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    Mondo Cinema

    Breaking free of Bollywood's glitzy chains: Houston film festival shows there is much more to Indian cinema

    Joe Leydon
    Oct 4, 2013 | 10:55 am

    Sutapa Ghosh wants the world to know that, just as there is more to American cinema than Hollywood, there is more to Indian cinema than Bollywood. To help spread her message, the Calcutta-born, Houston-based movie producer organized the Indian Film Festival of Houston.

    The fifth annual edition of her ambitious event unspools this weekend, Friday through Sunday, at the Asia Society Texas Center. And rest assured: Ghosh has taken pains to ensure there is more than just the usual Bollywood song and dance on her program of shorts, documentaries and dramatic features.

    India, it should be noted, just happens to be the most prolific producer of motion pictures in the entire world. Among the reasons for this prodigious output: The sheer size of the domestic audience.

    “I have nothing against Bollywood. We’re very proud of Bollywood. But we’re beyond Bollywood as well.”

    “India is so vast, with so many languages, so many dialects,” Ghosh says. “But while, yes, there are many, many movies produced in India — not all of them are produced in the Hindi language in Bollywood.

    “Currently, we’re in a very blessed time in India, where a lot of new moviemakers have come in and started making some excellent movies. And they’re not just Bollywood movies — we’re talking about films from different regions as well: Bengali movies, Gujarati movies, Tamil movies and so on.”

    Don’t misunderstand: Ghosh isn’t a Bollywood basher.

    “I have nothing against Bollywood. We’re very proud of Bollywood. But we’re beyond Bollywood as well.”

    As Ghosh sees it, she’s dealing with an image problem not unlike the one that burdens her adopted hometown. “Typically, when people talk about Houston,” she says, “they think of oil and gas and medical centers and NASA. It was initially a challenge for us to convince some people that we have a thriving arts community as well.

    “Houston is a very international city. And we see part of our mission as helping put Houston on the map in terms of international culture.”

    Features programmed for the 2013 Indian Film Festival of Houston include:

    The Good Road – Director Gyan Correa’s road-movie drama focuses on three groups of people whose lives intersect as they travel along a bleak stretch of highway in western India. For all its critical acclaim, the Gujarati-language production was viewed by many observers — including Correa himself — as a surprise choice when it was selected as India’s official 2013 entry in the Academy Awards race for Best Foreign Film.

    A pleasant surprise, mind you, but a surprise nonetheless.

    “It’s staggering,” Correa told the showbiz trade paper Variety. “I never thought this would happen. I never thought about the Oscars. I just made the film that was in my mind. I’m humbled.”

    Correa will be on hand for the opening night screening. (7 p.m. Friday at Asia Society Texas Center)

    The Jewelry Box – Award-winning Bengali filmmaker Aparna Sen is slated to introduce the H-Town premiere of her latest effort, a horror comedy based on Shirshendu Mukhopadhyay's classic tale about three generations of women and their shifting positions in a class-conscious East Bengal society. (6 p.m. Saturday at Asia Society)

    Celluloid – Filmmaker Kamaluddin Mohammed Majeed, usually credited simply as Kamal, pays tribute to J.C. Daniel, generally acknowledged as the Father of Malayalam Cinema, in this biopic dealing with Daniel’s production of the groundbreaking 1930 silent film Vigathakumaran. (2:15 p.m. Sunday at Asia Society)

    A scene from The Jewelry Box, a horror-comedy based on Shirshendu Mukhopadhyay's classic tale about three generations of women and their shifting positions in a class-conscious East Bengal society

    Indian Film Festival The Jewelry Box
      
    Shomingekiblog.blogspot.com
    A scene from The Jewelry Box, a horror-comedy based on Shirshendu Mukhopadhyay's classic tale about three generations of women and their shifting positions in a class-conscious East Bengal society
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    la flame gets burned

