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The Great Outdoors

Lost and found in the middle of Houston

Peter Barnes
Nov 20, 2009 | 2:30 pm
  • Peter ready to ride
    Julie Soefer
  • Sunset at the park

Flecks of blood started to appear on my sweat-drenched pants as I watched the railroad ties thudding away beneath my bike tires. The thorns I’d wandered through a few minutes earlier and a chain-link fence separated me from the little circle on my GPS I’d been trying to reach for the last hour.

The quickest way around was along the tracks, and I shot nervous glances behind me to watch for the train I had a bad feeling would send me diving back into the pointy undergrowth.

While I huffed toward the next crossing, I realized that this was not the way most people spend an afternoon in Memorial Park. About 1/2 mile ahead of me, lithe joggers ran contentedly along the boulevard. Yet there I was, practically in the shadow of the Williams Tower, having an outdoor adventure in the heart of Texas’ largest city.

A curiosity about geocaching and a few dumb turns may have led me to that particular place and time, but something more universal made me enjoy it—the simple pleasures in being outside and experiencing something new.

Whether it’s an afternoon exploring the Hill Country vineyards, a historic audio tour of downtown Houston or a few mauls at a pick-up rugby game, I’d like to fill this space with a new way each week to get out of our city’s legendary air conditioning and do something worthwhile outdoors.

Take geocaching. Following an impulse buy at REI, I turned to this quirky hobby to break in my new GPS. It seemed straightforward: just enter some coordinates and hunt for a hidden container at that spot. Sites like geocaching.com catalogue thousands of caches all over the world, ranked by terrain and difficulty.

“I go to see the location, to go to the place, to see someplace new,” says Jim Evans of Clear Lake. Known by the caching alias "Thot," Evans hosts a helpful site for beginners here.

What the GPS doesn’t tell you, as I found out, is the best way to get to a cache or where to look once you reach the 30-foot circle that marks the limits of your device’s accuracy.

I set out from my house thinking I could cut through the park, hop across the tracks and make my first find with relative ease. Trying stubbornly to draw a straight line across the handheld’s screen with my movements, I crossed a road-bike track, stumbled onto some excellent mountain biking trails and scrambled across a ravine before finding myself riding down the railroad.

I made it off the tracks without incident, but by then my new menace was the sun, perilously close to setting while my GPS made threatening beeps to let me know the batteries were running low.

The hunt led me into the Houston Arboretum and Nature Center, past a lovely set of ponds where lovers chatted on benches. I likely never would have discovered it on my own.

A bike in one hand, my GPS in the other, I again headed blindly into the bush, pushing through branches, starting to fear that I’d come so far, actually circled this thing at one point, only to have it slip my grasp in the approaching twilight.

Just as my hopes were starting to fade, I spotted an ammunition can painted green and black beneath a log I was about scramble across. I took a seat, sucked down half a bottle of Gatorade from my pack and opened up the container.

Inside were old McDonald’s toys, a few pre-Euro French francs, custom coins bearing the marks of other geocachers and a small notebook chronicling the discoveries of those who’d shared in this not-quite-buried treasure before me.

I hadn’t climbed a mountain or traversed the wilderness, but I still felt like I’d accomplished something as I wandered back to the road.

As the sun set, I cruised on home along Memorial Drive tired and happy, just in time to see the train barrel past at full speed.

unspecified
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From Fest to Screen

Alamo Drafthouse kicks off  film distribution with Butthole Surfers doc

Brianna Caleri
Jul 7, 2026 | 4:30 pm
Butthole Surfers
Photo by Pat Blashil
Alamo Drafthouse is going bold with the first of its picks for its new festival film distribution initiative.

The Austin-based movie theater chain Alamo Drafthouse Cinema is doing something about the great films that premiere at festivals and never make it to the general public. It's launching Alamo Exclusives, a theatrical distribution program specifically dedicated to getting more eyes on those films across the country for limited runs. The program will start with the South by Southwest-premiered documentary Butthole Surfers: The Hole Truth and Nothing Butt.

The documentary follows the rise and taming of Butthole Surfers, the wild '80s punk band from San Antonio and Austin. The film uses archival footage and interviews to go deep on the many band members over the years and their shock-and-awe performance style.

With gratuitous full-frontal nudity, questionable group ethics, and a penchant for always upping the ante, it's not surprising that this film hasn't become a mainstream hit, but it offers strangely beautiful and loving insight into what makes Austin so weird — and what that cost the people involved. It's an encouraging first choice to prove Alamo Drafthouse is committed to bringing interesting and unique films to light.

Tickets will go on sale July 21 for screenings scheduled for late this summer.

"I’m so grateful that Alamo Drafthouse believes in this film and chose it to kick off the Alamo Exclusives distribution program,” said director Tom Stern in a press release. “I love that Alamo audiences are passionate moviegoers who genuinely embrace great documentaries and independent cinema. Knowing this film will be experienced on big screens by that kind of audience makes this release especially meaningful.”

“Too many incredible films premiere at festivals and then never receive the theatrical life they deserve,” says Lisa Dreyer, director of Alamo's Fantastic Fest and film innovation. “We are actively searching for films across all genres, from horror to comedy, to everything in-between, to champion in this new, exciting way. We're thrilled to launch the program with BUTTHOLE SURFERS: THE HOLE TRUTH AND NOTHING BUTT, a film that’s bold, entertaining, unapologetically original, and deeply connected to Austin's creative DNA. We couldn't imagine a better film to kick off this new chapter.”

Alamo Exclusives will run titles without distribution from a variety of festivals including Sundance, South by Southwest (SXSW), Tribeca, TIFF, Cannes, Berlin, and Fantastic Fest. Those limited runs will also come with marketing support, and Alamo will work directly with filmmakers to make it happen.

One of Alamo's specialties as a chain is a wide selection of titles; the release says it plays "more movies than any other theater in the world." That includes repertory programming (showing old films), releasing new films in a way that highlights the filmmaker, special events, and more. Alamo Exclusives will fit right in, but they'll be clearly labeled so that they're easy to spot.

More titles will be announced "in the coming months," the release says. Alamo is taking submissions from filmmakers and sales agents via Film Freeway.

“From the very beginning, Alamo Drafthouse has championed independent film and built strong relationships with filmmakers because we know our audiences value discovering great cinema,” says Michael Kustermann, CEO of Alamo Drafthouse Cinema. “Time and again, they've shown they'll come out to support bold, original films when given the opportunity. ‘Alamo Exclusives’ is a natural extension of that. It gives us another way to champion filmmaker-driven films that deserve to be discovered and connect them with the wider Alamo Drafthouse audience.”

south by southwest sxsw film film festival movies documentaries music punk music
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