made significant inroads with his second album, California Sunrise, which earned No. 1 status on country charts and No. 1 singles "Head Over Boots," "Dirt On My Boots" and "Heartache on the Dancefloor." Expect big things from Pardi in the future, who is now playing to mid-sized venues across the country.

    Jon Pardi plays the White Oak Music Hall lawn, located at 2915 N. Main St., on Friday, October 11. Riley Green opens. Tickets start at $39.50 plus fees. Doors open at 7 pm.

    Judah and the Lion
    Nashville band Judah and the Lion hit the mainstream in 2017 with the widely heard No. 1 alt-rock single "Take It All Back" before releasing this year's Pep Talks. The album's material is a classic look at the attempt of handling success through the viewpoint of lead singer Judah Akers. It also helps that the No. 2 alt-rock album features chanteuse du jour Kacey Musgraves. They're on a headlining tour following opening slots with Twenty One Pilots, Incubus, and Jimmy Eat World.

    Judah and the Lion are at the Revention Music Center, located at 520 Texas Ave., on Friday, October 11. Tickets start at $35 plus fees. Doors open at 7 pm.

    CultureMap show of the week: Billie Eilish performs at Toyota Center on Thursday, October 10.

    Billie Eilish
    Photo courtesy of Billie Eilish
    CultureMap show of the week: Billie Eilish performs at Toyota Center on Thursday, October 10.
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    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

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