    Houston rapper Travis Scott targeted by new Netflix doc and biting diss track

    Craig D. Lindsey
    Jun 24, 2025 | 3:15 pm
    WrestleMania 41
    Photo by Ethan Miller/Getty Images
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    Here’s where we are so far in the bad month local rap god/aspiring WWE heel Travis Scott has been having lately:

    It all started a couple of Tuesdays ago when Netflix reminded people of Scott’s darkest hour with Trainwreck: The Astroworld Tragedy, the latest entry in the streamer’s Trainwreck documentary series. This installment takes you back to the first night of Scott’s Astroworld Festival in 2021, when Scott’s headlining performance resulted in a fatal crowd crush and ten people – aged 9 to 27 – dying from compressive asphyxiation.

    The doc, which includes interviews with attendees who survived the crush but lost a loved one, basically echoes what a Houston grand jury found in 2023: no single person was responsible for the deaths. Scott is just as much to blame as Live Nation, the live-event empire that teamed up with Scott in (poorly) organizing that year’s festival. (As someone who attended the first two, casualty-free Astroworld fests, I can say things were a lot less clumsy and dangerous before Live Nation showed up.)

    For local rap enthusiast/podcaster Donnie Houston, Trainwreck gave him what he already suspected. “I feel like, after watching the documentary – and with what I felt before – this thing was bigger than one person,” says Houston. “It was bigger than Travis Scott.”

    If that wasn’t enough for our boy, Pusha T of the Virginia rap duo Clipse has been making his feelings known about La Flame — and it’s not good. Last week, he and his twin brother Malice dropped the single “So Be It,” from their upcoming Let God Sort Em Out album. During one verse, Pusha throws a lot of lyrical daggers at Scott:

    You cried in front of me, you died in front of me
    Calabasas took your b***h and your pride in front of me
    Heard Utopia had moved right up the street
    And her lip gloss was poppin', she ain't need you to eat
    The 'net gon' call it the way that they see it
    But I got the video, I can share and A.E. it

    Pusha has also been making the press rounds, explaining his beef with Scott. It goes back to “Meltdown,” a track from Scott’s 2023 album Utopia. The song features a guest verse from Drake, who takes shots at former foe Pusha and longtime collaborator Pharrell Williams. “I melt down the chains that I bought from your boss, give a f**k about all of that heritage s**t,” he raps, referring to the jewelry the part-time Houstonian bought through Pharrell’s Joopiter auction site.

    Pusha took umbrage with the verse, especially since Scott flew to Paris to play “Meltdown” and other tracks for WIlliams (who produced a track on Utopia). “He interrupted a session,” Pusha said in a GQ interview. “He sees me and Malice there. He's like, ‘Oh, man, everybody's here,’ he's smiling, laughing, jumping around, doing his f***ing monkey dance. We weren't into the music, but he wanted to play it, wanted to film [us and Pharrell listening to it]. And then a week later you hear ‘Meltdown,’ which he didn’t play. He played the song, but not [Drake’s verse].”

    Pusha also calls out Scott for his lack of loyalty. “I don't play how y'all play. To me, that really was just like…he's a whore. He's a whore.”

    While Pusha has been doubling down on the Scott hate, the social-media world is waiting for Scott to respond — and possibly set off another, high-profile rap feud. Even though Bun B recently said he believes Scott will most likely have something to say soon, Donnie thinks this beef has already run its course. “I expect something like this, honestly, to blow over,” he says. “Like, I don't see this turning into anything nowhere near the magnitude of a Kendrick and Drake situation.”

    Even with all the haterade surrounding him, Houston predicta Scott will rise above it. “I think this documentary dropping may have, you know, reminded some people of some things that may provoke certain feelings,” he says. “But I think Travis is gonna be alright, man. Like, the kid's a megastar, younowhamsayin. I think that the people that follow him genuinely follow him. And even if he loses a couple people here and there, his following is so strong and so tied in with everything he has going on, and he'll be alright.”

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