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    The Great Outdoors

    Lost and found in the middle of Houston

    Peter Barnes
    Nov 20, 2009 | 2:30 pm
    • Peter ready to ride
      Julie Soefer
    • Sunset at the park

    Flecks of blood started to appear on my sweat-drenched pants as I watched the railroad ties thudding away beneath my bike tires. The thorns I’d wandered through a few minutes earlier and a chain-link fence separated me from the little circle on my GPS I’d been trying to reach for the last hour.

    The quickest way around was along the tracks, and I shot nervous glances behind me to watch for the train I had a bad feeling would send me diving back into the pointy undergrowth.

    While I huffed toward the next crossing, I realized that this was not the way most people spend an afternoon in Memorial Park. About 1/2 mile ahead of me, lithe joggers ran contentedly along the boulevard. Yet there I was, practically in the shadow of the Williams Tower, having an outdoor adventure in the heart of Texas’ largest city.

    A curiosity about geocaching and a few dumb turns may have led me to that particular place and time, but something more universal made me enjoy it—the simple pleasures in being outside and experiencing something new.

    Whether it’s an afternoon exploring the Hill Country vineyards, a historic audio tour of downtown Houston or a few mauls at a pick-up rugby game, I’d like to fill this space with a new way each week to get out of our city’s legendary air conditioning and do something worthwhile outdoors.

    Take geocaching. Following an impulse buy at REI, I turned to this quirky hobby to break in my new GPS. It seemed straightforward: just enter some coordinates and hunt for a hidden container at that spot. Sites like geocaching.com catalogue thousands of caches all over the world, ranked by terrain and difficulty.

    “I go to see the location, to go to the place, to see someplace new,” says Jim Evans of Clear Lake. Known by the caching alias "Thot," Evans hosts a helpful site for beginners here.

    What the GPS doesn’t tell you, as I found out, is the best way to get to a cache or where to look once you reach the 30-foot circle that marks the limits of your device’s accuracy.

    I set out from my house thinking I could cut through the park, hop across the tracks and make my first find with relative ease. Trying stubbornly to draw a straight line across the handheld’s screen with my movements, I crossed a road-bike track, stumbled onto some excellent mountain biking trails and scrambled across a ravine before finding myself riding down the railroad.

    I made it off the tracks without incident, but by then my new menace was the sun, perilously close to setting while my GPS made threatening beeps to let me know the batteries were running low.

    The hunt led me into the Houston Arboretum and Nature Center, past a lovely set of ponds where lovers chatted on benches. I likely never would have discovered it on my own.

    A bike in one hand, my GPS in the other, I again headed blindly into the bush, pushing through branches, starting to fear that I’d come so far, actually circled this thing at one point, only to have it slip my grasp in the approaching twilight.

    Just as my hopes were starting to fade, I spotted an ammunition can painted green and black beneath a log I was about scramble across. I took a seat, sucked down half a bottle of Gatorade from my pack and opened up the container.

    Inside were old McDonald’s toys, a few pre-Euro French francs, custom coins bearing the marks of other geocachers and a small notebook chronicling the discoveries of those who’d shared in this not-quite-buried treasure before me.

    I hadn’t climbed a mountain or traversed the wilderness, but I still felt like I’d accomplished something as I wandered back to the road.

    As the sun set, I cruised on home along Memorial Drive tired and happy, just in time to see the train barrel past at full speed.

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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    A post shared by RODEOHOUSTON (@rodeohouston)


    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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